xilddx

[quote name='Earbrass' timestamp='1335267808' post='1628257'] Thanks! [/quote] A pleasure! Keith Tha Bass played a gig in Kingston last week for his birthday, he posts his poetic impressions of the weather every morning on Facebook, really quite funny to read, and oddly comforting

[quote name='Earbrass' timestamp='1335266860' post='1628229'] I'll have to check that out. I rather lost touch with Here and Now. I must have seen them at least half a dozen times in their Floating Anarchy period, around 1977/8, with and without Daevid Allen. [/quote] [url="http://soundcloud.com/steffe"]http://soundcloud.com/steffe[/url]

[quote name='BigRedX' timestamp='1335257720' post='1627919'] I would agree. If iBass Magazine aren't going to use this forum to interact with their (potential) readers then why are they here? Ped, did they ask specifically for this sub-forum or was this something that Basschat offered to them? Making the internet work for you has to be an essential part of any company's business strategy and doubly so if your product is delivered on-line only. I would have thought that Basschat would be one of their most important outlets for their publicity. A captive audience who are all potentially interested in the product. A membership of over 20,000 with approximately 1000 people browsing the forum at any one time. As what is essentially a niche product, you don't get much better access to your target audience than that! As a potential reader it worries me that iBass Magazine hasn't even "published" its third issue but already they are changing the business model. If I was already a subscriber I would not be a happy person. I spent a couple of hours last night looking at issue one now that it's viewable by non-subscribers (Issue 2 isn't for some reason I just get an error message) and I couldn't see what I was missing to be worth subscribing for. To an outside observer the big problem seems to be that the producers simply don't appear to be internet-savvy enough to be able to deliver a worthy product. This is supposed to be an on-line only product yet the basic layout still follows that of a print magazine and the delivery system being used is one designed to allow publishers of printed matter to get them on-line with the minimum of effort rather than something that actually makes use of the unique strengths of on-line publication. You know if I have to have a computer and an active internet connection to read iBass Magazine it needs to have unique features to make up for the fact that it's not a printed magazine that I can stick in my bag and read when I go out on the bus or train, on holiday on the beach or at home in the bath. At the moment it doesn't. I suspected that iBass was going to be a disappointment when I read the original post by the editor and saw that he hadn't learnt how to make his links clickable. To me this is basic stuff and for the public face of an internet only business completely unforgivable. I would love for there to be a really good bass magazine (either printed or on-line) and would be happy to support it. However on current showing I have to say that iBass Magazine isn't it. [/quote] I completely agree. I actually found the issue I bought to be difficult and frustrating to navigate, the content limited, and the only advantage taken of the medium to be video, much of which was promotional and advertorial in nature. There are very few online parallels with printed material, I'm wondering if there is any point in a monthly magazine on the internet, why do I want to wait a month for something that isn't even really interactive, or delivering the amazing advantages of the online experience? Navigating printed periodical media is still much easier than most online equivalents and offers a better experience in most cases. I want to interact with online media, I want to to be able to talk to the people in the magazine. If there's an interview with Jeff Berlin, why not open a publication-specific dialogue with him and the readers for a limited time as part of the package? I don't want just pictures and a review of a bass, I want video, I want to hear it and almost feel it, as well as see it, I want things I can't get from printed media, I want to hear the difference between the latest Fender Jazz on review, and a 1960s Jazz, and a Lakeland Jazz, and a Encore Jazz. I want to HEAR the difference between the Wizard Thumper and the stock Fender Precision Pickup. I want to HEAR the difference between the Glockenklang and the John East in the same bass. Or the tone and sustain difference between a Badass compared to the Bent Tin, the balance of a bass with Fender tuners changed to Hipshot Ultralights. I want to HEAR those DR Sunbeams against the Hi-Beams, and the Rotosounds. I want to see how that Warmoth Jazz neck actually fits a bunch of Fender bodies. While you're at it, grab those Fender bodies, and some others, maybe a big block of plywood, and a block of plastic, install the same pickups, electronics and hardware, neck and strings, and let's see a scientific analysis of the unamplified and amplified tonal differences. I WANT TESTS! I want to see manufacturers' claims and received wisdom tested. And I want it ALL to be IMPARTIAL. I really hope ibass get it together, it could be great, but it requires some forward thinking about what it can offer an audience, and the right interface.

[quote name='dogload' timestamp='1335249594' post='1627802'] It's never been the same since; like there's always something missing. Probably sunstroke and paranoia! 'All Over The Show' by Here&Now is my favourite- live punky prog in the same vein as the Planet Gong Album but without Daevid Allen and the girly voices. Brilliant! Based most of my style on Steffi Sharpstrings guitar playing! [/quote] Have you heard Mr Sharpstrings' new music? Pretty damn nice!

[quote name='JakeBrownBass' timestamp='1335222076' post='1627691'] Don't shoot the messenger guys. I was just mentioning that i've made him aware of the questions being said and he will be coming back to answer them. [/quote] I wasn't.

[quote name='JakeBrownBass' timestamp='1335215757' post='1627553'] I spoke to Nick today guys and he's going to come back and look over this thread. He's been really busy and mentioned that he'd like users to email iBass directly about any queries or upsets as he doesn't log into this site every week like a lot of us. [/quote] Sounds like bollocks to me. Poor planning and execution. I'm sorry but if you want to make a business of social media, you better get your sh*t together and offer some advantages and interaction. You can't engage then disengage because you're a bit busy, you'll lose your audience and trust so quickly.

[quote name='BigRedX' timestamp='1335215261' post='1627541'] That's a pity. Hope all goes well for both of you. [/quote] Thanks mate. Best wishes for tomorrow.

BRX - I'm so sorry mate, I'm not going to be able to make it. Lady silddx has just been given appointments to go into hospital for a bunch of serious tests and 'oscopies tomorrow and Weds, I need to be with her. I really sad I can't be there. Have a wonderful gig in what I hear is a great venue, and I really hope to catch you soon. x

Thrice welcome pilgrim.

Reaper.

[quote name='51m0n' timestamp='1335169988' post='1626473'] Should have used a real amp mate [/quote] I should have used a real player

[quote name='Chris2112' timestamp='1335137236' post='1626333'] Alex should really be given whatever creative freedom he wants. 'Hope' is still one of my favourite parts of Snakes and Arrows, could it be that he is the man with the answers and the ideas at the moment? I'm just getting back into my Rush records after a bit of a hiatus and I am struck by Lifeson's genius again. [/quote] Alex is unique. He has been the deepest inspiration to me as a guitarist.

I just recorded this with these new strings on, great fun! http://basschat.co.uk/topic/174309-eurgh-i-recorded-some-slap-for-the-first-time-ever/

I got some new strings in a lighter gauge, Warwick EMP 100-40. And I felt the need to slap! I had a lot of fun doing this Warwick Streamer / Fender Deluxe Strat into a POD X3 LIVE, EZDrummer, recorded on Reaper. http://soundcloud.com/silddx/summat-weird-where-the-eyes

WOW!! I just took a chance on new strings and new gauges. Warwick EMPs 100-40 (been playing 105-45 for donkey's years, mostly DR Black Beauties). I put them on the other day, let the bass settle a bit and set it up today. I have to say, the strings are fantastic! The coating is not even noticable, they feel so like totally normal roundwounds. They also sound wickid, bright and deep. Love the feel of the new gauges too, I'm converted! My bass feels and sounds totally ace!

[quote name='Oopsdabassist' timestamp='1335095350' post='1625600'] Fine by me, adds a little 'something' I feel, presumably that was the idea? [/quote] That 'something' is called autotune I think.

[quote name='mikhay77' timestamp='1335091922' post='1625520'] Mmm! Pretty decent track. Loved the early stuff,never a great fan of the 80s albums but thats what bands did in the 80s. Back on form for me anyway. Seen em live and they are spot on so a 5 stars,cant wait to hear the rest of the album. [/quote] Is it just me that can't stand the vocal harmony and obvious unison vocal double tracking? Still I pre-ordered the Classic Rock pack, and can't wait to get it. I'll probably be a bit non-plussed as is usual with latter day Rush albums, but I'm still a huge fan.

[quote name='Gust0o' timestamp='1335036511' post='1625133'] Today would have been Oldgit's birthday - I do think we're poorer for not having the old bugger to keep us out of mischief Happy birthday Si - still missed, chief. [/quote] Aye!

[quote name='gary mac' timestamp='1335070691' post='1625350'] How many BC'ers feel as left out and bereft as I do? There was me at home with a miserable migraine [/quote] Mate, you are probably better off. I've been to one of Jack's 'salons' recently, I came away wanting a Barefaced Midget, a TCE head, and a Wal 5er of all things. I still think about them Seriously, it's a great thing Jack does, and it was great fun and educational.

Hahaha! You look ace! Glad you had so much fun

Listening to Misty in Roots - Roots Controller.

[quote name='buenavista' timestamp='1335025898' post='1624956'] Rush - Power Windows. [/quote] Superb! Probably my favourite Rush album, and the soundtrack to my move to London when it came out, great seeing the window displays with all the old tellies in Virgin Records Tottenham Court Road, made me feel right at home

[quote name='DaveFry' timestamp='1334912824' post='1623272'] The organisers of the Olympics in London this year are trying the same trick ; [url="http://www.corporatewatch.org/?lid=4290&fwcc=1&fwcl=1&fwl"]http://www.corporate...cc=1&fwcl=1[/url] [/quote] This is not quite true, I do know someone who was asked to do the opening ceremon for no money at all and so I assume others are in the same boat. But other musicians I play with who are performing the big Olympic events, or have composed music for the Olympics, have been paid. Just thought I should clear that up a bit.

[quote name='Truckstop' timestamp='1334917497' post='1623362'] The cateres don't get paid, they lose hundreds of pounds in stock; if the pub doesn't sell their stock, they lose hundreds of pounds. If the band don't get paid....? Look, I agree that bands should never pay to play, or play for free. But this is different. This is a national event celebrating the life and reign of one of the worlds most recognisable people. In your local village! I don't think you're devaluing music or the live music scene by playing one gig out of many gigs for free. I've paid for all my gear several times over by playing gigs. In all respects, I wouldn't stand to actually lose money by playing for free. If I was a professional musician, then fine, it's uneconomical for me to work for free. But I'm not. I may be alone here, but doing favours for people makes the world go around, balances the karma ad all that. I totally appreciate where Nigel and BRX are coming from, but do you not believe in exceptions? Do you not believe in helping people out? By not paying the bands £600 to turn up, they could have freed money up to pay for a minibus of kids to come, or some elderly people who want to really celebrate the jubilee! It's just nice to be nice every now and then. And for one, I commend the OP for agreeing to play! Yours royalistically, Truckstop [/quote] A percussionist friend I occasionally play with was approached to play the opening ceremony of the Olympics. He agreed, but he's been told he won't be paid, not even expenses. The gig will cost him about £200 to do, they require 3 rehearsals - plus petrol, time, food and drink, etc. He's thinking of giving it a miss. But maybe you think he should celebrate this wonderful and remarkable event by spending £200 to play at it.

[quote name='Truckstop' timestamp='1334913928' post='1623291'] God, just do the gig! What's wrong with showing a bit of willing every now and then?! It'll be fun, you'll get to play for lots of people, and you'll ingratiate yourself into village life. I'm sure the organisers will be able to stretch to a free bar for and some free food. If not, who cares? Everyone else in the universe will be paying for the pleasure of celebrating the jubilee. Just because you'll be "working" doesn't mean you should get away with it for free in my opinion. Just suck it up, do the show and show your appreciation that you've been asked to play in the first place. Truckstop [/quote] I don't think you have grasped the situation here. There seems to be a prevailing attitude that musicians will/should perform for free 'for the exposure', or because musicians would do it anyway because it's a vocation. The musicians are part of the 'service' providing the audience at the event with entertainment to go with their food and chit chat. The other service providers are getting paid. So should the musicians be. If it's a charity event, then why are the other service providers getting paid? It's unfair and unequitable.