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Al Krow

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Everything posted by Al Krow

  1. Al Krow
    Thanks for that and helpful to know. But unfortunately we're limited to 1/4" jack sockets for our monitor outs from our desk.
  2. Al Krow
    Apologies if this question has been dealt with before, but with a Behringer P2 would folk recommend getting: (i) XLR to 1/4" jack lead to connect the P2 to the desk in preference over a normal guitar cable, or doesn't it matter much? (ii) Does the 1/4" jack need to be TRS?
  3. Al Krow
    Ah ok. I mean fair enough he's got to do what he thinks best commercially. But seems like a relatively minor tweak to the existing model is what's going to be on offer and, in particular no glitch-fix or better UI?
  4. Al Krow
    Another +1 for the HB Iso Pros. Compact and good value.
  5. Al Krow
    You've always been a chip off the old block.
  6. Al Krow
    Sounds great! OLED screen plus if it's no longer limited by chip storage to allow for later software updates from you Peter, that would actually nail it for me! Colour me super interested!
  7. Al Krow
    Sounds exciting! If you can also get your "glitch-fix" encoded at the same time and maybe a more capable visual user interface (something as basic as the Boss RC5?), that would be a really cool upgrade.
  8. Al Krow
    I've used an NXT 212 and absolutely loved it. Actually gone as far as using my bass rig to put vocals and keys through, as well as bass, at a couple of venues where we had limited space (the 212 slots nicely below the keys!); have a listen for yourselves and see what you think: LA Mixtrax (@lamixtrax) (Shameless plug! - I've actually got mine it in the FS currently, although definitely in two minds about selling it and they're apparently pretty hard to get hold of new in the UK at the moment).
  9. Al Krow
    Your contradiction is neatly resolved in the form of a BB 2005 (providing you don't also hate 5 string basses, haha!)
  10. Al Krow
    "Unfortunately" Yamaha BBs are very notorious for being PJs...you may have stumbled on the wrong thread 😅
  11. Al Krow
    Aww buddy, I can tell you after one gig (although we do have another couple coming up, this weekend, but it will be my turn to take the PA so the 912As) - if you're happy to pay the extra and you feel vocals are important to your band's sound (and, frankly our singers are literally front and centre of both my covers bands), then just go for the RCF 732As. They're excellent.
  12. Al Krow
    None at Bass Direct? Just checked - they've one in stock
  13. Al Krow
    It's interesting how obvious it is, right, even via a compressed Instagram upload? In terms of recording: was my usual set up of Rode Stereo Mic --> Sony a6300 (with the internal camera recording levels cut to avoid distortion). The recording was done via my desk with all settings identical - I simply panned left or right. I was particularly interested in how the speakers handled vocals and I think that particular song illustrates it very well. I only recorded that one song unfortunately and the 732A PA is now in the possession of our lead vox. We did use at a gig last night for, bass, keys and 2 vox. It was very good. My conclusion from this past year (with some very helpful input indeed on this thread, thank you!) is that in terms of relatively compact PA set-ups, with no bass line or subs: RCF310A (relatively budget) --> RCF 912A = big improvement in bass handling --> RCF 732A = further significant improvement in vocals / mids (but looking at double the price of the 310As)
  14. Al Krow
    Yes, that sounds right! Thanks.
  15. Al Krow
    I managed to source a pair of new 732A Mk4s for our band at a reasonable price with the assitance of @Pirellithecat, so I owe him an A/B comparison of my 912A vs the 732A. The 732A are about 40% dearer, but as @EBS_freak mentioned, the 3" horn provides a significant step up for vocals and mids over the 1" horn on the 912A in terms of articulation and power. If you can afford the extra then I think it's going to be well worth it. Link to a sound test comparison 912A vs 732A Mk4
  16. Al Krow
    +1^^ Still loving mine.
  17. Al Krow
    Aww mate, taking one for the team again. You're a legend.
  18. Al Krow
    Top of the range Bergantino cab, currently not available in the UK (due to the domestic US demand), in very good condition with padded Bergantino cover. It's a fantastic, articulate and great sounding cab and, without doubt, the best cab I've had! (And must admit that statement is putting quite an element of doubt about my moving this on, so I'm looking to be firm on price on this one). Bergantino website description / spec I've spoken with BD and they have advised that these will be around £1,800 new when they get them back in stock later in the year. Willing to travel a reasonable distance of London or Birmingham to meet up to provide delivery in person.
  19. Al Krow
    Darkglass AO 900 amp, footswitch & padded case in vgc. Saw a decent amount of gig use pre-Covid, when I was using separates, but has been well looked after and is not getting too much use these days. Features 900 W RMS Class D Power Output 8/4/2 Ohm load compatible Analog preamp with Passive/active input switch Bendable Alpha and Omega analog drive/distortion circuits Drive/Clean Blend control, with separate Bite and Growl switches Three speaker cab Impulse Response slots, selectable via the Cab Select switch. Built-in adjustable studio-grade VCA compressor Ultra-quiet 6-band graphic EQ 3.5mm Auxiliary input Headphone output with cabinet simulation and separate volume control MIDI - for remote switching USB to connect to free Darkglass Suite (for Mac/PC) Loads Impulse Responses Control for the VCA Compressor (programmable on/off per channel) MIDI config etc. Supplied with matching Intelligent Footswitch (Super Intelligent Footswitch sold separately) Intelligent fan control - reduces noise when playing quietly [Pics to follow]
  20. Al Krow
    That makes much better commercial sense to me. Surely the point is what would a dep be happy to do a dep gig for i.e. what's their going rate? It will vary depending on the gig (pub or function) and travel involved and how good they are. If they can get their target rate, then it's a win for them and a decent night's work. It shouldn't matter at all to them what the band they're depping for get paid. Deps we use for our covers bands don't need to put a lot of time at all into learning new material - we usually tailor our sets to what they already know and the ones who regularly dep for us are pretty experienced and have a pretty wide rep, anyway. Generally speaking, we usually know quite a way in advance when we will need a dep, my bandmates know when they're likely to be away a couple of months ahead and put it on our shared band calendar, and I guess we've been fortunate in rarely having the last minute panic of someone dropping out, but obviously that can and does happen to any regularly gigging band.
  21. Al Krow
    I mean I take the exact same approach as you with all the bands I'm in. However, I think you've essentially asked the exact right question: "why should someone earn any more than everyone else unless you are hired as a 'session type' player for an agreed fee?" How about precisely if they are putting in more work than everyone else (e.g. providing PA, lights and do the majority of the booking). Should they be expected to do that extra work for free? If so, aren't they the ones being exploited by their bandmates?
  22. Al Krow
    Acquired this loud, punchy combo from a fellow BC'er in Oct 2020 who had looked after it well. It's since been kept up at my parents place in Brum for practice when I go up to visit. It's had a minimal amount of use since then and not been gigged by me. The combo has a 12" speaker, and puts out 300W by itself or 500W via an extension cab. Weighs circa 39 lbs. Collection or happy to meet-up within a reasonable distance of Birmingham or East London. Please note this is the MkII head - spec as follows: Markbass CMD 121H 1x12 Bass Combo - Peach Guitars (£659 new for the combo by itself without a bespoke cover). (Obviously just the combo for sale in the above pic ) With Roqsolid cover:
  23. Al Krow
    My bands split gig monies equally and always have done. We may pay musicians depping who have done nothing to build up the "brand" or put anything into securing the gig a different amount - but that's a rate for the job as a "session" musician that we agree with them upfront and it's up to them to decide whether they want the work or not. Whilst it's not something I'm planning to do, I've wondered whether it's actually unreasonable: If bands are prepared to pay agents a commission for getting gigs, is there anything unreasonable about incentivising band members to get off their ars*es and maybe get half the commission rate you'd pay an agent for putting the time in to getting a gig? The same, if one of the band spent (say) £1k on a PA and transports it to/from gigs that the rest of the band benefits from? Or if you're in an originals band and have written most of the songs the band are playing? I guess regards the above, it's going to boil down to open an honest communication and, in particular, letting bandmates know that is the deal that they're getting into when the join the band. I guess if an uneven split was the premise on which you joined the band and you've never discussed it since, then everyone's going to assume the status quo is ok unless told otherwise? If you were fine with it at the start and you're not any more then my approach would be to have a chat with the two getting paid more and letting them know you're not happy with the situation anymore / asking them why it's ok if they are wanting to be a band where everyone is equal and to be putting in equal effort?
  24. Al Krow
    I've had them both (P35 and 735A) and know which one I defaulted to in wanting to pick up to play / gig and preferred the tone of. However I also know out of me and Mark who the (significantly!) better bass player is, so...
  25. Al Krow
    Sold a pedal back to Ben (one that I'd previously bought from him, in fact!) Super smooth transaction. I guess I should properly thank you for letting me have the pedal on (free) loan and giving a whole new meaning to the concept of "return period" 😊
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