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Everything posted by Happy Jack
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A very special customising job for Happy Jack
Happy Jack replied to Andyjr1515's topic in Build Diaries
That would take you back into neckdive territory, I suspect. It would also be a helluva challenge to find an aluminium veneer to fit the headstock and which would also take that 3D holographic polish. 😉 -
A very special customising job for Happy Jack
Happy Jack replied to Andyjr1515's topic in Build Diaries
That is already starting to take on the sort of dynamic I had in mind from the start, but could never have created myself. It has the whole 50s rocket-ship-to-the-Moon thing going on ... loving it to bits. -
I bought this two years ago when I was getting back into keyboards after a very long break. As a user-friendly beginner's stage piano it was hard to beat; it sounds great and it's designed to be very intuitive to use ... it is really simple and obvious how to layer and modify sounds while you are playing, key modification is instantly accessible without having to go into a menu system, and other keyboards can be attached as required as you develop. Although described everywhere as a stage piano, it is also a very competent organ and string machine, and a reasonable synth. The gigbag (wheels at one end for ease of movement) is in grubby condition and needs a good brushing but is undamaged. The item is far too large & heavy for me to consider posting it, so please don't ask. It can either be collected from Harrow HA1 or we can meet somewhere not too far from Harrow for a handover. Listed on eBay with a start price of £249, I've put it here at discount in case any BC types fancy it. The following is the original 'blurb' for this keyboard: Stage Piano 88 keys with hammer action Touch-sensitive 256 voices 16 sounds String Resonance 5 assignable favourites Reverb, Chorus, Tremolo, Delay & EQ effects Split & Layer Mode for the keyboard Simple operation Incl. sustain pedal A lightweight with great sounds The Kurzweil SP1 is a stylish stage piano with a weighted 88-key hammer action keyboard and very user-friendly controls. It offers a choice of 16 tones, including a German D Artis Grand, electric pianos from the Kurzweil Forte SE, strings, woodwinds and brass from the Kurzweil PC-3. The SP1 features four individually adjustable effects (reverb, chorus, tremolo, delay) and a 3-band master EQ. It is possible to layer up to four sounds on top of each other, and there is also a split function. The high polyphony of 256 voices is high enough so that even when two people are playing the instrument at high speed, no fading note is swallowed. The low weight of just 12 kg makes the Kurzweil an ideal companion for your performance or for transporting to lessons. Connections In addition to the input for the power supply, there is a connection for a volume pedal and the included sustain pedal. Stereo outputs connect the instrument to a mixing console, audio interface or home stereo system. The stereo input is intended for connecting a smartphone or CD player, for example, and integrating the music from it into the exercises. The headphone output allows undisturbed playing and practising at any time of the day or night. Via the USB port, the SP1 can be connected to a computer to function as a master keyboard with music software (DAW). The MIDI inputs and outputs allow interaction with other MIDI equipment such as a sound expander or sequencer. Features: Manufacturer: Kurzweil Construction / Number of Keys: 88 Keyboard: Hammer action Velocity sensitive: Yes Sound Generation: Digital Adjustable Velocity Curve: Yes Number of Knobs: 8 Pitchbend, Modwheel Display: Yes USB MIDI Interface: Yes Headphone Connection: Yes Sustain Pedal Connection: Yes Storage Media: USB Stick MIDI Interface: Yes LINE IN: Yes LINE OUT: Yes Volume Pedal Connection: Yes incl. Power Adapter: Yes Pedal included: Yes Weight (kg): 12.3 Integrated Effects Processor: Yes Number of Sounds: 16 Polyphony: 256 Keyboard Split: Yes Power Supply: Adapter, external Width (cm): 133.4 Height (cm): 14.6 Depth (cm): 38.1
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Excellent little synth unit in as-new condition - the two coloured tags show where to plug in power and Line Out (for use on dark stages) and are insulating tape, easily removed. It's happy to run off batteries and it has a pair of surprisingly adequate built-in speakers. It comes with the original power supply and - if you want it - I can dig out the original packaging it came in. That also means that posting this item will not be a problem. This is currently on eBay with a start price of £199. Offered here at a discount just in case any of the BC community fancy it. Original manufacturer's blurb is as follows: Yamaha Reface CS Analog Physical Modeling Engine with multiple synthesis and oscillator types. The Reface CS from Yamaha is an analog modeling synthesizer offering simple controls and complex sounds in a small size. Based on the CS-80 synthesizer, the CS or "Control Synthesizer" is a re-imagined interface providing 8-note polyphony with five oscillator modules capable of creating a variety of sounds from analog to digital. The CS's front panel offers dedicated sliders for all functions, making sound design and exploration fast and easy. The oscillator section offers five waveforms with additional texture and mod controls, while the 18 dB-per-octave low-pass filter offers cutoff frequency and resonance controls. The envelope generator features the classic attack, decay, sustain, and release (ADSR) controls. An envelope generator balance slider assigns the control to the filter when at the top, or the amplifier at the bottom, and blends the two when placed in the middle. The LFO or low-frequency oscillator offers a fixed waveform with a four way switch to route the signal to pitch, filter, amplifier, or off. Additional features include a pitch-bend lever, built in stereo speakers, a dedicated volume control, an octave slider, and a looper section which operates a phrase looper for recording and playing back multiple, overlaid loop phrases. On-board effects include distortion, chorus/flange, phaser, and delay with additional controls for depth and time. The CS can be switched between mono and poly and offers portamento or glide. The miniature 37-note keyboard utilizes the same High Quality (HQ) technology as Yamaha's flagship Motif XF workstation keyboard, offering a premium feel and fast response for accurate and natural playing. The CS can be powered by 6 "AA" batteries and offers a foot control connection for hands-free volume control. Other connections include two unbalanced 1/4" / 6.35mm outputs, a stereo 1/4" / 6.35mm headphone output, a stereo mini TRS 1/8" / 3.5mm input, and a mini-DIN connector providing MIDI in and out. Additionally, a USB connection is offered for connecting the instrument to a computer or iOS device. Although there is no preset memory, an iOS app is available to work as a librarian with parameters responding to MIDI CC controller data. The CS synthesizer ships with a power adapter and a MIDI breakout cable.
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It does 1/2/3 voices above or below, and you can get suitable harmonies for minor keys by using relative keys on your selection. My voice is a muddy baritone so I'm far more interested in the four UP settings than the four DOWN settings. In practice, I actually use two of those four a lot and one more occasionally. I have the settings on my main setlist so it's no big deal to adjust the key manually. If you're a guitarist then you can pass your guitar signal through the pedal for automatic key selection, but that's of no use to a DB player and of dubious value to a guitarist too, since you still need to select the effect manually.
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Correctamundo. Obviously most bands get their vocal FX from the mixer, but I play in three very different bands with - respectively - two, three, and four vocalists, plus I play a fair number of festival gigs where our sound is at the mercy of a complete stranger. This vox pedal board insulates me and @Silvia Bluejay from all that. We never have any vocal processing on our mixer and at festival gigs we tell the sound guy to bypass everything. If it didn't work, we wouldn't be doing it. 😇
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Today I've destroyed the tip of my left middle finger.
Happy Jack replied to Jackroadkill's topic in General Discussion
God, that's awful. No helpful advice or experience to offer, I'm afraid, but I hope this pans out better for you than it's currently looking. -
A very special customising job for Happy Jack
Happy Jack replied to Andyjr1515's topic in Build Diaries
I'll assume that was tongue-in-cheek. -
A very special customising job for Happy Jack
Happy Jack replied to Andyjr1515's topic in Build Diaries
My aim here is to have this bass as the 'doubling' instrument with my AliKat DB at outdoor/festival gigs with https://www.facebook.com/DamoAndTheDynamites/ Since I normally use a Mike Lull 54P with that band, I could only get into this project if the bass reverted to 4-string. I'm not fussed about the Thunderbird aesthetics so the classic headstock shape doesn't particularly inspire me; I sourced two feasible necks from BC (a J and a P) and suggested that @Andyjr1515 would be better placed to decide which neck would be a better all-round fit for the neck pocket & bridge arrangement. Similarly, I included two sets of strings with the package so that he could choose which worked better with the eventual setup. His machined ally 'wings' to the tailpiece have not yet featured here but trust me ... they're worth the wait. This is not going to be a lightweight bass when it's finished, certainly it will be significantly heavier than the Mike Lull (in fairness, so are most basses 🙄) but my last commission for Andy was the uber-lightweight 5-string so I thought he'd set a hitman on me if I made low weight a priority again. I can deal with the weight because I organise the setlists for that band. I routinely arrange for an instrument swop every 5/6/7 songs anyway, and of course they're short songs ... it's only rock'n'roll. This bass will never be on my shoulder for long enough to give me trouble. -
Image search on Google is your friend ...
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Gotcha ... but I was talking about Bassassin's image. Could this possibly be a case of ... wait for it ... wait for it ... crossed wires? I'll get my coat.
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Oh and by the way, the sheer three-stringedness of that image has now given me Mandobass GAS. Or quite possible Contrabass Balalaika GAS. It can be hard to tell ...
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Maybe I've missed something, but I thought the AI image was generated by @Bassassin rather than the eBay vendor
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That, Sir, is simply glorious. The disappearing D-string is a marvel to the eye.
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Depending on whether you'd prefer to fix the underlying problem, or address the vocalist's absent communication skills, one option would be to run his voice (not yours) through a Mic Mechanic. A bit of subtle autocorrect would cure his pitchy issues and simultaneously make your BVs sound better. BVs don't need "character", they need to fit.
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Bassist needed for established North London covers band
Happy Jack posted a topic in Bassists Wanted
I'm posting this on behalf of Paparazzi; I have some dep gigs coming up with them on keys but I'm not looking for another bass-playing role just now. Versatile Bass player wanted for an established covers band. We play a wide range of classic popular songs in pubs and clubs across North/NW London and Herts, with the occasional trip to Twickenham. Currently running at roughly two gigs a month but with plans to increase that if possible. Almost all our gigs are paid at 'normal' rates for pub rock. For more information, please visit our page on www.lemonrock.com/paparazzi where you can see our repertoire, gig bookings, and see a couple of live recordings. If you are interested, please either contact Andrea direct (that's her number on Lemonrock) or if you prefer call me on 07951 108682 for a preliminary chat. -
Hatters gonna Hat - Show us your favorite gigging hat(s)!
Happy Jack replied to SamIAm's topic in Gear Gallery
Not much point showing a photo of me wearing my hat ... I wear a different hat at every gig and I have a different range of hats for each of the bands I play in. So I've ended up making a feature of my hattery just inside the front door. -
Without audio, this topic is meaningless. 🤣
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String buzz, playing rockabilly slap
Happy Jack replied to Monstera11's topic in EUB and Double Bass
Pretty sure Matchbox wrote a song about this ... -
Pretty much my view, but I've always found that the Veto is a useful pressure release valve for my bandmates. A number of very good songs have been banned over the years for reasons varying from "that's not what I signed up for" through "too cheesy" all the way to no apparent reason at all. Frustrating as that is, if it made them feel better and having some sort of influence on the band's direction of travel, then that's all good. We are able to select material from 70 years of popular music, millions of songs, many thousands of hours. If we can't find three hours' worth that all band members want to play then there's something seriously wrong somewhere.
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Not sure what to say about this…
Happy Jack replied to rwillett's topic in eBay - Weird and Wonderful
And just for fund a small amp and speaker built inside Which has echo effect and a tiny microphone on the top edge of the body to speak through or beat box haha . The pickup doesn't go through the built in speaker though. Erm ... what? -
Is any of that true and accurate? Hard to tell, but the placement of the Classic Vibe VI at #1 spot is somewhat concerning. And of course there are no actual sales figures, just a listing.
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Ranked list of 2022 bass sales on Reverb is below: Squier Classic Vibe VI Fender Player Precision Bass Fender Offset Series Mustang Bass PJ / Gretsch Junior Jet II Squier Affinity Precision Bass PJ Rickenbacker 4003 Sterling StingRay Ray4 Fender American Professional II Precision Squier Affinity Bronco Bass Fender Player Jazz Bass / JB-62 Jazz Ibanez GSRM20 Gio Mikro Squier Affinity Jazz Bass Ibanez SR300E Soundgear Standard Hofner Ignition Pro Violin Bass Fender Precision Bass (1970-'83) Fender Standard Jazz Bass / American Professional II Jazz Bass / Squier Classic Vibe '70s Jazz Bass Squier Classic Vibe '70s Precision Squier Classic Vibe '60s Jazz Squier Classic Vibe '60s Precision Fender Player Mustang Bass PJ Squier Classic Vibe '50s Precision Source: https://forum.bassbuzz.com/t/2022-most-sold-basses-via-reverb-fender-bass-vi-at-1/35464