Happy Jack

I want to know how the Chinese know what size of pick I use. I don't even own a Huawei phone ...

I'm waiting for superglue to put in an appearance on this thread.

That's an excellent video, but yet again it underlines the damage done by tinnitus. I genuinely hear no difference at all between those two Presence settings. Whatever is happening is happening close to the frequencies where my hearing is most damaged.

So did you ever get your adjustable bridge?

My bands continue to observe all Government advice and guidelines. Question.mp4

You'd need to ask Adam ...

Unless you're looking for a grungy feel to the video, or a deliberately handheld shot-on-the-cheap video. Here's @Low End Bee with his old band in a room above a pub in Brentford ...

Had a trawl through my archives, but that's a bust I'm afraid. Those photos are long gone.

Custom paint job after the original tank got wrecked in a rather unexciting get-off. It was supposed to be 'Vintage Gold' but all the guys in UKBEG (the UK Buell Enthusiasts Group - my first online forum and the origins of Happy Jack as my user name) started calling it the Duracell bike.

You haven't left room for @ped to sign them!

Two years since the last post, but still an occasionally relevant thread.

Blimey ... nine years ago.

Amusing as that image is (and it's now in my head) I'm going to call TYPO and suggest that should read 're-valved'.

The Bass Terror has a valve pre-amp so you're already getting much of the 'overdriven valve' snarl that I imagine you're looking for. Rather than using a fuzz pedal, why not just re-balance the controls ... more Gain / less Volume?

Challenge accepted. What do you charge?

In all fairness, the Wingbass is designed to be played when you're on the rocks, isn't it @ped?

I've met very few luthiers, guitar techs, or similar who could even spell 'time management' let alone apply it. Much the same applies to 'communication skills'. I'll happily make a very clear exception for https://www.safranbasses.com/

OK, that's impressive. My AliKat double bass kept me waiting for nearly 18 months and I thought that was pretty outrageous ...

I've owned loads of custom builds, but they were all built for other people so I do understand what this topic is all about! The two honest-to-God commissioned-by-me-to-my-own-specs custom builds that I have ordered are still with me and are HUGELY unlikely to be going anywhere else. In truth, and in the interests of full disclosure, both basses have things that I could nit-pick about if I wanted, things the builder got 'wrong'. These issues (I can hardly bring myself to describe them as 'faults') are always going to happen unless you spend the entire build in the luthier's workshop, looming over his bench and preventing him from deciding anything for himself.° In my (limited) experience the killer factor is whether or not you have a clear purpose for the instrument. Commissioning an instrument as a 50th birthday present to yourself, or because you like the luthier or something, is IMHO doomed to end in failure and disappointment. My two were both very specific orders to meet very specific needs. º Other genders of luthier are available.

Both my current bands are 3-piece so I'm not sure how that would work ... guess I need to find a new 4-piece or 5-piece project so that we can have a 'spare' musician when we need one. I'm glad you mentioned that they're shortscale necks. It never even occurred to me to ask, and I just assumed that these were longscale for some reason.

Rumour has it that Yeovil has a new anchor.

Bloody Hell but that takes me back. I still remember that session.

Well chaps, there's a rather long back-story to all this, but finally Spidey was restored to his rightful place. Actually, he wasn't my first Basschat avatar. For the first few years I used this photo taken at Brands Hatch in 2003.