Dood

Thank you indeed!

Oh and something nice for @Sibob and @Bergantino Audioin there too :]

I’ve been at them: https://www.guitarinteractivemagazine.com/issues/issue-53/reviews/supro-huntington-1/

Yes

Just got back from the gig, still buzzing so I thought I’d respond now. I can tell you the little squishy devices were awesome. I actually received 4 sets in the pack rather than 3, with one set being an ‘odd one out’ in opaque surgical silicone. They ended up being the most comfortable and my glasses stayed put all night without extra bands etc. I’ll see if I can find a picture of the add ons I used.

I’ve bought some if these: Keepons Lite Clear Prevent Slipping Anti Slip Anti Slide Eyeglass Eyewear Sunglasses Spectacle Glasses Temple Tip Sports Ear Hook Sleeve Retainer (3 pairs) https://www.amazon.co.uk/dp/B00NKZPOD0/ref=cm_sw_r_cp_api_HLXFAbMH1E2AR that arrived today. I’m gigging tonight so will let you know if my specs stayed in place tomorrow!

I have both, they are super cool but I tend to write my own TonePrints using the TonePrint app on my iPad. (USB connected). I can tell you that HG is great for Bass and I've found that I like being able to configure the three knobs to specific functions (not what the labels say they do, for example)

None at all! I change the screen mode so that it shows the 8 rectangles that label the 8 buttons (You can name them to what ever you want).

Very sad news indeed. RIP Pat.

Because the website is down already ha ha ha

Right that's my morning tomorrow sorted out then!

Funnily, I'd originally prefixed my post with a comment about 'bands that play weddings' and 'wedding bands' but I wondered if coupled with the rest of my post it were inflammatory, but yes that's kinda what I was getting at

The key is communication with the wedding party and venue and have a contract in place so that all parties know what is expected of them and when. That little bit of preparation goes along way to ensure everyone knows what they are doing, when to do it and have enough time to do it in - and at the same time to make sure no one changes the plan unexpectedly last minute. That extra work, the personal visit prior to the performance and a face to face meet is just another reason pro bands need to charge what they do. Furthermore, never, ever fosters off the wedding party... No drummer on my watch sits on their derrière doing nothing. I'm with Les on that one. Thankfully we have an amazing band where everyone wants to chip in and help unless there's a very good reason to not.

Message me as i have a mini flightcase that could be perfect for you @Chaddy

It’s an impressive amp for sure. Loud!

Has anyone tested the HPF on the MS? - (If I still had mine I would do that right now, but ... I don't anymore.)

I actually have to thank you for reminding me and that I am pleased to say that I am back to putting something together, though you'll be slightly shocked to hear that one of my TC's forgot it's settings the other day. This doesn't bode well as I need 100% reliability in some of the work I do. Ok, HPF - using a full band compressor as an example. - The threshold of a full band compressor is 'crossed' by the largest area of signal passing through the circuit. For us bassists, that's pretty much always the low end. One of the downsides to this is that the top end can end up being masked as the low end is pulled down in signal (the top end goes with it). If you are driving excessive low end (especially sub sonic frequencies) in to your compressor then these frequencies could be overwhelming the threshold. Or to put it another way, sounds you can't hear are actually limiting the output volume of the ones you do want to hear. * I'll add this before I get jumped on by the compressor police: Some full band compressors use a side-chain filter to remove low end in the sensing circuit to alleviate this problem. Multiband compressors do not suffer either, but in either case, removing frequencies that are not going to be of any use in the signal chain isn't such a bad idea. Think I'm off to buy an HPF..lol

Having an adjustable HPF with a steep curve is also super useful before a compressor, especially full band versions

Oh and on the subject of using an EQ as an HPF, you’d benefit in this case in using a steep curve of 24dB/Oct as 12 can sometimes roll off too much of what you want to keep if the centre frequency is high.

The best option before spending any cash would be to find out if you are sending excessive sub-sonic frequencies to your speakers in the first place. You can do this relatively cheaply either with your computer or smartphone - you may need an audio interface too in some cases. I use a few free apps on my phone and either a Line6 Sonic Port or for other situations, a calibrated FRFR microphone. Something to think about I guess! Also handy for testing the actual frequency response of a whole bunch of devices and components! Tone stacks to pickups, amp to pedals!

@D'Addario UK Andy is not coming out to play! He's been a very naughty boy!

Actually, I see what I was doing wrong. There's no space in his name, so it should be @alexclaber. There ya go.

Ah, yeah, my post above..

I guess you could use the @D'Addario UK guide for Prosteels or NYXL strings He he! - I have to admit though, I've ProSteels on one of my basses and they really seem to suit it, whereas I have Nickels on another. My Power Jazz Bass Specials really love the FlexSteels so I think it'll be a toss up between ProSteels and NYXL for them next when the sets in my drawer have run out.

Hmm, won't tag Alex.