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Everything posted by Norris
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That's not restricted to the US
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One song we play is Radar Love. It nearly always gets people dancing. In the middle section we play as quiet as possible (ppp for you theorists) and get gradually louder (crescendo) over about 32 bars. The audience doesn't ever stop dancing. The dynamics add tension and the audience can feel it building until we hit the chorus with full force. It's a bit like the long drum roll in dance music before the "release" when the theme comes back in. That's not the only song where we use dynamics. There are several where we'll drop the volume for a section of guitar solo before coming back up to normal volume. It adds interest and certainly doesn't stop people dancing. On most songs it sounds better to back off slightly for the vocals, get louder for the solo or chorus, and then drop back down for the verse. It doesn't have to be quite so dramatic as my earlier example, just switching between mf and f (medium-loud and loud). The audience may not notice what we are doing but do know it sounds good. Playing too loud is a different subject entirely.
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Nice idea by @Akio Dāku there. You could feature the composition competition. Maybe talk about the photo competition too - great for audio
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Fireman - this could be the start of something.. umm..
Norris replied to Woodinblack's topic in Build Diaries
Micromesh pads go up to 12000 grit iirc -
Fireman - this could be the start of something.. umm..
Norris replied to Woodinblack's topic in Build Diaries
You can always sand the heavier dyed areas a tad and give it another wipe of dye. You'll always have some variation though as that's the nature of dye on natural wood. Otherwise you may as well have painted it instead -
Oi! I'll have you for copyright!
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Gibson's recovery halted by Trump's trade policy?
Norris replied to Rikkers's topic in General Discussion
A mate of mine used to own a guitar emporium. He told me the same thing about Gibson minimum orders. He simply couldn't justify stocking them. -
It depends how flexible the neck is. The truss rod needs to cover the range of the neck that will flex under string tension. If the truss rod isn't long enough you could end up with a bit of a "ski ramp" at the dusty end
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Fret wire comes in a large range of varying heights and widths. It's down to personal preference. A lot of people go for "jumbo" frets, although you'll struggle to find a fret wire described as such on sale. The action is the gap between the strings and frets, so the height of the frets doesn't really have a bearing. However it sounds like you might prefer a shorter fret, in which case it's probably best to keep them wide to avoid excessive wear, especially if you use roundwounds
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It needs to be anchored in the thicker parts of the neck, so yes, within the heel
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No orange basses then
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Just bought a Mexican P from Lozz. Very smooth transaction, excellent communication and bass in fabulous condition. I'd happily recommend a shady deal in the motorway services with him. He was kind enough to meet up halfway. Thanks!
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Lovely work. Did you make two cuts on your scarf? The grain matches rather well - lovely attention to detail! I'm rather jealous of your cabinet making background - although I'm sure it would be much different doing it for a living rather than a hobby. I would love to have done more woodwork in the past, but the school timetable clashed with music, and I never really did any until the last few years. Now my eyes are about shot for close work these days, so I'm constantly switching between glasses, magnifying goggles and naked eye. It would have been so much easier back when I could see
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I tend to avoid wet & dry paper altogether. Even the decent stuff leaves bits of abrasive embedded in the wood. I use 600 grit stearated aluminium oxide paper for final prep before finish and for flatting off between coats. Then I use micromesh pads (dry) for the final polishing - frequent wipes on a microfibre cloth avoids clogging Think of it this way: it's a constant learning process, and your bass will be really well prepared by the time you've done
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Mine is an Indonesian Squier P-Bass Special. Pretty much the same spec though. Precision body, jazz neck and passive P/J pickups. I bought it second hand on here a few years ago. I think it had sat around unplayed for some time, so just needed a clean up and it was pretty much pristine. The SD QPs and Hipshot detuner I've upgraded it with cost more than the bass (£150 iirc). It's my regular gigging bass
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First of all you could remove the brass plates. That would cut the eyesore rating by about 90%. After that you could maybe carefully sand the excess glue back to level with the body (600 grit sterated aluminium oxide paper followed by micromesh ideally) then polish out the scratches with T-cut (or even smoother polishing compound). After that, you'd need to fill the screw holes with dowels, dye them to match as close as possible, then drop fill with lacquer and sand/polish. I don't think you'll ever not be able to see the repairs, but they shouldn't be too noticeable from a small distance
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When I built my telecaster it took longer to get the finish right than it did to build it from scratch. If you're a perfectionist (and not an experienced builder) it's never right. At some point it will become right enough. Just don't rush it at this point. Having said that, it'll probably pick up a dint first time out anyway
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What pots for a Squier Matt Freeman/CV Bass?
Norris replied to Jono Bolton's topic in Repairs and Technical
Ki0gon made my loom with mini-pots. He does those too. We had a bit of fun getting the switching pot to fit in such a tight area though, as it gets a bit narrow on the T of VVT on my Squier -
If only there was somebody on here that was trying to sell one, and some sort of PM system that would allow you to chat in private...
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I do like thumb planes. Very handy. I've never used a (?) thumb shave before - that looks useful too Nice work btw
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Done 50 days left, still some way to go, you lovely folk...
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- crowdfunding
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+1 I think the emotional attachment makes far more difference than the finish
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What pots for a Squier Matt Freeman/CV Bass?
Norris replied to Jono Bolton's topic in Repairs and Technical
They vary. I recently replaced the loom on my Indonesian Squier. The routing was so tight I could only use Alpha mini pots. They fitted in the scratch plate fine, but I had to ream out the hole a little for a push/pull mini pot that acted as a series/parallel switch. It's not difficult to make a hole bigger. The problem is the other way round -
There is a bit of synth chat in Other Instruments https://www.basschat.co.uk/forum/82-other-instruments/