bassmayhem

My big board is up and running. Still not 100% completed; the Polytune is to be moved to another board. An RMI Overdrive is to be attached (when in production - I've preordered one) next to the RMI Compressor, and a smaller tuner will sit in front of the Lehle volume pedal... Here is my rechargable board: no tuner to save space. I'll use a TC "pinch" tuner on the bass with this one... The "old school"-board isn't ready yet; it'll have a new power supply, a Phase 90 and a 3Leaf Audio Proton. And the TC Polytune taken from the big board. The Bass Clone and PitchBlack+ are for sale... My 3Leaf Audio Enabler and my Fishman Platinum Pro Eq/DI will work as stand alone units. My Diamond Bass Compressor sits "piggy back velcro'ed" on one of the amps. Then I pretend to be satisfied...

I saw an old Gibson EB-0 with the old Les Paul double cutaway body at a VERY small shop in Rome some years ago. They had a lot of old stuff, mostly semi.acoustic. Bandiera Strumenti Musicali on Via Cavour. They had two or three smal shops on the same block; one guitar shop. http://www.bandierafranco.it/shop/

Thanx for all input! The bass has now been sold for a good price for both seller and buyer. Somewhere around your/our estimations, that's all I know.

A friend asked me to get some opinions concerning the value of this bass. It is a stock 1956 Höfner 500/1 Violin Bass from the first batch produced in 1956. All original except for a missing scratch plate. Original sh*tty case. Here are some pic's. The owner bought it new... I'd be glad for some input...

This one: [IMG]http://i225.photobucket.com/albums/dd169/bassmayhem/20161003_165308_zpsusb7g5og.jpg[/IMG]

Diamond Bass Comp FMR Audio A.R.C. RMI Dual Band Compressor (Basswitch...)

[quote name='skidder652003' timestamp='1480263644' post='3182893'] looks amazing! How are you powering all this? Please see my post! [url="http://basschat.co.uk/topic/295939-need-a-pedalboard-powerpack-for-12v-1200ma/"]http://basschat.co.u...for-12v-1200ma/[/url] [/quote] Well, after some serious planning I found that my Voodoo Lab Mondo can power the whole thing. It took some serious thinking and sketching before I nailed it. The setup requires a voltage doubler cable and some output splitter cables, as well as the "center positive" cable. If you want my Excel file, just give me a message with your email address; then you can watch and learn from my mistakes... I will maybe swap the TC delay for an MXR Carbon Copy too. I think it will suit me better. The delay and chorus will be in the same loop, so I put the delay at toe reach so I can switch it on/of manually. (I run out of loops...) When I get the brackets for the Mondo I'll do the wiring...

My pedalboard is almost done, only thing to do is connecting cables, and then make some useful patches. The thing that stopped me from completing the thing was something trivial: I had the old bracket for my Pedal Power Mondo, so I had to order one. All other cables will be George L... The Little Black Box will serve as input "charger" for the COG. I'll refurnish when the new RMI Basswitch Overdrive arrives; it'll have the placement next to the other RMI pedals. The LBB will be moved to "other location"...

I bought a 3Leaf Audio Little Black Box from fretless bob, a nice chap to do business with. Swift and easy!

I bought a 3Leaf Audio Enabler from Owen; swift and pleasant affair! Nice person to do business with! //Roger in Sweden

When it gets so "original vintage" it is unplayable, it gets rediculous. There are so many conaisseurs and collectors (by word, anyhow - usually they don't have the money to collect) out there who has the opinion that original is better. Well, it is. For a collector. But for a gigging musician the bass is a tool. It must be useable. Small chips of lacquer missing here and there is no problem, but when people rave and summon the gods to call down heavenly fire about broken pots being changed or a replaced saddle screw, well, then it gets really silly. Back in the days when DiMarzio, Mighty Mite and the very high end (then) Schecter started to sell retrofit parts, many old original lousy, sh*tty Fender basses were upgraded to serious playing machines. To be played. Think about Chuck Rainey's '57 (I think) P-bass he installed the 2-Tek bridge on to make it a better bass. Well, he did. So he can use it. And since it is his bass it surely won't have lesser value on the market. Due to provenience. Meaning: original or not makes no difference for the played instrument, just for the instrument that is hanging on a wall and worshipped... As for the Victorian table - when it no longer can be used as a table, then it is no table... OK, now you can hang me.

I know it's a cheap Squier and not the real deal, but it is a nice cheap Squier without all the issues these basses tend to suffer from. No problem intonating, no problem staying in tune. All stock for coffee money... [IMG]http://i225.photobucket.com/albums/dd169/bassmayhem/2016-08-24%20-%20Squier%20Vintage%20Modified%20Bass%20VI_zpsbbcdeu5p.jpg[/IMG] The case cost more than the bass...

My Star Bass 5 Pro Series, made in Korea. (For sale too...) [IMG]http://i225.photobucket.com/albums/dd169/bassmayhem/Warwick%20Star%20Bass%205%20Pro%20Series/2016-09-07%20Star%20fredagsbas_zpskxbitp3n.jpg[/IMG]

It really ended up a Wounded Paw...

If you for example switch between a J- and a P-bass you may have to kick in some low end on the J, or alter the mid for the P. Things like that. It is not an eq to add flavour, more like adjusting levels. Or kick in a slap tone or solo tone or something. I'll probably end up just using one switch: the Mute switch, and leave everything else be. I am also a "straight thru guy", but sometimes the room you play in does awkward things to the sound. I see the eq more as [i]a corrector of tonal anomalities in the room[/i].

Well, Now the Bassic has arrived. Compared to Goliath it is another animal. Goliath sets its tone in a creamy nice manner; the Bassic is more or less a channel strip from a mixing console with eq adapted for bass guitar. The premier gig will be a church concert backing a choir. Bassic into Bose-rig seems to be a good choice...

Goliath has had his first gig. Sounded very nice. Fender P'57 AVRI into the Goliath, then DI to mixer. Big, fat and juicy, not at all dirty like many tube preamps tend to be. Used the Max 12.2 and TKS cabs as my stage monitoring.

[quote name='Dan Dare' timestamp='1472134512' post='3118790'] Stop it, all of you. I'm a weak willed man and love new toys. Was happy with my Basswitch until I started reading this thread... [/quote] I am happy with my Basswitch too. They are different animals. One clean - one colouring, when comparing with the Goliath. I got it delivered today, a really nice present... I mean, even the box looks exclusive. Like Dior or Armani or something... ..but what was inside was much nicer. It is a sturdy piece of gear; my reach on the piano is from C to G one octave up (with a little stretching)... ...and finally a family picture. The sound, then... It is no overdrive pedal, just a warm, nice preamp with tube/valve crispiness and cuddling wooliness. If I was to describe the tone, well, a bit Bassman flavour, especially with the deep switch engaged. Premier gig on Sunday on an outdoor stage. I bring my "non sexiest" light weight amp, the Max 12.2 (to be able to drive my two 4 ohm TKS 2126) with the Goliath into the FET channel. Report later! On Tuesday the Bassics BPA-1 arrives...

[quote name='molan' timestamp='1471991078' post='3117570'] All you need now is a Grace FeLix to complete the set [/quote] The Felix is a nice piece of gear, but more suited to acoustic instruments. I got two preamps already that I use with my uprights: a Fishman Platinum Pro EQ/DI with my cheap but well sounding Stella plywood bass, and a Basswitch that I use with my big solid wood upright. It is strange; some gear mix well with one instrument and some with the other. The cheap bass has a Realist Copperhead pickup and sounds good. The same pup on the other bass sounded crap. I use a Realist Life Line on that bass instead, and that is a nice combo. The Goliath is for my four string "old school" basses and the Bassics for my more "hi-tech" 5-6 string basses. I will also use that one as preamp to my Bose rig for church gigs, where traditional speakers tend to boom a lot.

[quote name='moooper' timestamp='1471981441' post='3117479'] Yeah TKS look good trying one might be a problem. [/quote] You mean problem as in getting hold of one? Talking about tone is difficult, but I have never looked back. Even if the specs say that the 2126 isn't that effective - a physical effect of the frequency response etc - I would say it stands well in competition with the D410XLT. Eden measures at 1 kHz and TKS has three measuring frequencies. The cab goes LOW, so you can back off the low eq on your amp to gain headroom. But the icing on the cake is the 6" mid woofer that delivers the essentials in the bass tone. My cabs are without tweeters; no need for that. And 25 kg! 55 lbs! That's nice.

I had the same; got a TKS 2126 instead...

...to come. Jacques Ruppert, the father of the Basswitch, talked very warm about a valve preamp one of his friends build, so after some correspondence I ordered one. Behold: the WR Goliath Tube Bass Emphasizer DI. There are some sound clips on the website, also some video clips on the Youtube. [url="http://www.wra.lu/"]http://www.wra.lu/[/url] As if not this was enough, I also ordered Malcolm Toft's latest creation: the Bassics BPA-1 preamp. This is more like a channel strip with foot switches. There are no clips available yet, but there will be for sure. [url="http://bassics.co.uk/"]http://bassics.co.uk/[/url] A review will come as soon as I've toyed around with them a while. No - I haven't won on the lottery, just sold a heap of goodies, so they are long time paid for...