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bassmayhem

⭐Supporting Member⭐
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Everything posted by bassmayhem

  1. Nice instrument! Tell more about it...
  2. Definitely floppy compared to ordinary strings. As I said: not for slapping. Not for diggin' in either. Played with a softer touch you get a nice tone, but they are not for everyone.
  3. The Thomastik Jazz Rounds are remarkable strings indeed! I read about them and a friend challenged me to try them. When reading the specs, they looked very peculiar, with very odd dimensions compared to what I normally use. Here are the dimensions for 34" scale strings: C .029, G .043, D .051, A .068, E .89, B .118 The winding wire is also very thin compared to other bass strings, more like a guitar string. The E- and B-string, and maybe the A-string have double winding. The core is also softer than other strings, so the feel is very, very different. You have to adapt your playing technique to a softer touch with these strings, but the reward is a very nice, big, full and round tone. Almost upright bass like when played in the right way. Nice deep bass, full mid, no shrill and harsh highs, very balanced. More bite than flats. Not for slapping! I use the Thomastik Jazz Rounds on my hollowbody and chambered basses, a Lakland Hollowbody and my Tom Clement "Anne" six string. I will try a set on my acoustic bass guitar too, when it is time for new strings. Anyway, I hope my little review/reflection plays on someone's strings...
  4. I ditched the Copperhead and got the Lifeline instead. (Had to change to an adjustable bridge, though...) Much, much better tone, no strange issues at all, like I had with the Copperhead.
  5. I use nickel for all my basses. Payson nickel strings is my choice. For my four string Super P and Super J I use ordinary nickel strings. D'Addario, I think...
  6. I've looked at the web page, but my Deutsch ain't that good. Also, the sound clips really s*ck. He should have used better bass players do the demos. I tried to find info about the different versions, like if the deLuxe could have tube DI, but found no info at all. Nice little birdcage, though...
  7. 200 watts or 400 watts, that means a gain(!) in output volume with 3 dB. Should you have - God forbid! - an 800 Watt tube amp you win another 3 dB. Not worth breaking your back for... We did some shootout tests with an Ampeg SVT and the Ampeg mini solid state SVT some years ago: the little one played LOUDER but not prouder...
  8. I'll use this Double Four on an "unplugged" gig soon. No doubt it is going to be heard with the acoustic bass guitar...
  9. + on that! The ones you mentioned in your initial post are toys; this is a real bass amp, yet tiny...
  10. The Phil Jones T500 should is a potential king... http://www.guitaramplifierblueprinting.com/pjb.html
  11. I had an amp with fixed mid bands, and found that a slight boost at 800 Hz made the Precision Bass more... precise. Sort of. It kinda climbed out a bit. The Jazz Bass got more balls with a boost around 250 Hz. I've tried that on other amps and other P's and J's too, and it works rather well...
  12. This is a real beauty; it even looks good with the pickguard. I've had a sunburst one, also have a fretless. And a 55-04 DeLuxe. The fretless 55-02 is the favourite of them... GLWTS!
  13. Phase 90 has better specifications. I suspect also better components... MXR Phase 95 SPECIFICATIONS Input Impedance 800 kΩ Output Impedance < 6 kΩ Max Input Level -8 dBV Max Output Level 8 dBV Noise Floor* -95 dBV Speed Range 0.125 Hz to 10 Hz Power Requirements 8 mA @ 9VDC MXR Phase 90 SPECIFICATIONS Input Impedance 1 MΩ Output Impedance 10 kΩ Nominal Intput Level -20 dBV Nominal Output Level -20 dBV Noise Floor* -96 dBV Bypass True Hardwire Current Draw 5 mA Power Supply 9 volts DC
  14. It will have the same footprint as the T-70.
  15. My custom ordered COG Dual Cascade Knightfall BassMayhem 556. Built right now...
  16. I bought my Le Bass second hand at a ridiculously low price from the first owner. I've read in the thread about noise issues, but mine is nice, clean and slient, except for my bass tone. I won't use it for overdriven tones, but more like a mixer between my "hi tech" Dingwall basses and my "low tech" passive basses. My fear was that it would be very mid scooped - as it is - but it is east to tweak: just set bass and treble on 8-9 o'clock and get a "flat" response on the clean channel. The preamp does a good work flavouring a dry bass tone in a nice manner, especially for rock, blues etc. Maybe not for jazz gigs. I have used it in front of a bass rig - a hyper clean EBS rig - as well as through my PJB Double Four and for pushing my old tube bass amp, but also with different headphones: my studio phones and my "phone phones". The unit sounds equally good in any environment. No hiss, no hum, no noise from power supply. I'll mount it on my big overkill pedalboard.
  17. A bass exactly like this one: Samick Valley Arts 6 string. Terrible balance, terrible tone, terrible spacing! I took the neck, that was a really, really good neck, and threw the rest in the garbage recycling. With a friend's assistance I made a Jazz Bass body of 60 years old solid dried birch, equipped it with EMG DC45 and Hipshot bridge. It ended up being a very good bass. I sold it some years ago to a studio, where it was used a lot. It looked like this when rebuilt:
  18. [quote name='Endbass' timestamp='1509107586' post='3396674'] [color=#191919][font=Verdana, Arial, sans-serif]I'm looking for high quality preamp/DI in pedal form, based on the Neve 1073. Like the API Tranzformer LX pedal, but then the Neve version. I know about the JHS Colour Box, but I'm looking for something of higher quality. Does it exist? Or does anyone know someone who could build that for me?[/font][/color] [/quote] I've had the JHS Colour Box: it was a big disappointment. You could get things dirty, but not clean. I wouldn't call it a preamp, just a kind of overdrive/distortion unit. I gave it away...
  19. Well, I may have found an Aguilar TLC at a very reasonable price. I'll try that one...
  20. I have a Boss ES-8 on my pedalboard, and I am thinking of putting a compressor in the loop with my 3Leaf Audio Wonderlove. In the loop but after the envelope, so both switches on simultaneously. Just to tame any "burping" that can occur and drive other pedals nuts. It won't be used as a compressor by itself; I have a Diamond for that job. A cheap but good analog compressor is what I look for. An old EBS, maybe? Please, give me some suggestions...
  21. This would be my choice, last in the effects chain, nice and quiet:
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