Lfalex v1.1

No, they're not all the same Some f***er melted the lid for my Rega Planar 3 by burning incense on it... Incensed was exactly what I was. FFS! Who burns sticks on a turntable? Worse still, I didn't notice it for a week, and couldn't find out who did it. Do Pink Triangle even still exist? Try them. You might be able to get a generic (fabric) dust cover, but it won't protect your tonearm much..

[quote name='aende' timestamp='1359718350' post='1959211'] Okay - Thanks for the info all. So, it is more about technique change to accommodate the low 'b'; and setup of equipment to accommodate the low resonance. I will have another go on it; preferably when I am not in a rehearsal time. I think I needed to set the amp eq up very different than I have set up for the 4 string (my Warwick is passive too). [/quote] Don't try to push the bass end too much. Our perception of low notes is heavily determined by the first and second harmonic content, so have a look at how you EQ the 60-120Hz region. Try to avoid as low as 50Hz, as that frequency tends to excite a room mode that corresponds to a common dimension in many rooms- an 8ft ceiling- and that will cause evil boominess. Also revisit how/where you position your amp/cab. Sticking it in a corner may well lift the bottom end a bit due to boundary reinforcement, but may not give the sound you want. Experimentation is key for this one!

[quote name='aende' timestamp='1359713806' post='1959079'] So, I had a play on a 5 string bass last night, Ibanez Soundgear variant, and I have a few queries; 1, the low 'B' aside growling the sound up, what can it actually be used for? Percussion? Does anyone retune it to a more useable frequency? 2, String spacing - weird, I tried going between 4 and 5 string bases and it was messy to say the least. 3, Amps and cabs; I was running the 5 string through a 250w head and 210 cab and man, the cab was on the limit with the low 'B' - any tips? The bass did not have much 'tone' to it - so, are the pickups the all important thing in a 5 string bass Just a few thoughts; I quite like the idea, but it was a bit weird to play. [/quote] 1) The Low "B" string can be used just like any of the other, with most of the techniques that can be applied to them, but, er.. Lower in pitch 2) The difference in feel is something that can be overcome with habituation. Then it's a natural transition in both directions 3) Most average cabinets struggle to reproduce the fundamental frequency of "E1" (41Hz), let alone "B0" (32Hz) This does cause issues in terms of headroom for partnering amps. Playing at a level that does not unduly stress the amp/cab could give a more accurate impression of the instrument's sound 4) It's fair to say that it's easier to make a pick-up that can transduce such a low frequency than it is to make a loudspeaker system that can reproduce it! 5) IMO, a five string bass ought to be a "complete" instrument. Not a bass which has a B string that sounds different to the other 4. How that is arrived at is immaterial- be it a fresh design or a modification of a 4 String design. As long as all the strings sound "of a piece" and the resultant tone is acceptable to you, then it's doing its job. Trying lots of fivers will give you a thorough understanding of their respective strengths and weaknesses, as well as what you do and don't like. How you tune it and how you play it are entirely up to you, though, for example, some grunge bands de-tuned to "D", and many newer heavy rock/metal songs use drop "D", "C#" or "C" tunings. Doubling synth lines can also now be achieved. A five tuned BEADG will give you access to all of this. Two other tunings of note; EADGC (the regular 4 with a high "C") DGCFBb (as above, but de-tuned a tone)

[quote name='cocco' timestamp='1347829461' post='1805621'] At the moment, mine are 1 Status S2000 2 Pre EB ray 3 50s/60s P 4 Rick 3001 5 Yamaha Attitude [/quote] Seriously, if ever you're passing my way, I can fix #5 for you !

[quote name='TommyK' timestamp='1359640401' post='1958065'] John Frusciante, the perfect guitarist for bass players I think. [/quote] Yes, he is. Him, Larry Lalonde (mentioned earlier) and Andy Summers are ideal for us bass playing folks. Liking Jeff Porcaro (RIP) from Kiwi, but I'll add... Carl Palmer or, in fact, a young (shut up and sit on the drum stool!) Phil Collins for drummers

[quote name='Rainbass' timestamp='1359214831' post='1951711'] Hi I've managed to lose one of the tiny screws that hold the battery covery on to my Fender Deluxe Jazz, and I can't seem to find a replacement anywhere - any suggestions? [/quote] Yes. Google for a local fixings/fastenings supplier. Take another screw out of your bass. Take it with you, show it to them and ask for four just like it.. They'll probably come back with, " what colour would sir like, and will he be wanting Phillips, pozi, slotted, Allen or Torx-headed!" Seriously, though, a good shop like that is indispensable. So far, my local one has supplied everything from bolts to wall mount my tv to imperial Allen keys for my MIA Jazz.

What use is a high C? Pick any note on the G and barre the 4th above. Sounds lovely, especially on a fretless... If your intonation is better than mine above the 9th (un) fret.

My Columbus series 2 fretless jazz wasn't that great. Other than that, I guess I've been quite fortunate!

[quote name='DiMarco' timestamp='1359416867' post='1954603'] Sell the stingray then go hunting for the best possible choice you can lay hands on. That is what I would o. Samples of all Warwick models can be found on youtube so it is easy to get an idea of what the LX can do. While at it also check for the other streamer models stage 1 and 2. Stage 1 comes as a broadneck standard and the stage 2 does not but is one of Warwick's flagship models. The LX sounds aggressive, Stage 1 is a lot smoother yet modern sounding and Stage 2 is king of the midrange frequencies. I'd go for a Stage 2 myself. [/quote] Never tried an S1 or S2, but my '97 LX6 is more laid back than my Infinity SN4 or Fortress MM5.. I had a Stingray5 fretless. Build quality differences between the two? Not a lot. The LXs feel very solid, but that's because they're quite heavy (maple body). The Stingrays are lighter, but just as well made. The major differences are in feel. The controls on Warwicks feel more solid, as they're directly mounted to the body. The curvaceous nature of the Streamer makes it better to wear v than the 'Ray... Or at least very different. And the necks are very different too. The Ray I had had a neck that was lovely to play. So smooth and just the right profile. Warwicks vary dramatically in this respect, from quite nice to full-on "clubby" Any chance you can meet your potential swap-mate and try them together?

Yep. The Pandora is the size of a big box of matches. It takes 4x AAA batteries or a 4.5v power adaptor. It has a 1/4" instrument input, 3.5mm stereo aux in jack and 1/4" stereo headphone output. It has onboard fx, a tuner, tone controls, and plenty of other stuff that I don't even use. You can change the gain/master structure as it has controls for both. What you don't want, you can disable, so it doesn't clutter your sound. I like mine.

[quote name='Dingus' timestamp='1359564400' post='1956738'] Have you thought about practising through headphones - Korg Pandora ect ? Easy to plug in your bass and computer together and balance the sound to do playalongs ect . Not the same as playing through an amp , I know , but very convenient nevertheless . [/quote] I use a Pandora and Sennheiser HD 415 mk1 headphones. Job done. Better bandwidth, response.... In fact, everything, than an amp/cab in a domestic environment. And you can plug an external source into it. As mine uses batteries, it's viable in a power cut/ your garden/work canteen and so on! Downside? More finger/ string noise until you learn to tame it. That, and the sudden re-appearance of room- induced sonic artifacts like reverb and various resonances.

The version in the Yamaha attitude is excellent. It's the foundation of its... Er..... Huge bottom...

Alex Claber was using an Avalon pre and a QSC power... I've used a QSC power amp (QSC 1202PLX) with a cheap 8-track mixier as a pre. Sounds superb, even through an old Trace 2103h or 1048h. Used mine in bridged mode with the 30Hz roll-off engaged. Tons of power (1200Wrms) into 4ohm loads, 600w into 8 ohm. Even though it's only rated at 160w, the 2x10 takes plenty of power and delivers plenty of clout.

DGCFBb Covers [i]nearly[/i] everything... And keeps fingering patterns the same as "normal"

[quote name='Ghost_Bass' timestamp='1359382762' post='1953837'] Well... it's the first fretless...[/quote] Headless? I can particularly vouch for the validity in the headless six-string concept. None are particularly light, and anything that reduces the tendency to point toward the floor is welcome!

[quote name='BigRedX' timestamp='1359206772' post='1951540'] Female Basschatters... Do you assign a gender or name to any of your musical instruments? [/quote] Well... The French, Germans, Spanish and Italians (to name but a few) assign a gender to everything. It's a linguistic requirement. Isn't a bass feminine in at least 3 of those languages? Are we not European?

[quote name='cloudburst' timestamp='1359060265' post='1949346'] Or an Audi Sport Quattro. CB [/quote] I deliberately overlooked the Sport Quattro and Delta s4 as I don't really like either very much (aesthetically)

[quote name='lowdowner' timestamp='1358976057' post='1948095'] Smile and play the bass well - if they can't appreciate that, find a proper band? [/quote] Yes. This.

I've yet to play a duff Yamaha.

(In previous bands) I'm crap at getting gigs I'm not so hot at lyrics, singing or songwriting. I can write basslines, play them, carry stuff, set up gear and drive. So that's what I do.

[quote name='The Dark Lord' timestamp='1359018548' post='1948428'] One of these: [url="http://www.thomann.de/gb/boss_ve20_vocal_performer.htm"]http://www.thomann.d...l_performer.htm[/url] ... and you'll sound like Adele. [/quote] So I'll sound great but moan even more than I do now? She's like Morrissey in drag, but without the class...

[quote name='gjones' timestamp='1358856456' post='1945994'] Welcome to the 'music business'. Prepare to get shafted. [/quote] I believe that's "[size=2]music [size=6]BUSINESS[size=3]" , but otherwise, yes, +1[/size][/size][/size]

[quote name='gub' timestamp='1358927350' post='1947054'] Had to go and listen to the original straight away to restore my inner peace [/quote] I put " Nightswimming" on instead. Much nicer. Edit - now someone switch " Shiny Happy People" into minor. That'd be a real blast....

My voice was fine. Then it broke. Did I say "broke?" More like fell from a tenth floor window and smashed to smithereens. One morning I'll get up and speak in a pleasant tenor. Next day I'll sound like Barry White through an octave pedal. I sympathise with the OP...

[quote name='Protium' timestamp='1356886652' post='1914746'] Hats off sir. [/quote] Yup. Only cars with more kudos attached than that would be 6R4 RS200 205T16 Oh.. and [i]they're[/i] all 4wd!