
Lfalex v1.1
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Everything posted by Lfalex v1.1
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On the left, the infamous mudbucker. On the right...
Lfalex v1.1 replied to jd56hawk's topic in Bass Guitars
An "At Least it's got a normal bridge to be near" 'Bucker Close second "If I stand over here will it cure the neck-dive?" 'Bucker -
Well done for getting your money back! @itu You should check out the Harpeiji ! (Not that you could really hang one around your neck on stage)
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The Future of SBL - Wrong Answers Only
Lfalex v1.1 replied to TeresaFR's topic in General Discussion
Let's hope he's playing his upright.... Or maybe not! -
That does look nice. Something about how the double- octave neck fills the space that a 20 fret neck leaves. Probably just because it makes the body look downsized. Liking the way they've done the lower cutaway, too.
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^^ That looks like a good start ^^ Some aspects are better than the original design, such as the quick- loading strings and the half-round saddles.
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A discussion on ANother bass site suggests that the 3 middle holes at the rear of the plate line up with the same holes on BadAss and Hipshot units. This is for the 4 String units only, though. It occurs to me that if you (or someone else) could get the 5 string equivalents together, it'd be possible to see if they line up also. I don't think I'd be happy with only 3 screws holding the bridge in place. I'd be looking for ways to integrate the "big" posts into the new bridge to improve its stability.
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It is unusual. I know some models had the serial number stamped into the bridge base plate, but the Bongo isn't one of them.
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It's a shame they're so heavily chromed, otherwise it might be possible to refinish the original. Maybe get an engineering firm to make you a brass base-plate to match the original? That could be finished in black, and the original saddles and big round hex-bolts transferred. Use black screws to secure it and get black intonation screws and springs. Just an idea. No concept of cost. But it IS reversible.
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I'm in this category. My rehearsal/gig set-up (Shroeder 21012l and Markbass head) is fine for domestic practice. It's quite nice to be able to exploit the better Lf performance from a bigger/better cab, albeit at a low volume. At a slight tangent, I've found it's preferable to have a combo or cab that can comfortably out-perform any device that you might be playing along with. My old "Hifi" could obliterate my 80w 1x12 combo in every way, and it just felt like what I was playing wasn't contributing much. Conversely, the Schroeder/Markbass pairing can easily outpace the soundbar that I'm playing along to. Now, I'm adding in everything <100Hz, and that feels better.
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He's been through plenty of brands. I presume the early stuff was Fender P, BC Rich (as above), plus Vigier and Lakland that I know of. I'm sure there's more! Edit-(Assuming Wikipedia to be loosely accurate) When it comes to Lakland, he's been through everyone else's signature models before he got his own! Joe Osborn, Bob Glaub and Duck Dunn's... "Metal" they ain't, and yet... This really isn't making a good case for having a variety of instruments if it really is "all in the fingers!"
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Fixed the Infinity SN4. Now sporting 4 licensed Hipshot Ultralights and a brass JAN III. I can confirm that they're a drop in replacement. No extra drilling required. Tuning stability is better, too.
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I thought it was "No Hope=No Fear"
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I think it's an "image" thing to shift units. If you look at what metal bassists are playing, there's plenty of Ps, Js, Warwicks that aren't Vampyres, G&Ls, Gibsons (especially T birds), Ricks, regular Ibanez, Stingrays, etc. It's only a few that favour the pointy items. And they seem to use BC Rich and similar. That clanky tone (for me, at least) comes from nice, fresh strings, a moderately low action, appropriate EQ/ Drive and a slightly more aggressive playing technique. A pickup swap to something hotter/ brighter might help, but not as much as EQ, strings and technique.
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I thought it was Kaman, then Gibson?
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Currently; 1 amp- Markbass s450 1 cab- Schroeder 21012L 2 preamps- Ampeg SVP-Pro, Peavey BassMax 1 combo- 1x12 80w ProAmplifiers Demon Think that'll cover most eventualities. Edit- To be fair, if I suddenly had extra disposable funds, I'm much more likely to buy another bass than an Amp/Cab or effects.
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Grrr! What do you hate about gear you love?
Lfalex v1.1 replied to Jean-Luc Pickguard's topic in General Discussion
Many of my favourite basses do not fit in "standard" sized cases. The Warwick Fortress won't fit in Hiscox cases as the upper horn is too long. The Ibanez EDA and EDC have convex curved bodies and need a deeper case. And as for the Epiphone Blackbird, that's going to need a special one all of its own. Also, the Blackbird is nearly 48" long from tip of headstock to rearmost point, and resolutely won't fit across the width of a lot of cars, even out of a case or bag. -
Slap tone on my Epiphone Sixx Blackbird is pretty good. It was not, however, the first thing I tried..
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I bought an Epiphone Blackbird as a half-joke/challenge because Cash Converters couldn't shift it and I got it cheap. This model has no volume or tone controls, just an on/off switch. Long story short, now it's restrung and fettled, it's just the thing for heavy rock, even with fingers rather than a plectrum. Downsides? Bloody capo won't fit the skinny neck (it's in D standard) Cases and bags are a pain I had to "engineer" a strap button solution to stop the neck dive Gibson 3-point bridges are wildly idiosyncratic. But can be made to work.
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Total fail for me. 2 basses 1 cab 1 head 1 set of strings 1 wall hanger 4 tuners and a nut On the plus side, I found an old strap, so I don't need to buy another (I favour one specific strap per bass)
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Not so, good sir. 3 of my basses are plastic!
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I've an Ibanez with just the ATK triple coil in approximately the "Stingray" position. Mine has only 3 options, 2 of which would correspond to switch positions 2 and 4 in the diagram. The other option on mine is a variant on #2 with a passive filter that slightly cuts the lower treble region. The final option does a reasonable P bass approximation. I think that's what they were going for. The two coils in parallel gets close to the Ray sound. That ATK pickup is really rather good.
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I don't think I can do it.
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Nice job. They look like Original Warwick fretwire. Where did you get it done?
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Looks like it's either a Zephyr or a Grind BXP4. If there's even a difference between those models. Google gave me the same set of images for both searches...