I spent the whole gig fending off "the loony on the bus" who insisted on singing into mics, touching guitars and bass during songs, turning machine heads, stepping on fx pedals and even blowing into harmonicas! That last one immediately struck Roadhouse Blues from the set.
Guy was a total nightmare.
Our last gig at The Ferry in Glasgow took place two weeks before lockdown in Feb 2020.
Fast forward almost two years exactly and we were back with a new rhythm player and a few new supporters.
I played in the support band too who also introduced their new singer to the masses.
Happy days indeed.
Thanks everyone. All very valid points.
We discussed it amongst the band and no-one is desperate to go to a venue that small. Think we need to quote a sizeable fee that covers normal fee plus accommodation and reasonable food.
That will probably count us out and the promoter can always offer us other gigs closer to home.
I've been asked to quote a fee for a gig that's 150 miles away (3 hours)
Our normal radius is up to 50 miles.
What do other BCs factor in for gigs much further distant than normal?
This gig is for a 5 piece in a small 80 capacity venue.
Thanks.
Alan Lancaster from Status Quo. Nothing shabby about his live bassline and harmony vocal all the way through What You’re Proposing.
PS I agree with all previous responses too.
Search online for compression gloves and buy a couple of pairs. Might feel odd initially but you'll soon get used to them and no-one will even notice so don't be shy.
I bought something like this and use it while playing. Keeps the wrist and carpal tunnel area well supported. I had a CT release operation several years ago and am in a queue for another one but have never had to consider not gigging.
Breathable Universal Carpal Tunnel Wrist Support Brace Wrap Splint - For RSI Arthritis Sprain Strain - Fully Adjustable Easy To Fit Ideal for protection and recovery - Unisex - Fits Right & Left Hand https://www.amazon.co.uk/dp/B075RCJS11/ref=cm_sw_r_awdo_navT_g_N2VT13AF2RTTW2HNQ7R7
Served me well for many years and gigs before giving it to my brother to use on his home recording. The dust suggests he doesn't record much these days.
I fancy buying a Markbass CMD 102P combo and have researched it online and on YouTube. I contacted my local GG shop asking to come in to try and buy but they want a 20% non refundable deposit to source one and bring it to their shop.
Is this normal and reasonable from them?
Is there any chance I won't like it when I try it out?
Currently I play a Fender P through a Trace Elliot V type 15" and will need it to suit full on FOH PA venues and smaller venues with vocal PA only.
Thanks
All of the previous advice from the BC collective is spot on. All I can add is to have your fretting hand ready at the starting position for the next song in the set. Not as daft as it sounds