Maude

Stab his speaker cones with a screwdriver, he'll have a nice distorted sound at lower volume levels :-)

Maybe the sticker is the issue as I'm struggling to see why mine is a deko, I also have the five string sticker. The nick on the headstock is there but surely would only make it B stock, whereas the sticker states that it's something it's not, Even then they could just change the sticker. I'm not complaining mind,the only other problem I have is that I don't know if I have a high C or low B!

I use a pair of cheap Behringer active monitor speakers. They have two inputs and two volume controls, bass through one and computer through the other and the all important headphone out. Play your bass by itself or play along with CDs, youtube or whatever other music source you want on your computer.

Low and heavy, with a backdrop of thunder and lightning!

Reggae is supposed to be played in the sunshine, a damp overcast day is bound to affect it.

All this concern about cables pales into insignificance when compared to the effect atmospheric pressure has on speakers. You can have the best coloured cable but if the air pressure in the atmosphere is high then your speaker won't be able to move fast enough to make those high frequencies clear anyway. Ever had those days when your amp just sounds a bit muffled but you can't put your finger on why? You can bet it'll be a hot sunny day with high atmospheric pressure. It has less of an effect on ported cabs as the pressure is equalised quicker, sealed cabs can be a nightmare. It's for this reason that most outdoor festival stages are set up facing downwind, the event organisers are obviously hoping for good weather, which will usually be a result of high pressure, so the 'high atmospheric pressure driver unit slowing effect', as it's known, is counteracted by having the prevailing wind blowing from the stage towards the crowd, thus encouraging the driver units forwards by creating a tiny area of low pressure in front of the cabinets. Ditch this cable colour bull and keep an eye on the weather.

I didn't realise the mark on the heel was a stamp, the only other defect I can see is a small chip on the headstock. The body seems blemish free, and the neck is definitely buzz free. I've fitted my favourite Fender tapewounds and it plays like a dream, the action could be a tiny bit lower but that's just my preference, I'm a high tension, low action kinda guy, plus a lower action would mean less volume. The only other thing I could see wrong was the D string was dead, the others sounded nice for stock strings but I had the tapewounds spare anyway. Definitely want to get a fretted one if possible. When I was looking for a doublebass, about two years ago, they had decoration ones so they definitely are an ongoing thing. Oh yeah, pictures tomorrow :-)

Finally got mine, combination of no one in and lying couriers but won't go into that. First impressions after a tune up, very impressed, no buzzing anywhere so far, it's a decent size so volume isn't bad,I like the tuner and eq unit, Jack and xlr outside,what more could you want? The only damage I can see on mine is a little round ding in the plastic heel binding which was pictured in the description and a tiny little nick in the headstock under the lacquer, the tuners are a tiny bit skew whiff but I suspect they may that way on a good one. I haven't got time at the moment to have a good play but first impression is good enough to make me want to get a fretted to have a matching pair, for £40 why not?!

Mine is now 'out for delivery', will report back tonight.

Yeah I'm not sure what I clicked on to be honest. Followed a link on the original sale conformation email to my account, while I was in there I noticed a review request from when I bought my EUB four years ago, I didn't know they gave you vouchers for reviews, left a review and got my voucher,wish I'd known before, never mind I'm sure there'll be something else that takes my fancy. Hopefully you can get your discount reapplied, they seem pretty good usually.

Pressed reply on my phone. Emails continued, left depot, processed at Hagen and shipment arrived in destination country.

I've selected email updates for tracking in my account. I've had four updates, processed in Kitzingen,

Mine went through Hagen today and is apparently in this country.

On all of the basses I've owned, the one thing that makes the biggest difference to tone is the control next to the volume knob.

Oops, I seem to have just ordered the acoustic fretless

[quote name='mcnach' timestamp='1416274942' post='2608666'] well, I wanted to buy some strings, but it seemed such a hassle to go through the checkout just for a set of strings... but now, with the Hartke pedal added, I could finally order the strings I wanted [/quote] Perfect logic

I've never liked the look of single cuts until I realised my favourite looking bass I own is one, Yamaha Bex 4, funny old world.

Most rehearsal rooms have a few spare kettle leads kicking around for amps but never any spare amp leads for the kettle.

To this day Sooty still has to put up with Sweeps complaining about not being credited for singing the 'guitar' solo on Edwin Collins' hit 'A Girl Like You'.

Why are the La Bella rounds so expensive over here? I've just ordered a custom set direct from La Bella and they came to $13.21, which according to Googles conversion thingy works out at £8.34, a bit better than the £35-40 over here. Even with the postage it's less than £20, can't remember at what price import charges start but I'll take my chances.

Peter Steeles blood type was actually A positive

"My daddy was a Traffic Warden, But he never hurt nobody, He just loved to write tickets, And he loved to steal your money." It doesn't seem too far from the original . Peter Hook, whose birth name was Peter Chorus, was a massive fan of James Jamerson growing up and took his nickname of 'Hookie' from the way he copied Jamersons trademark playing style. Ironically as Hookie found his own style he began to use a chorus drenched sound but the name Hookie stuck.

You all seemed to have missed the obvious here. I assume that none of your basses are Apple endorsed products, therefore will not be compatible with 'i pod/phone/pad' etc. What you are feeling is the beginnings of a problem that you never used to have, until you are convinced that you 'need' a solution, when Apple will inevitably launch the 'iBass' to 'solve' your problem. It'll probably be an old Encore bass repackaged with an extortionate price tag .................. but it'll look soooooo nice .

[quote name='gilmour' timestamp='1407578482' post='2521910'] I do remember a pair of breasts wearing out due to excessive slapping! [/quote] This has to be the best statement I have read yet on here, good work .

Many moons ago I used to have a smoke machine and strobe light that I'd rigged to trigger from a single homemade footswitch. We used to use it in Motorheads 'Overkill' every time the bass and drums came back in at the end. The switch would kill the coloured lights and turn on the smoke and strobe, I used to hide it behind my rig so it aimed behind the drummer, oh we were so cool :-). Anyway, one gig I stepped on it, did the whole strobe/smoke/drums and bass thing, stamped on it to revert to normal lighting and broke the footswitch, we had to play the rest of the song lost in dense fog and blinded by strobes. I fixed it after the song but it took another song before the smoke cleared enough to be able to see each other. The drummer didn't like drumming with it on and was livid after that song.