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cloudburst

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Everything posted by cloudburst

  1. cloudburst
    So do we now have a new "in term" for battery compartments? I think so. CB
  2. cloudburst
    It's not necessary to see the full picture in order to get the picture: CB
  3. cloudburst
    I'd recommend Strings'n'Things - they are the UK MusicMan distributor and I've found them to be really responsive when parts are needed. [email="[email protected]?subject=Replacement%20knobs%20for%20StingRay%205"][email protected][/email] CB
  4. cloudburst
    Just watched the DVDs and I have to say I thought Frey and Henley came over really well and, contrary to some of you lot, I'd be more than happy to play in a band with them. Joe Walsh seems a really great guy and I'm pleased that he's back on track. I saw the Eagles in Northern Ireland on their Hell Freezes Over tour and loved it. Joe was wearing Yellow and Khaki camouflage trousers and a yellow body warmer. Nutter :-) His performance of Pretty Maids All In A Row was sublime. There's a track I love on the Long Road Out Of Eden album - Waiting In The Weeds. I'm not sure why so many folk knock the Eagles. Sure, the music isn't to everyone's taste. But NO music is to everyone's taste. If I ever end up in a band that has a fraction of their professionalism and success, I'll be more than happy. CB
  5. cloudburst
    [quote name='bigsmokebass' timestamp='1369521649' post='2090187'] I recommend if you're not trading to remove your trade value? BSB [/quote] That line gets added automatically by the site. Have a free bump LRH. CB
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  7. cloudburst
    [quote name='stingrayPete1977' timestamp='1369420276' post='2089167'] I have had the odd battery that was tighter than a nuns chuff for the EBMM holders too, also it might be worth extracting the whole thing carefully and bend the little tabs back up if they have become stuck in a position where they are not pressing against the battery terminals properly, give them a good clean and look for any loose connections at the same time obviously. [/quote] A similar approach can be taken for the nun's chuff, if not used regularly. CB
  8. cloudburst
    [quote name='Grant' timestamp='1369422107' post='2089202'] Right now? This minute? "Stomp" by The Brothers Johnson. [/quote] Uncanny....me too! Was literally going to post that! CB
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  10. cloudburst
    Action is about the thickness of a 20p piece at the 24th fret and uniform over the fretboard as the relief is about the thickness of a business card. Set identically on both my XLs. CB
  11. cloudburst
    Whilst it's useful to have a back-up for the bass I normally play, and to have a bass that feels familiar in both of my practice locations, it's really a bit much to retain two Steinberger XLs. So I'm going to keep my white XL-2 (due to its rarity value) and offer to trade the black XL-2A. Although the white XL is in fabulous condition, this black one is better. There are no chips anywhere, very few little marks at all, and minimal fretwear - quite amazing, given that it was made in 1988. Being an XL-2A, it's got active controls as well as the powered pickups. Where the XL-2 has: Volume (neck), Volume (bridge), Tone ...the XL-2A instead has: Master Volume, Pickup Pan, Bass/Treble Boost/Cut. I find the active controls are much easier to use. The only reason I've not swapped the electronics, is that my basses are declared to the Steinberger serial number database, and I think it's important to keep rare instruments totally original. One benefit of having two basses the same is that I've been able to set them up identically - down to a fraction of a mm. This means that I can assure the new owner that their XL and its bridge, neck, headstock etc is totally consistent. I have found that the necks in these all-graphite instruments never vary with the weather (there's no truss rod anyway). Given this, the overall size, and the fact that (due to tuner design and placement) they don't go out of tune - they are a great instrument to travel with. If you've never heard the tone of an XL - take a look on the web - the common view seems to be that these basses are about as fat and punchy as it gets. I'm confident you will not find one in better condition. It comes with a Steinberger hard case that is reasonably new and in great condition too. I bought my white XL from a fellow basschatter for £1750 so I'm setting the value of the black XL to the same, even though it's in better condition. Trade-wise, I'm interested in the following: - Rickenbacker 4003 (blue) - 1974/75 Precision - Wal Mk 1 - Wal Mk 2 (4 or 5 string) - Roland Jupiter 8 - Roland Jupiter 80 - Yamaha BB5000 Thanks for looking. CB
  12. cloudburst
    [quote name='oli@bass' timestamp='1369072115' post='2084568'] That's a lovely and unique one! Congratulations on that find! [/quote] Thanks Oli. I bought it not long after driving up to meet you in Switzerland last year. Very happy with it. PS: Also finally got my 2nd M Coupe (all black this time) :-) CB
  13. cloudburst
    How much did it go for Marcus? CB
  14. cloudburst
    [quote name='stingrayPete1977' timestamp='1368984847' post='2083691'] I'm not suggesting anyone put grooves or grip tape on the neck, I'm talking 1200-2000 grade wet and dry. [/quote] :-) You've just eliminated from my consideration any basses you may happen to advertise on here! :-) CB
  15. cloudburst
    [quote name='stingrayPete1977' timestamp='1368977213' post='2083601'] I think you can get a matte finish to shine to the right amount but a super gloss finish grips unless you flat it off a tad. [/quote] You know, I was thinking about this the other day. It started because I quite fancied buying Marcus Bell's honeyburst StingRay. But I'd prefer the gloss finish. Then I got thinking "why do people say that the MusicMan satin maple finish is so much faster?" And all I could think is that the gloss finish is bad for folks with sweaty hands. This may be why I never had any issue with the gloss neck on my old Jazz or Stingray. CB
  16. cloudburst
    Is that a Precision ashtray? CB
  17. cloudburst
    And on the other hand, I'm happy that the stain feel of my Bongo neck has worn into a glossy finish. Different strokes eh. CB
  18. cloudburst
    [quote name='Dingus' timestamp='1368973246' post='2083552'] On some basses a painted neck looks great ..... but on a Fender it would look very , very wrong . [/quote] It would sound wrong too....being a Fender :-) <awaits incoming> CB
  19. cloudburst
    [quote name='BigRedX' timestamp='1368966643' post='2083442'] Cool. But why not do the back of the headstock and neck too while you're at it? [/quote] Totally agree. In this regard my Bongo is well behaved and my Sterling is a naughty child! CB
  20. cloudburst
    What's the collective term for a white XL-2 and a black XL-2A? Would it be a Paddle of Steinbergers? CB
  21. cloudburst
    I had to laugh when I realised that the 'nob on the front' she thought was missing, was actually the jack socket. :-) :-) CB
  22. cloudburst
    Muted the telly and listening to music instead. CB
  23. cloudburst
    Seeing your response on chords and inversions.....Well, there's an area you should learn. Chords are a bit more varied than you suggest. And inversions are not playing down a scale :-) The primary reason for learning chords is not about playing chords on bass - it's about learning to make better note choices in your bassline. You'll rarely play chords on bass. Regarding teachers, I've known some who 'wing it' and really aren't good enough as players themselves to set themselves up as teachers. My advice would be to pick a style that you want to 'major' on and find a teacher who plays that style so well that you can't help but smile when they play. As well as that (or instead) - it's vital to properly plan a schedule in order to get the best out of each practice session. Keep it varied so as not to get bored. 10 mins on scales, 10 mins on dexterity exercises, 10 mins on a new style, 10 mins on a new bassline you're trying to learn, 10 mins refreshing a few you've already learnt. etc Also - use 'dead' time (eg when travelling on public transport) on iPhone apps such as fret-tester to learn the fretboard and 'relative pitch' to train your ear to intervals. Always wear earphones when you can. Listen to bass rhythms so much that you live, breathe and sleep them. Listen to them so much that your heart beats the groove. I'm not too sure what on earth you're doing playing The Star Spangled Banner and what-not? Are you reading it from a bass clef part? I'd say lose that nonsense and pick some groovy basslines that will teach you more about bass rhythms. If you keep finding basslines so boring, then I'd suggest dropping the bass guitar and picking a different instrument. Hope this helps. CB
  24. cloudburst
    Definitely don't aspire to have just one bass: - Splitting my time between 2 countries makes multiple basses necessary - I use basses to keep money away from the banks - Different basses for different purposes - inc fretless and Steinberger XL for portability - And you DO need a backup to hand - Familiarity breeds contempt - having basses that feel different to each other makes you appreciate all the special characteristics of each one CB
  25. cloudburst
    [quote name='Lynottfan' timestamp='1368911583' post='2083043'] Lovely basses, with great finishes, so it would have to be scratch plates off, don't hide such beautiful work, its crazy imho. [/quote] Guess it would be interesting to see the effect of a clear scratch plate on this finish - refracting the sun to hit the flip paint at 2 different angles. CB
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