EmmettC

All my fivers are 34 inch, but I would like to try a 35. I don't think the extra length would be a problem, does it really make the B feel much better?

Ernie Ball call their 45, 65, 85, 105 set hybrid, this is a fairly common set, but EB have a light 45-100 or medium 50-105, and their hybrid is a mix of both.

Has anyone got the dimensions of Roscoe Beck 5 string pickups, looking for the footprint dimensions and the measurements for the pole pieces and the stick out bits for the screws. If anyone who has one could measure it I'd very much appreciate it.

I just picked up a new Modern player Jazz 5, I really like the way it plays and I love the string spacing. I am not too keen on the sound though, it's just a little low gain and lacks punch, admittedly my main bass is a Stingray 5 HH, so I realise I can't compare them. I'm wondering about what to change, I think I'll start with a new preamp first, probably a John East but I'll figure that out later. It certainly is great to play, so I think it will be worth working on the sound.

I have a friend, who is not famous, but has a deal with Ashdown. They have told me they prefer Gallien Kreuger, but the Ashdown deal is worth a lot to a working musician.

That looks great.

Sounds like it could be a problem with the pickup earth, if the noise stops when you earth the pups off another metal part. If you replace your hand with a wire and run an earth from the pickup to the back of a pot it might cure it. Though I might be totally wrong, just an idea.

It depends on my gig, in the wedding band I always use my own amp, but in the original band it really depends. I almost always bring my own head, or small combo to a gig, but often for short gigs with a few bands I use the house gear or one ore the other bands stuff. Sometimes I let other bands use my gear, but it depends on the band. I need my gear to be working or I can't play wedding gigs, and they pay the bills. I've only played one venue who wouldn't let me use my own rig, initially when I heard this I was a bit confused, but once I arrived I understood. The Moorings bar in Aberdeen has a great in house setup, an ampeg, a Marshall and some other nice guitar amp and drum kit. It's all on stage in position to get the most out of the space and save time setting up. Because of that and an engineer who knew what he was doing, it was my favourite small(ish) venue I've ever played.

It sounds like an earth problem, most likely there will be a loose or broken wire inside. If you can solder it should be a very easy fix.

I have 3 spaces, so could potentially have 3 switches, which would be enough for a 2 x series/parallel switches, and 1 switch to coil tap both pickups. Or would it be more sensible to have a seperate coil tap for each pickup and not bother with series/parallel switches? This would also make it easier to switch the tone pot out for a stacked 2 band preamp in the future. Are there any other options I'm not thinking of? I don't want to drill or route the body, but I could make a new cover for the rear cavity and fit sliding switches..... All ideas welcome.

Another vote for Bareknuckle, though I've only used their guitar pickups. Seymour Duncan do a vintage p pickup that should fit.

[quote name='winterfire666' timestamp='1395081158' post='2398445'] (imho i would rather cut off my own gentleman's part with a rusty breadknife than use one, they just aint for me) [/quote] Haha, I'm not a fan of them either, but given the choice I'll keep my gentleman's part.

[quote name='dave74200' timestamp='1394983357' post='2397330'] Good enough for many of the world's current biggest bands ie. Biffy Clyro, Foo Fighters, U2, Radiohead, Elbow, The Who......... But not you. [/quote] In his/her opinion, yes not good enough. And just because Adam Clayton says it's good doesn't mean it is. I was actually coming to say that the peavey combo that seems to live in every rehearsal room is the only bad thing I've used, but you just reminded me that an Ashdown 4x10 I had was so bad I almost sold my SWR head, luckily I tried it with a decent cab and realised it was the ashdown that was the problem before I dumped it.

[quote name='MikanHannille' timestamp='1394979793' post='2397269'] Good! Photos please! [/quote] +1 photos or it never happened.

I am looking at a mpj 5, and the easiest replacement (upgrade) pickups are emg s or Seymour Duncan soapbars, I'm not sure if the 4 string is the same but either option will sound great for heavy rock/metal.

It looks amazing. Well done. Now enjoy it.

I'm looking forward to the gig as much as the guitar.

That looks great, looking forward to seeing this finished. Are you planning on using a looper to mix guitar and bass parts when playing live?

[quote name='theyellowcar' timestamp='1394884559' post='2396247'] So this would make you feel a little uncomfortable? [/quote] That's lovely. Tort works with everything.

[quote name='discreet' timestamp='1394838806' post='2395959'] Good, because as we know there just isn't a viable alternative for a black bass! You gotta love a maple neck, too. Happy bass day. [/quote] Tort on black, mmmmmmmmmm.

My girlfriend has a squier Bronco, it's really nice actually, and I've never had an issue with the intonation, using the 2 saddle bridge. If it was an issue for you it should be easy enough to drill a couple of extra holes and fit 4 normal saddles. I don't know of any 4 saddle bridges that would fit straight in, but there probably is one, if not it shouldn't be too difficult to fit a normal fender one.