
BassBod
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Everything posted by BassBod
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If it wasn't built as a metal box rack unit (ie it was sold in the wooden sleeve) then chances are it is a face plate with preamp circuit..and then a back plate with power supply and power amp, and nothing in between.
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I'd suggest the K&K Puretone (from memory) Two plates that stick underneath the bridge, inside the body. Comes with an endpin jack socket already connected - fit as passive, then run into a preamp/DI of your choice. Look at Bob Gollihur's site?
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Yes, as predicted...one speaker in my Baby Blue just fell apart - rubber surround rotted and useless. Time to search for some suitable replacements....
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So, will they drop? The suspense is unbearable......
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Well, I'm excited for you..if that helps...
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One of the reasons I like mine is that they are older, well known technology. Fairly easy to get repaired when necessary and don't appear to need much in the way of specialist parts. That will change over time, and they seem to be closed for business now..but they are not in the "disposable"if anything goes wrong class. They've got issues - heat build up can be frightening, noisy fans, the extreme low end can kill speakers, exact replacement speakers probably aren't made these days, the tweeters fry (if you turn them on and use them) the aluminium fronts can bend (done that too) they are stoneage heavy etc etc But overall, I've found them to be very well built, reliable and good sounding designs.
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Here's an old Baby Blue - very nice it is too, although I know the speaker surrounds will eventually fall apart. Must have been a revelation when it was introduced, way back when... [attachment=145000:IMG_0264.JPG]
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I think they are spendy..but worth it. Alex does take his products very seriously and spends a lot of time and effort getting them to market - nothing like the good ol' days of making an MDF box and chucking in one or four of the most generic speakers that could be got in quantity at low prices, so that it looked like every other company's product and fitted the market. That was a bit cynical, I know but that was how it seemed many years ago. You could only get generic and heavy speakers for bass. I'm really enjoying the new world! I'd love to upgrade my Midget for a new version..but I can wait. It still does what I bought it for, even if the new version does it slightly better.
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Barefaced Midget and Cover WITHDRAWN FROM SALE
BassBod replied to grelum's topic in Amps and Cabs For Sale
Not posted, but mine arrived in a fairly normal carton, with some polystyrene blocks for padding. Certainly nothing more specialist than I would have used..and probably less? Use the double box method, and out plenty of dense material between the boxes - should be fine. Or ask Alex...he may be able to sell you an empty box?? -
The lightest grey 3M plastic wool stuff will do fine - but the neck will slowly revert to gloss so you'll probably have to re-do once or twice a year. Go gentle and you won't get down to the wood for a few years.
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Spiro mediums (red silk both ends) on acoustic and EUB. It just gets too expensive to experiment, and I have to play all sorts of music...so I decided to man up and just get used to them. Its working, as long as I don't have more than two days without playing. I think string choice and set up go together - its not like bass guitar where there are only small (user) adjustments are needed. Over the years I've used loads - Superflexibles (they weren't) Innovation Honeys (nice, but windings moved on core) Innovation Rockabilly (great, may go back one day) D'Addario Helicore (much like Spiro's, but not) LaBella black plastic (very nice, and sounded great on EUB).
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FS/FT Kramer Fretless Custom Ali Neck (Unique)
BassBod replied to alembic1989's topic in Basses For Sale
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I can't see any real benefit from running two pickups like that. Two that cover all four strings, (to get different sounds etc) but not pickups that favour only a pair of strings? Its also good to have two pickups fitted and working so that you have a spare if one fails on a gig. They do. As for swapping instruments...you really need two channels. Amps like the Euphonic Micro or Acoustic Image..but they are pricey and fairly scarce. Look for used ones in the For Sales? Other than than, there are pedals like the Radial Tonebone, but look carefully at the eq options and power choices. The Sansamp programable Bass Driver DI pedal may be a good option, as it will do both the switching and give you dedicated eq. Also does the DI,obviously! A simple A/B footswitch could do it for you...but I've always found any bass guitar needs good EQ to stand up to EUB or double bass. I did this for a long time with an A/B footswitch, then into an old Sansamp Bass Driver DI. Amp set up for EUB, then bass guitar selected on A/B and Sansamp circuit and eq engaged. It was two clicks rather than one, but it worked.
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Greg, Always thought they looked interesting - let me know before its on its way..would like to have a quick look-see after its had its fettling!
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Not daft at all...rack preamps are cheap used, and you can get a real variety for not much cash. I've got an old Alembic, Trace GP11 and SWR stuff - its all sounds great and I can just put it together in whatever way suits the gig/session. Not great for run around gigging, but very useable. What do you think of the Yamaha?
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Charlie Jones CD (or LP if you're cool, old or both)
BassBod replied to BassBod's topic in General Discussion
Out tomorrow....heard some bits of it on F*book, but I'm looking forward to a proper loud listen on real speakers some time next week. -
Charlie Jones CD (or LP if you're cool, old or both)
BassBod replied to BassBod's topic in General Discussion
[url="http://strangerrecords.com/portfolio/charlie-jones/"]http://strangerrecor.../charlie-jones/[/url] Lets see if that works.. -
Charlie Jones gets mentioned here sometimes - usually to do with perspex, old Warwicks, Goldfrapp or Robert Plant etc He has his very own "solo" CD coming out next week, so I thought it was worth another mention. Its not a Bass Player project...more moody and atmospheric stuff. Don't go looking for flash killer grooves or even bass solos. Or lyrics. Its all about nice old gear and how much fun you can have creating sounds and textures. I'm guessing that would appeal to a few BassChatters? I'm not clever enough to post a link, so look for Stranger Records (strangerrecords.com) and you'll find his page. I'm sure a direct link will appear very shortly..probably in the next post..
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Thomastik flatwounds. And why I hate them
BassBod replied to risingson's topic in Accessories and Misc
I like them, but found you do have to set up the bass specifically for them - loosen truss rod a bit, add some extra string height and usually move the pickups up a bit too. Then I like them a lot. Took me three sets to get it right, but got there in the end. I've also got them on a Turner Renaissance electro/acoustic, has a great sound and the lighter feel works well. These basses often have Thomastik Acoustic bronze/nylon strings fitted - I found those impossible to play! No tension at all... -
Question is, is it electric or physical? Another good trick is to put a short jack to jack cable between the effects send and return jacks. The socket on the return is switched, and that can cause similar symptoms if it gets corroded. Its a link to the power amp section so any problems there are usually audible. The metal cab and front grill are prone to rattles - look for stripped screws (you will find some!) or missing rubber gasket around the grill? Best of luck - nice amps!
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Out the factory neck shims: Are they common?
BassBod replied to MisterFingers's topic in Bass Guitars
A shim is for angle, usually nothing else. It brings the frets closer to the line of the strings, rather than an increasing distance as you go up the neck. Nothing wrong with and its probably essential for those that like a really low action. Wal's always seem to have them (veneer, stuck to the heel), as do old Fenders. Think of it as fine tuning..early 1950's style.