BigRedX

No mention is made of how the change the pickup position affects the playing style - for instance if you used the bridge pickup as your thumb anchor then moving the position of the pickup also changes the plucking position. Similarly playing with a pick, do you consciously or unconsciously avoid playing over the pickup so having it in a different place with again affect the plucking position. Interestingly the one technique that shouldn't be affected by the pickup position (slap) showed to least change in sound between the two examples. Also to make the two versions of the bass as similar as possible the examples should have been recorded with the new route for the pickup in place but without the old cavity filled and simply move the pickup from one hole to the other. Also since it was likely that the bass would have been disassembled to create the new route and fill the old one, we don't know what the change in tone would be from simply the disassembly and reassembly process was.

The SBVs from the 2000s don't have that much in common with the 60s models that influenced them other than the shape.

With the price of decent MIDI footswitches with expression pedals you might be better off selling the HX Stomp and looking for a second-hand Helix Floor.

The only time I've weighed any of my basses is when I've sold them, in order to put that information in the listing. I've only owned one bass that was noticeably on the weighty side a Yamaha BJ5B although in that case the sheer physical size of the instrument was more a problem than the weight. Any movement on stage had to be carefully considered so as not it injure bandmates or audience members.

Bass cabs that add any character to your sound are only any use if that sound is what the audience hears.

A totally unnecessary expense for an originals band. Just about every gig I have done over the last 20 years (many hundreds) the PA has been supplied by the venue and in most cases has been far superior to anything a band could afford. The number of gigs I have done during this time where the there was no in-house PA are literately a handful and all were in venues that don't usually have bands playing; and in each case it was cheap and easy to hire in a suitable PA system. The money would be far better spent on merch - T-Shirts CD/Vinyl etc, where unlike a PA the costs can easily be recouped if the band are suitably entertaining.

But as has been said in the other thread on this subject it doesn't address the issue of carnets for equipment and merchandise, which is just as important.

It will depend on the band you are auditioning for. Some will expect you to be an exact replacement for the previous member and others will use the opportunity the bring new creativity to old songs. It may well depend on how well-known the songs are by the band's audience - are they available on an album? In which case it may be best to stick with what has been recorded. So if you really want the gig you should probably learn the previous part note for note as far as possible and if you are feeling inspired come up with something new of your own.

Back to listening to "I Disagree" by Poppy. The tasters for her new album are good but not as mental as this:

You can only hear the differences because the bass is currently over-prominent. Once the bass line is at the proper level in the mix it won't matter, so you whichever ones is the most comfortable/easy/fun to play.

All the time. If you don't it says to me that you aren't really connecting with the music that you play.

Which is why I NEVER practice sitting down. It's not how I play on stage so I simply can't see the point.

Five or six years ago I had almost 50 guitars and basses plus a load of synthesisers. I sold most of them and I am now down to: 2 x 5 sting basses which I use with one band, a main and a spare for gigs 2 x Bass VI which I use with the other band, again a main and a spare for gigs 2 x guitars for writing and if I ever get the urge to play guitar live again. The plug-in synths that come free with Logic. Some of it wan't easy, but I decided to be ruthless and anything that hadn't been played for at least 2 years went straight away. The rest was done by a process of elimination using them for rehearsals and deciding which I liked the best, and selling the others.

Bluetooth on an amp (or any other supposedly "professional" piece of musical equipment) is a really bad idea mainly because so far the security on these products has been pretty much zero. Imagine somebody in the audience Bluejacking your set up and then messing about with the settings or streaming some music from their phone through the amp because they didn't like your band?

First potential gig of this year (Infest) has been cancelled and rescheduled for 2022.

This. I can't see ever getting rid of mine.

Unless it's a CITES protected wood and you are planning on taking the instrument out of the country, does it matter?

But at the same time with every decent song you write, you sent the bar just that little bit higher. Or at least that is certainly the way that I work. Therefore something that might have been perfectly acceptable 5 years ago won't make it past the initial ideas stage because I simply don't think it's good enough in the context of the other songs I have written. Therefore writing a good song as you get older simultaneously becomes easier (because of experience and practice) and harder (because it has to match up to the other songs that you think are good).

And some my most favourite songs that I've written were in my twenties too. But by then I'd had six or seven years of writing stuff that wasn't as memorable.

IME most people aren't actually any good at anything. And songwriting is just like any other skill, you have to stick with it from poor beginnings to start producing stuff that other people really want to listen to. After all I can guarantee that no-one on here was a instrumental virtuoso the first time they picked up a guitar or bass. You have to practice regularly. Songwriting is exactly the same. Of course our ancestors in 1000 years time will still need a clue how to turn those zeros and ones back into an audio signal that we will recognise. Just because it is digital don't mean that it will be easy to decode once the current concepts of word-length, sampling rate and bit depth have been lost, and if musical ideas have significantly moved in during the intervening years how do you know when it "sounds right".

More modern post-punk:

I saw them much later than that in 1982 and then 1983 on tour for the Crackdown album.

As I suspected. Thanks anyway. As I've said before I rarely use my mobile for anything other than seeing who's sent me an email when I'm out and about. Things that are trivial to on this forum on a proper computer are either far to time consuming or just about impossible for me on a mobile (or tablet) so I rarely bother looking at Basschat on mobile devices. But I was gratified to see that all the spacing problems were just as bad on the mobile. Unfortunately I can't block the elements as they are all important to the functionality of the site. It's just the way they've been arranged with a whole load of elements on the left and then another load of elements on the right but underneath rather than alongside.

There's probably not a lot you can do about it, but I'd like to add my voice to those complaining about the excess vertical padding and general wasted space vertically. I did think it was down to the fact that forums are tending towards being optimised for mobile devices despite the fact that overall they over a very 2nd rate user experience. However I just had the misfortune to view Basschat on my mobile and the top of the page uses up so much vertical space that, before I started scrolling, I could only see the first topic in any forum (which is normally one of the pinned topics) and when I look at a new thread only the first line of the first post is visible, the rest in both cases being taken up with a lot of useless crap and poor design/layout - blocks with elements all ranged left followed by another block with all the elements ranged right when the two could easily be combined. Even on a big 24" monitor only the first 5 topics in any forum are initially visible and most of them are pinned ones. Is there anything that can be done about this?

@Lfalex v1.1 That's the one. Tasty lava swirl finish (there's only 9 of those).