LukeFRC

[quote name='ambient' timestamp='1418492369' post='2630671'] Music - [url="http://music.leeds.ac.uk/pg/taught-postgraduate-2/mmus-critical-and-experimental-composition/"]http://music.leeds.a...al-composition/[/url] [/quote] that's the uni, http://www.lcm.ac.uk - thats the music college. and I ask as a good friend of mine is a course leader on Leeds Beckett's equivalent course

Leeds Music College, Leeds Beckett University or University of Leeds?

[quote name='Bill Fitzmaurice' timestamp='1418479937' post='2630536'] If the engineers at Turbosound had any input into the design the badging would be rotated 90 degrees, and the result would look like this: [/quote]Bill Fitzmaurice - cab designer, horn lover and owns a copy of photoshop

[quote name='VTypeV4' timestamp='1418466211' post='2630384'] Did anyone else clock the 'Turbosound' badge on the cab..? I would like to think it's of some significance.. I've used a number of Turbo PA rigs and have to say they were pretty tasty.. [/quote] I thought it was interesting, typically don't see many british designed speakers used in bass stuff

british designed speakers too!

which isn't to say this isn't a great bit of kit - just after playing a few rebel heads with their power management I'm kinda weary of this kinda stuff.

[quote][list] [*]DYNAMIZER Power Management technology for ultimate punch and to capture every nuance of your playing [/list] [/quote] .... so a baked in compression a-la TC electronics then....

review... and a gut shot too would be awesome!

[quote name='Chienmortbb' timestamp='1418402002' post='2629962'] [/quote] can I ask what module you went with? (specs and price would be good too! )

Pretty

a lot less heat sinking on the new one....

batteries... strings should sort it.... But looking at your sig, Jazz through a EBS amp I would think has a fair amount of top end on tap..... depending what you are listening to a Humbucker like a MM pup will probably be more attenuated at the top end than a single coil like in your jazz.

Ive got a 1991 SS1 and a lovely 1985 Thumb. I don't need any other basses. (well except the BB1200 I've sitting in the spare room)

[quote name='Bradwell' timestamp='1418137773' post='2627230'] Getting into the minutiae of detail - types of wood are going to affect the tone, so is the grain direction, having a nicely tight fit on the neck pocket, how the wood has been dried out, the thickness of nitrocellulose laquer, playing with sweaty palms etc. Go based on a personal preference and general consensus - I like the feel of maple necks, not keen on rosewood, jazz profile for bass and a soft V for 6 string electrics. [b]Mahogany necks are too heavy to give a good balance on most guitars[/b] and as much as I'd love to have the time & funds to experiment with building necks from exotic woods... I don't. [/quote] Mr Les Paul must have got it wrong somewhere!!!

More than the non custom Foderas... and the prices on them get people riled up on basschat more than preferential cab handles.... secondhand is the way to go!

The bigger the stage the smaller the rig you actually need. Get big enough and a di box would be big enough

I think I tried this exact bass - nice instrument it is too!

[quote name='gadgie' timestamp='1417780847' post='2623917'] Gee all this talk of big heavy rigs is making me consider chopping in my PJB stuff and getting BIG stuff. [/quote] ....I've seen the weight of PJB cabs! Not lightweight in the slightest! [quote name='chris_b' timestamp='1417871254' post='2624717'] Again, my 2p. You can't just play big or old gear and get a better sound. It takes more than that. You can sound just as bad with "old school" gear as you can with modern gear, and a lot of the "old school" gear guys do not make the most of their sound. Having good ears is better than having good gear. I've heard so many guys with vintage gear, thinking they are the mutts nuts because this what the original guys played, and they usually don't sound half as good as they think they are. IMO old gear is mostly just old gear. Most of the music played in the first 20 years of Rock sounded pretty average, so I don't get any warm feeling when I see old gear. The strength of back then was what the guys played on that gear. As the gear has got better the creativity of musicians has dropped off. But that might be a different thread. [/quote] being a good player is better than having good gear. Lets face it, in the majority of cases, if you couldn't do the job straight into the desk with the venues spare DI box, then no amount of gear is going to help you.

and you mean boutique rather than bouquet but never mind!