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Skinner

⭐Supporting Member⭐
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Everything posted by Skinner

  1. Now Sold. Neunaber WET stereo reverb pedal in excellent condition and perfect working order. This is a very high quality reverb in a compact pedal format with a wide range of control. Also connect the usb cable and easily swap the pedal between neunaber: wet reverb, shimmer, chorus, or reverb with modulation. They all sound great. Price includes box, usb cable and UK insured postage.
  2. It's more complex than that isn't it? Sound doesn't travel that quickly, I don't think BigZed would mis-quote on his own release sheet, also like everything else depends on how it's measured etc. Am I missing something? A short delay such as slapback is 35 to 60 ms (roughly) so a reverb is going to be considrebly shorter. Here's some excerpts copied from various online contributors: A digital reverb can be used to produce far more realistic simulations than springs or plates, with total user control over the pre delay time, the decay, the colour of the reverberations, and the diffusion. In fact, with digital technology, real rooms can be modelled using convolving reverbs that work with impulse responses that are generated by recording staccato broad band signals and the corresponding reflections, which can then be used to model the effects of the same room on other signals. The other and opposite advantage of digital reverb is its ability to create rooms that could not exist in real life. Rooms with virtually no pre delay or with infinitely long decay times can be generated with digital reverbs The predelay determines how far the sound source is from the walls of the room. This has the subjective effect of creating depth, and long predelays of fifty to sixty five milliseconds are often used to wash vocals and make them fit better in a mix. Sound travels at one thousand feet per second through air, so a fifty millisecond predelay gives the effect of placing a sound source fifty feet away from the opposite wall of a room. This sounds pretty huge, but it is not unusual for concerts to take place in large concert halls or auditoriums that are considerably larger than fifty feet in length.
  3. Not sure how playable or listenable these will be? Varying degrees of 'Manic Space pedal applied from quite a bit to a lot of effect with me noodling about. First one quite subtle delay and 'verb. Manic Space 4.wav Untitled_5.wav Untitled_6.wav
  4. I will try and sort something out in the next day or two, not sure how useful it will prove as I tend to use these effects as tone modifiers/enhancers.
  5. No power supply, but it is the standard 9v centre negative or battery.
  6. Now sold. Price reduction £45.00 including p&p. Manic Space reverb with additional delay made by BigZed here in the UK. Very recently purchased directly from the maker so in as new condition, overview letter will be included in the sale. Lots of control over both effects: 0 to 2.5ms of reverb and 0 to 600ms of delay. Very usable on bass, selling to make room on pedalboard. Price includes UK insured postage.
  7. Now sold. Reduced to £95.00 EBS Octabass, in pristine condition as new, boxed with user manual. This is the newer version, a great pedal and my favourite octaver to date. Price includes insured UK postage.
  8. No probs, I will copy and paste the comments regarding 360 pedals I messaged to BassPod in a pm to you.
  9. Just sold a rack tray to Stew, very easy deal, great 'basschatter' deal with complete confidence. Cheers dude.
  10. Now sold. Madamp bass tube preamp 1u rack mountable, made by Grahame (Pentode) to a very high standard I may add. In perfect working order and outstandingly good condition, very minor scratches to the underside which won't be visible when in a case. Contains 2 tubes and uses fender style tone stack for a clean warm tone. Only reason it's for sale is I have two versions of the acoustic 360 preamp in pedal form, don't need any more pre's and currently bypass the ones in my integrated bass amps in favour of the 360's. Price includes UK insured postage.
  11. Yes, it's the very same one, I'm torn between needing funds and hanging on to it.
  12. Now sold. Boss BF-3 flanger for sale, it's in really nice condition with a few very minor superficial scratches. Box now found and included. Bass and guitar inputs, I really like the standard flanging on this plus the tap tempo is rather usable as is the 'hold' mode. Only parting with this as I am getting a delay with built in flanging. Price includes UK insured postage.
  13. Just sold a MarkBass 810 cab to Mark. Total gent, deal with complete confidence.
  14. Just purchased a couple of 'Bass' tankards off Mick for our little bar. Total gent and a complete pleasure to deal with.
  15. Thanks for the offer but got filters and wah well covered, might be interested in a mxr bass chorus deluxe or similar. Now Sold.
  16. Now Sold. Earthquake Bass Wah - top notch great sounding bass wah, very robust construction. Enjoyed a good few bass Wah's over the years including Morley, Dunlop and EBS- this one is hands down the best. I like auto Wah's/envelope filters also and the latest one I've acquired has an expression input, hence the sale of this MSD. Collection welcome or insured UK postage cost of £12.00 Our Quake Machine is now 20 years old. From the first version to today, the details have been continuously revised. Our philosophy was and is to build the best possible wah wah on this planet. There is nothing comparable in terms of smooth mechanics or be it the variety of sounds. To date, the Silvermachine is the only wah wah where touch-sensitive footrests work smoothly and without delay. The trade press has awarded us “from the most luxurious wah to the“ king wah ”. QuakeMachine Manual Our Automagic version for electric bass and synthies: The first wah wah effect device for bass, in which the sound is processed in all its depth. Frequency modulation from 41 Hertz offers optimally coordinated sound variants. The result is gigantic, bad bass. The features Earth, Quake and fine adjustment are of course also available here. Modern fashion is pure gold here. A powerful bass foundation is preserved through the simultaneous use of the original and effect signal. The Classic Mode opens up completely new sound dimensions to the bass. Suddenly, sound effects can be elicited from him that were previously only known from synthesizer filters. Earth and Quake switches allow a total of twelve different sound settings. Earth offers three different frequency bands and Quake four different filter grades (Q factor = bandwidth of the filter). Two sound variants can be called up via Mini Switch. Classic stands for the classic WahWah sound, while modern fashion creates completely new subtle sound variations by mixing the wah and original signal. The foot switch generally turns the filter on, the wah can now be used as a fixed filter ... Mid Booster. There are fold-out angles on the back so the Silvermachine can be attached directly to an effect board. A service opening "Clean Fader" for cleaning the fader and an external battery compartment complete the overall equipment . Features include: Stainless steel housing Electronic True Bypass Switch 9 V DC socket 2 output sockets in parallel external battery compartment. Technical parameters: Power supply: 6-18V DC nominal 9V DC. Power consumption: 2.7 mA. Weight 1.8 KG Dimensions: W 13.0 x D 24.5 x H 5.7cm
  17. Yes indeed, you are not alone.
  18. I was trying out before I purchased one of the cabs it wasn't a gig- at a gig I don't mic a cab- I would di if I needed to bolster the bass rig through pa.
  19. Yes, the convenience is great, the quality of sound is very good - however I recently had the chance to play my bass through my own power amp and a genuine acoustic 360 pre into one and then 2 folded horn cabs = bass nirvana, the sound was exactly what I e been searching for, I know where I'm headed now. I also don't mind lugging big heavy gear around - which is lucky cos that's what I will be doing for gigs. Ultimately if I can replicate that tone with more modern gear then that's fine- nothing I have tried so far has come close.
  20. I had a couple of Warwick's with the bell metal bronze alloy frets and very nice they were too. I think they have a lovely sound different to other fretted basses and if I were to get another then bell metal would be my preference.
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