grayn

I really like the controls, having separate tone knobs is ideal for me, as I like to roll the tone off a little on the bridge pickup, whilst keeping the neck pickup full on, The only difference I would make would be to have one volume and a pan control, instead of two volumes.

I fancied another Jazz bass, so headed over to Promenade Music today. I tried a number of basses in my price range, including a Marco N1 TFL, a Markbass MB JP Black Chrome and an Ex Demo, Fender American Pro Jazz. Each one of them shone, in it's own way but the bass that came home with me was a MIJ Fender Limited Traditional 61, Jazz Bass. Yes, it is a very conventional Jazz bass but when done well, that is a very good thing. I particularly liked the 4 knob (2 x dual concentric) controls, with a volume and tone for either pickup. The C profile neck is a pleasure to play and the vintage style pickups sound full and smooth, with a nice growl. The quality of build and finish are excellent and the overall, traditional feel, sound and aesthetic make this a great, passive bass.

Seriously impressive bass, congrats.

Looks really good. Nice job.

Looks ace, congrats.

Very nice, congrats.

Great band and real character bass player. Loved 'em back in the day. This was my fave. https://youtu.be/JkPoVzSPkqQ

I had a play on that, a few months ago. Spot on bass.

I've owned a couple of US P basses and only played a Cutlass, in a shop. In general I'd say EBMM gear is of a higher standard than Fender, though there will always be exceptions. If I was looking for that type of bass, I'd definitely go for the Cutlass. It looks feels and sounds, so good. As you say though, the re-sale on a Fender will always be better.

A real black beauty. I kinda like the chrome control plate. Congrats.

Sorry to hear that. Have you tried it at differing heights, on the strap? I have a Vintera and American Performer Mustangs and both balance perfectly. Neck dive is a killer.

Simple is beautiful.

Sorry to hear about the QC issues but it looks a really cool bass and I love Nordstrand pickups. I've always found Indonesian gear to be spot on. I reckon you should email Ibanez about the issues. Have fun with it, once sorted out.

Going back to my Fender A.P. Mustang, after my initial like of it's Fender strings, I decided they just weren't quite up to it and have reverted to my usuals, Elixir. I have stuck to the lighter, 40 to 95 gauge. Elixir don't seem to do short scale but these standard length strings work just fine, on this Mustang. And I have to say, they are a real improvement in both feel and tone. Definitely worth the extra cash and there's the longevity too.

It sure looks very cool, especially in Daphne Blue. https://intl.sterlingbymusicman.com/pages/stingray-short-scale Though I do prefer 2 pickup basses, this is a real tempter.

Sorry to be obvious but if you like their sound, who cares what anyone else thinks? I've heard good and bad things about most string makes, particularly LaBella and anyway, Picato are not pricey, so give 'em a go, I reckon.

Congrats, looks a nice bass, although 3 completely different knobs looks odd, I'm sure you'll sort that out. Cool bass.

Oh Yeah, hadn't spotted that, although GuitarGuitar still have this 34" model. https://www.guitarguitar.co.uk/product/05090913515618--lakland-skyline-hollowbody-bass-3-tone-sunburst?gclid=EAIaIQobChMI96TjyruL6AIViEHTCh1QVQi5EAQYASABEgJjgfD_BwE

Your one, with the Fender(ish) headstock looks a lot better than the more recent version.

Great story, great bass. Congrats.

Well said and congrats again on a top bass.

Hard to beat an EBMM bass. Congrats.

All very cool. Particularly love that Status neck bass. Big congrats.

No silk ends I'm afraid.

The American Performer has now been to band rehearsals and gigs. It's funny how I thought I'd got used to the short scale, playing at home but when you play through a couple of hours, doing songs you been playing for years on a long scale, it does feel slightly odd. But I have loved the A.P. and it is definitely my main bass now. The weird thing is, on long scale, I always used 45 to 100s. But the A,P. came with 40 to 95s and I like the sound and feel of them so much, I am sticking with them. I'm even sticking to Fender Super 5250s, although they need a week or twos playing to get just how I like. I didn't like the flatwounds on my Vintera and so have put the same strings I use on the A.P. May try flats again some time though.