cheddatom

Ahhh, when you said "resigned on stage" I thought it was half way through a song or something. Perhaps a girl in the front of the audience shouted "oooh the bass player is so sexy!" or the like, and he stopped the song half way through shouting "f*** you all!!" rather than "i'd like to announce tonight that i'll be leaving the band, we've had some great times.......

This Saturday I was at the same wedding as a girl who once had her nipple sucked by Dizzie Rascal.

[quote name='waynepunkdude' post='912303' date='Aug 1 2010, 10:15 PM']Can we hear this story?[/quote] +1 and i'd like this one too... [quote name='hillbilly deluxe' post='911937' date='Aug 1 2010, 02:56 PM']To cut a long story short,we were dumped in the crap when our singer resigned on stage at the Americana festival,where we were headlining the night[/quote]

Won't your condensers require phantom power? I reckon a mic would work but i've not tried it as I have the mic version sorry.

[quote name='Pete Academy' post='910103' date='Jul 30 2010, 11:38 AM']I would never like to be called a drummer. [/quote] Well at first i'd say "oi, i'm not a drummer, I just play 'cos we can't find one" but people didn't get that I was joking based on the musicians hierarchy - The general public don't see drummers as crazy idiots, so i'm ok with it! I think the more worrying thing is that the general public haven't been educated in the ways of the drummer.

I don't care. Whatever people want to call me. I've always thought of myself as a bassist, but people call me a drummer these days, and I started on guitar.

nice one! I'd rather make my own cables as I have a huge reel of mains cable I got for free.

I recently made some speaker cables because of all this talk about burning patch cables. I used mains cable because for whatever reason I have a big reel of the stuff. My problem is that the cable is so chunky I couldn't possibly get it to fit into a standard jack plug, and my cables (which work perfectly) are covered in insulation tape at the end, rather than a nice silver jack. Anyone know where I can get bigger jacks?

Hah, I know Screwloose really well, and they toured with Everything on Red before. Sounds like a good gig! Shame it's 2 hours up north.

[quote name='gnasher1993' post='903001' date='Jul 23 2010, 11:30 AM']It's a great pedal. Absolutely hopeless (IMO) in a band setting as it sounds quite digital and thin but great for noodling at home.[/quote] If you had it on a seperate effects chain it could be more useful? I'd use it to create textures to play over, and I wouldn't necessarily need much low end from that, but I suppose if you fancy doing big bassy drones, you'd need that.

I watched a video of the freeze the other day. I really want one!

I bought a mic from Sean. I say bought, but it was one of those very generous "pay the postage and you can have it" deals. Anyway, he was a pleasure to deal with and the mic made it here safe and sound

If you want to make a carear out of playing all sorts of sessions then obviously you need to be versatile. If you want to make a carear ou of playing your own weird music, then versatility is clearly not needed. I suppose your point would be that versatility can't hurt - like reading music. You can't really argue with that.

[quote name='thisnameistaken' post='900395' date='Jul 20 2010, 07:34 PM']Yeah I love playing to younger crowds. The two bands on before us last week were all 16-19 year olds and their crowd were all packed up against the barriers for our set too.[/quote] Fiendish. Our bassist is a 6th form teacher so we always get young mental crowds. We played at his school last night to a load of 15-18 year olds in the school hall. The hall was a bit too big for 60ish kids, but it was a fun gig! The lighting guy was having some fun, but I must have sweated 2 litres - probably the hottest stage i've been on.

I'm not bothered about being versatile - I don't want to play covers or sessions. However, the things I do want to play often require versatility, so while I think of myself as having a bit of a style, that style means quite a bit of slapping, fingering, picking, playing chords, playing very high up, and using a f*** load of effects. That pretty much covered all the techniques mentioned in this thread, but I wouldn't call myself versatile at all. How did you like reading that load of pointless sh*te?

I used to use my pedalboard case to create a shadow over my board.

What's your ashdown? It might be worth getting a cab to add to that as an extension, then getting a more powerful head when you can afford.

Happy Birthday! That looks like one meaty present.

I bought a power amp and headphones from Andy. He had them to me within 3 days of payment!! Pretty damn impressive. They were really well packed and work fine, and he's a pleasure to do business with. In fact i'm waiting for a set of mics i've just bought from him too. An all round great BC seller.

just make sure there's a load on your LB

[quote name='Colledge' post='893759' date='Jul 13 2010, 02:27 PM']there are quite a few amps out there with a poweramp in.[/quote] Heh, yeh, just a few!!!

[quote name='BluRay' post='893441' date='Jul 13 2010, 09:15 AM']Thats really cool. I'm going to start linking some amps as soon as I get home Stupid question - but am I right in thinking that if you then took a DI from the LM, you'd get a blend of the two amp sounds to FOH? And can you control that blend somehow?[/quote] It wouldn't be a blend, it would be the sound of the LB driving the LM, a signal in series, not parallel. You might get some interesting distortion by driving the LM but I doubt it!