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fretmeister

⭐Supporting Member⭐
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Everything posted by fretmeister

  1. If the neck shape has got rid of the old square shoulder shape then I’m interested.
  2. Gigrig Quartermaster is good.
  3. Apparently I does have a new quiet / reactive fan system though. Not sure that has made it into the ABM iv.
  4. I’m glad John Lee Hooker and BB King didn’t take that approach.
  5. [PrintScreen] Email to wife…
  6. I’m still loving my RM800Evo2 but I have such bad gas for the new ABM Evo 5 that I’m going to sell the RM so I can start saving for the big boy.
  7. Phew! We haven’t had this topic for about 6 months! My anxiety was starting to kick in. I can relax now.
  8. There’s plenty of them these days. Some are excellent.
  9. What is the nut width and bridge string spacing on the Cort please? I can’t find that info on their website.
  10. Does anyone know of a steinberger shape shortscale headless? I’m thinking of something properly tiny to take on holiday and that sort of thing.
  11. @merton @Merton I emailed them… Scale length - 27 Nut width - 45 mm String spacing at the bridge - 16 mm They are building one for a customer at the moment but will let me see pictures when it’s ready.
  12. I’ve been listening to YouTube demos and it sounds great. Particularly the blended tones.
  13. 1. Slot loads every time.
  14. Isn’t that a VM4? The PM name was only used on the very early ones way before the body shape changed.
  15. Do these have a fan?
  16. These sound interesting! I’m going to have to try one!
  17. On long scales I use 40-100 On shorts either 45-105, but sometimes 50-110
  18. It's a cracking amp. I'm very pleased with it. The dynamic range is massive. Really responsive. As I swap a lot between fingers, slap, and pick I always use a compressor just to sort that out a bit. Otherwise that little slap lick in the middle of a fingerstyle tune has a habit of waking the dead.
  19. Looks a bit like the early Warwick Just-a-Nut versions. I wish they had the 5 string specs up. That really interests me.
  20. That's a nice looking thing https://valiantguitars.com/collections/mini-bass Really mini - 27 inch scale Wood: Hard-rock maple, quarter-sawn, titanium-reinforced Profile: C profile 1st fret - Depth: 21 mm/0.82" Width: 38 mm/1.49" 12th fret - Depth: 23.5 mm/0.92" Width: 50 mm/1.96" 22nd fret - Width: 54 mm/2.12" Scale length: 27"/685.8 mm Fretboard: Roasted hornbeam Radius: 12" radius/305 mm Frets: 22 Nickel silver frets, extra-hard, Jumbo, width: 2.8 mm/0.110", height: 1.65 mm/0.064" Truss-rod: Easy-access, stainless steel truss-rod wheel Electronics Neck pickup: Valiant Guitars B-system single-coil Bridge pickup: Valiant Guitars B-system single-coil Controls: 2 volumes, 1 tone Jack: Pure Tone Hardware Bridge: Valiant Guitars duralumin Swift-RS-bass, quick-release, with bell-bronze saddles Nut: GraphTech, 38 mm/1.49" Tuners: Valiant Guitars proprietary Other features "Trinity" ebony inlays Duralumin enhanced-grip knobs with wooden pointer Full shielding Duralumin cavity covers Valiant Guitars hard-shell case included
  21. He's a fantastic player. I bought the AG1000 signature amp because I do love his sound. I have to say though - his solo stuff is a bit pants compared to the legendary tunes like CK's one in the vid. I was a bit disappointed in his solo album. Fine playing - just in desperate need of a tune.
  22. I'm pretty sure the Speak To Chat can be turned off. I'll have a look later.
  23. If it helps - I have the Sony WF1000XM4 and I've been very impressed with them. Sound is good, no dropouts. The noise cancelling works well and the buttons can be programed in the app. There's even a clever thing that turns the NC on while sitting / standing, but allows ambient noise through when you start moving again.
  24. Wireless ones that also have noise cancelling need a mic to control that feature. I have a great suspicion that the Non noise cancelling ones are actually the same, just with that bit of firmware turned off. That would make scale manufacturing far easier - the internals of the products would all be the same.
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