danhkr
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Everything posted by danhkr
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Power Slinkies are 55-110 which is pretty heavy. I usually have to adjust the neck relief when switching between 45's and 50's, so in my experience you'll almost certainly need to with these. If you're not set-up savy, I'd always recommend a pro set-up on any guitar where you're jumping up 2 or 3 string gauges.
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[quote name='dub' post='1247103' date='May 27 2011, 02:08 PM']After doing a google search of some basses, I was struck by how many you tube posts come up with people playing slap. While it's great that someone takes the time to make a video demonstrating a bass, the vast majority are non stop slap.[/quote] It's because serial slappers have a lot more time on their hands...
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All PM's replied to, thanks for the interest. -
EBMM BIG AL 4 SSS white/tort/rosewood. WITHDRAWN
danhkr replied to Prime_BASS's topic in Basses For Sale
[quote name='lowregisterhead' post='1238404' date='May 20 2011, 04:56 PM']...the first time I saw one, and every time since, I can't help thinking of The Jetsons...[/quote] Thats what sealed the deal for me -
Hello. For sale is my Ashdown Ashdown ABM 500 Evo III 575w head. I already had one of these which I love, but bought this new about 3 months ago as a spare and to use in a second band. That band has now folded so I no longer can justify having a second one. The amp is mint, it's done 3 or 4 small gigs and at volumes well below it's capability. Everything's working and I'll include an Ashdown cover with it as well which I bought as an optional extra at the time. Interestingly although these amps are supposed to be made in China, this one says 'Made by Ashdown in England'. I'm sure the differences are negligible, but it's a nice touch. [b]Now sold, thanks.[/b]
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EBMM BIG AL 4 SSS white/tort/rosewood. WITHDRAWN
danhkr replied to Prime_BASS's topic in Basses For Sale
[quote name='munkonthehill' post='1237602' date='May 19 2011, 11:44 PM']See thats the problem I had with the bongo.....it was a total tone monster....it turns out I am a simple man of simple needs and a 4 band eq was too much for me hahaha. However I can totally dig why folk would go for these kinda basses as they are a 1 stop shop for all your bassy needs[/quote] Generally I'm the same, my sterling is my number one and I don't even move the 3-way switch on it, but I thought if I was going to get a second 'top-end' bass I might as well go for the opposite end of the spectrum rather than a duplicate of what I already had. The Big Al is that by the bucketload. Because I only really use 2 or 3 settings and hardly touch the eq, I do have a tendency from time to time to think 'am I justifying owning this', but even using it like that gives me more variation of sound than just about any other single bass I could own. The sterling is like an old pair of slippers, but the big al is an absolute dream tone-wise. Anyway, this is a real stunning looking example, good luck with the sale (hope you don't regret it!) -
Bought a bass from Celso, he persevered with the world's worse courier and made sure it eventually got here, keeping in touch along the way. Great bass and fair price as well. Recommended.
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I've said in a few threads that I've tried a number of Squier 'Classic Vibe' guitars and been really impressed with them all. In fact, I'm not convinced anything Fender produce up to (but not including) their MIM classic series is as good or at least any better. I think they're cracking guitars and well worth the price tag but I guess some will always struggle to part with that kind of money for an instrument branded 'Squier'.
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[quote name='skej21' post='1222795' date='May 7 2011, 12:48 AM']I don't think that was the argument... the point was that an Overwater classic J is cheaper than buying the "overpriced" Matt Freeman Signature model Squier specifically... The point being that the signature model does not justify the extra cost, and potential buyers have plenty of other reasonably priced alternatives (i.e. the CV Jazz or Precision... or the Overwater Classic J) that are similar in quality![/quote] I didn't think so, because the Matt Freeman is actually cheaper than the overwater. My point was if it was similar quality to the CV jazz, and cheaper than the overwater, perhaps it's not quite as poor value for money as was being made out.
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[quote name='waynepunkdude' post='1222402' date='May 6 2011, 05:26 PM']Am I right in saying a CV usually has a RW but this has maple?[/quote] Yeah the CV precision is a 60's reissue so has a RW board. Not tried the Matt Freeman but it might also have a slightly narrower neck as well as a maple board. [quote name='Machines' post='1222520' date='May 6 2011, 07:34 PM']£399 for the Overwater (Tanglewood) Classic J.. Or this overpriced Squier ? [/quote] I've played both the Overwater classic J and the Squier classic vibe Jazz and there's next to nothing in it.
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[quote name='burgundymouse' post='1201234' date='Apr 15 2011, 10:01 PM']I'm very new to the bass and when I bought mine I went into the music shop and asked for lessons and a bass please. The really helpful man in the shop showed me a couple of Cortes but I saw my Jazz and like a small child said "I want that one" purely because it was prettiest. It was then about 10 minutes of embaressment when he asked me if I wanted to try it in a music shop full of real musicians and I hadn't a clue what I was doing. Still the best decision I ever made however no matter how flawed the decision making process![/quote] People scoff at those who chase shapes and colours, but we all do it. You're much more likely to play a guitar you love the look of. It's all part of the love affair. Oh, and never assume a music shop is full of 'real' musicians
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[quote name='Prime_BASS' post='1222018' date='May 6 2011, 10:27 AM']My 95 ray, although I love the big al, they'll never be a ray like mine.[/quote] Feel the same about my 94 Sterling. The big al is a monster of a bass, but there's something magic about earlier EBMM.
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First: Fender MIM Std P-Bass, SWR WorkingPro 400 + matching 2x10 and 1x15 Current: Musicman Sterling, Ashdown ABM500 Evo III + matching 6x10
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I'd be wary of the fact they messed you around last time, but I wouldn't use that as a reason to cut off your nose to spite your face. Really the key issue for me is whether the band are generally 'ok guys'. As long as none of them are total w*****s or ego maniacs, I'd give them another chance.
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I Wanna Be Adored - Stone Roses
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I'd say the silver series squiers are probably more desirable because they're MIJ, but the pro-tone stuff is very similar in quality and feel. There's also not a great deal of difference between them and MIM standard Fenders, but again, the Fender branding ensures MIM std's will always fetch a bit more. All in all, it should be a really good guitar, but as others have said, is at least £100 over the market value in my honest opinion.
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Cheapest I've seen one of these new is £1600 at Gak and they don't actually have any! Believe me, if anyone is considering this, I don't think you'll see one as cheap again. These are an amazing bass and this is a steal.
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Jools Holland Show - Still Worth Watching?
danhkr replied to spongebob's topic in General Discussion
Im undecided about Later. Where do you draw the line between it been 'crap' and 'just not to your taste'? Some people moan because a lot of acts are unheard of, and others say it's too commercial. Personally I like the mix. Stuff like Cee-Lo, Tiny Tempah and Katy Perry whom I normally dislike on record were actually quite refreshing to see with bands. I agree with whoever said if there's one act that you really enjoy, anything else is just a bonus. The show could maybe do with a bit of a facelift, and maybe the quality just isn't out there at the moment but a live music show like this will never be all things to all people. -
Depending on your knowledge and experience you can often have an idea of what somethings going to be like before it turns up, but having said that, the only guitars I've ever bought 'blind' are one's that I know I can get my money back by re-selling if it turns out to be totally wrong for me. So for that reason I'd never buy or order a brand new guitar without trying it. Even generally consistent makes and models you're familiar with can vary significantly in weight and playability.
