spacecowboy

I agree with Burns Bass, if the seller has handed it over to the courier as intended then it’s not really his concern, it would be unfair for him to lose the cab and the money, but completely understand it’s the same for you. It’s what postage insurance is for, it’s not nice paying £20 to fully insure something but it’s there for moments like this. What is it that you want the seller to do?

I find myself rooting for Letts to fail in this particular instance as it makes for good drama and an excellent read on here, I feel like we all know the outcome we’re just here to see how bad it gets. However I’ll again express my sympathies with your plight as it’s just every bassists worst nightmare surely!!

They will with ease! They’re brilliant little things! Tip for application, they’re on a sheet like stamps, get one off, peel the top layer of paper off and leave the backing on, then put the glu dot on the bass and then peel the back off like double sided tape, my first instinct was to peel the glu dot off the sheet and that just resulted in me messing a load up with my big man hands! Much easier to do it the way mentioned above! 👆

The normal ones will be absolutely fine in your case! Easier to remove too!

Oh and I think the bass looks absolutely fantastic! Such a nice story and now you’ve made it completely yours!

Try bostik glu dots, they stick really really well and come off without ruining what’s underneath! I’ve got loads if you want me to send you some!

Beat me to it! It’s just so unnecessarily large.

I love “Between the buried and me” Dans band, this bass is based on his old high school Spector bass which he did most of his learning on and which he worried he’d break on the road!

87 basses!? Do you have them all on your property? i.e 1 single place or all over? not planning on robbing you… just trying to imagine what that must look like! You got them in cases and then in racks?

Last night we headlined the Off The Rails event in Leamington Spa. We only got an hour to play, considering we usually play for 3 it felt like it was over before it began, but really awesome night. New things learned though, playing in arches with lots of walls and chambers and...well arches meant the sound went everywhere, P Bass sounded incredible as usual.

He’ll not be keen on me mentioning it but I recently got a 6 string Ken Smith that I flipped for +£2,000 more than what I paid. Previously I’ve had most luck flipping Warwick’s, mainly… an ‘88 Stage 2 bought for £700 sold for £1500, and Streamer number 126 bought for £800 sold for almost £2000, and finally a rare as ‘92 5 string Stage 2, paid about £1k sold for £2k… don’t think I’ve made a loss, but probably have selective memories there…!

NICE! 👌

They are seriously cool things! Enjoy it! Would love to see a pic of them both when you get it!

My band play a lot of paid gigs, our vocalist looks after all invoicing and it’s her bank account that gets the cash from the venue and we insist it’s always digital, never cash, we need to trace it all easily for the taxman and her account is a sole place to count it all up, our drummer is in accounts so looks after most of that, but our vocalist is very good at transferring it out to the band as soon as she gets it, and as a band we’re very good at paying our share of costs on time. I’m lucky that I’m in a band with a reliable and trust worthy group.

My Funk, Soul, & Motown covers band played our first wedding reception last night at The Saxon Mill in Warwick. We all played well, Bride and Groom very happy, lots of singing, dancing, applause etc, we got a further gig from it so on that front the gig was fantastic and we were paid an hour after getting home. However... It was the first time I'd mustered the courage to head out with my Ken Smith, It's a bass I like to have in the home to practice more complicated stuff on, but I fancied playing it at this nice venue and at a wedding, however during sound check I just couldn't hear myself, we could feel the bass but It was impossible to hear the notes in the mix, thinking it could just be the fact the ceilings where low, I was tucked in a corner and the room had a carpet floor I switched out to my trusty Squier P (The wife) and soundchecked with that, and... there it was, louder, clearer, present and cutting right through the mix. So I was obviously very put out by that, I want to play the Smith, but it obviously needs a different band / setup to work well. Bum! Next gig this friday at our usual haunt in Leamington Spa where the Squier will do the hard work again.

They've spent a lot of money on sponsorships recently as every man and his dog on YouTube has one to sell you. Funniest thing was, even though Ian Martin Allison is an endorser of the Helix lineup he couldn’t understand the pedal that can only play one FX at a time… you know like a normal pedal does… I do see the benefit of not lugging all my back line around and everything being in one little box, but to my ears they don’t sound good enough to replace my gear just yet, especially not at those prices.

The build wasn't without issues though. The neck was a right sod, it hated the la bellas and the truss rod really struggled to counteract the tension, the truss rod was very tight so needed lubing and encouraging, completely loosening and then tightening up to get it happy to be moving again, I actually thought it could have been broken as I wasn't seeing any change at all, but after a day it began moving. I had to set the neck with the truss rod cranked to put a bit of back bow in it and let it sit a night without strings on just to settle it down, once I got the relief on the neck perfect (well to where I want it... which is barely any movement between fret and string, I blame my Ken Smith for setting up that expectation) I then couldn't get the strings low enough to the board because of the Gotoh bridge being around 3mm thicker than the Fender / Squier BBOT bridges, so a shim was ordered, ended up using the 0.5 degree shim and then the action of the strings and neck relief where perfect... but then a new problem, the pickup foam I had wasn't tall enough to raise the pickups to where I wanted them so new pickup foam ordered, bloody expensive, but worked a treat and now thankfully, everything is happy and the bass is ready to take to my next gig! I don't think the Gotoh bridge adds enough to warrant all the issues it caused however!

Very recently picked up some second hand bits and pieces for a bitsa P Bass build. It started with this Squier body, but as I already have a sunburst P Bass in the stable I decided I was going to refinish it. A pro told me there was no need to strip back to bare timber and that knocking back the lacquer would be enough with primer / top coat and new lacquer. I used some filler on the dent on the back and roughed it all back. Building up the primer coats slowly and flattening back each coat before the next. Until I had a nice even primed surface! Worth the patience. The final colour was an off white / grey, RAL 9002 to be specific, I'd had creams, oly whites, arctic whites on basses previously and wanted a different look, if I could have got it in good time I did want Porsche Chalk Grey, but this was a lovely colour too, and looked ace on the guitar. Not so many process photos but slow build up and flattening off between coats. Went with a satin poly lacquer so it didn't feel so glossy and after a few days of hanging up in a hot area curing it was ready to take home and add some hardware! Hardware time! The build got the following goodies installed; Squier CV60's Body Squier CV70's Maple Neck, black blocks and binding, came with stock tuners, nut, and string tree. Gotoh bridge (required me to buy a maple wood shim as it sits higher than a standard BBOT bridge. ) Aguilar AG4P-60 pickups, my new go to pickups, they are AMAZING, Kiogon loom Flat head tele knobs (which I haven't installed yet as I really like the pot shaft no knob look) New Squier neck plate and screws Red tortoise shell pickguard Comfort Strap Ernie Ball lime green strap locks (I have the same strap + straplock combo on all my basses) Cavity shielding La Bella Flats (The only strings I use these days, again they're on all my basses) Annnnd... she was done! Very satisfying putting it all together and it thankfully it sounds and plays just like a P Bass should! Gorgeous!