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joeystrange

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Everything posted by joeystrange

  1. joeystrange
    Not necessarily cheap but Sims are very good. http://www.simscustom.com/
  2. joeystrange
    I've always used .88mm tortex ones. If I were you I'd go to your local music shop and buy a few different picks and see what you find most comfortable before you go and order a bunch. There's no 'too thick' or 'too thin' for bass. Whatever you feel most comfortable with is the best.
  3. joeystrange
    I just bought an Ashdown CL-610 from a guy on here. Used it for the first time at rehearsal on Sunday and it sounds great! Fairly light too, which is a bonus.
  4. joeystrange
    Hmmm... The Arctic ones don't look as white as I want either. What the hell do I want?!
  5. joeystrange
    Cheers for that. That's one nice looking bass! I'm getting confused now though... The Squier VM is Olympic White and it's a brilliant white. Both Olympic and Arctic White on Fenders look slightly off-white, which I think Arctic is supposed to be. Is it just my eyes?
  6. joeystrange
    Brilliant. Cheers.
  7. joeystrange
    Does anybody know if a Fender P (either MIA or MIM standard) is available in Olympic White as a standard colour? All I can seem to find are a bunch of Arctic White ones. The Squier VM is Olympic and it looks great. I want that look on a Fender. Thanks.
  8. joeystrange
    Further price drop... Now £700.
  9. joeystrange
    Happy new year! Price drop! £750.
  10. joeystrange
    PM'd
  11. joeystrange
    I just bought an Orange TB500 from Martin. It took a little longer to get the cash together than I anticipated but Martin was very patient and accommodating. The amp was well packed and delivered quickly with no problems whatsoever. A pleasure to do business with.
  12. joeystrange
    I've decided to sell my Ampeg SVT-CL. I believe it's a 1998/9 limited edition version, made in the USA. The only 'limited edition' part is the red and blue SVT logo on the front which was to commemorate Ampeg's 30th anniversary. The amp has been kept in a flight case it's entire life and, consequently, has no scratches, dings or tears. I am including the flight case in the sale and will also throw in an Ampeg padded cover. [s]£800.[/s] [s]£750.[/s] £700. Collection only due to size and weight. Sorry the pics aren't brilliant... [url="http://s1171.photobucket.com/user/joeystrange/media/IMG_0694.jpg.html"][/url] Thanks for looking.
  13. joeystrange
    Just wow.
  14. joeystrange
    In: Tech 21 Boost Distortion Stagg acoustic 4-string TC Electronic Polytune MXR Micro Amp Orange TB500 (on it's way right now courtesy of thebassman) Out: Boss ODB-3 Tech 21 Boost Distortion Boss TU-2 Ampeg SVT810E
  15. joeystrange
    A few years ago my old band toured with a Canadian glam rock band called Robin Black. One night, early on in the tour, we played one of their songs in soundcheck for a laugh. They heard us playing and decided WE should play it as their encore. Every night from then on they'd finish their set, we'd come on, pick up their gear and start playing their most popular song, often to the crowd's bewilderment. Then the band would gradually join us on stage to finish the song. After that we'd give their gear back and they'd play a couple more encores and then leave. That was a fun tour.
  16. joeystrange
    PM'd.
  17. joeystrange
    Anyone seen the Ashdown Nate Mendel signature distortion? Judging by this video it sounds pretty good! http://youtu.be/tMe3e-fQeyo Might have to try one out.
  18. joeystrange
    He doesn't look as though he's doing a lot in the way of actually 'playing' in the first video. His hands don't move much, if at all. Certainly when you compare it to the second video anyway. Maybe it was Joe's idea so it made everything symmetrical.
  19. joeystrange
    I thought Hendrix did both from time to time? I could be wrong but I'm sure someone here once told of a friend (or possibly themselves) that played right-handed with the strings upside down due to learning on a friend's lefty bass. I also have a lefty friend that strings normal for a lefty. He once broke his Thunderbird in half during the first song at a gig in London and, due to being from New York, didn't have a spare. A guy from the support band gave him a Thunderbird strung righty that he played for the rest of the set. He said by the end of the first song he'd got used to it and he could play fine.
  20. joeystrange
    My school had a white/white/rosewood Squier Affinity Precision. It didn't play very well and there was a missive chunk missing from the scratch plate, around the controls. At one point the cavity was filled with Wotsits. Then it packed up altogether. I started taking my own after that.
  21. joeystrange
    Try Hot Rox in Nottingham. http://www.hotroxuk.com/ I've never had to get an amp fixed there myself but they've been good to a lot of friends over the years. Or, if you happen to be making a trip down South at any point soon, take it straight to Marshall in Milton Keynes.
  22. joeystrange
    I played with a drummer for a while that had a high-end Roland kit but instead of the usual pads he used an acoustic kit fitted with mesh heads and DW triggers. Looked great and sounded great, as long as there was a decent PA, though I'd still prefer an acoustic kit. It's odd to hear the drums coming from a monitor in front of you.
  23. joeystrange
    [quote name='PaulWarning' timestamp='1382451727' post='2252280'] know what you mean, they might as well fit an on/off switch for all the variety of tone I get. [/quote] All of my Ps have an on/off switch. Why would you need anything else?
  24. joeystrange
    I just had a look and there's an old Ampeg rig that allegedly belonged to John Entwhistle on eBay too.
  25. joeystrange
    [quote name='icastle' timestamp='1381588530' post='2241070'] Well the pickup is generally a single piezo 'strip' under the bridge, so if it works on three of the strings then it should work on the fourth as well. [/quote] That's what I thought so it seemed odd that one string would be dead. I'll try your suggestion out and see how it goes. Thanks.
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