joeystrange

A friend of mine was helping out Bootsy's tech last night. According to him, his setup was: Custom Warwick w/4 outputs and 4 cables plugged in 2 2x18s 5 Ampeg 8x10s 2 Mesa 8x10s 2 Mesa 2x15s 3 Mesa M9 Carbines Ampeg SVT5 Ampeg SVT6 All running together. He also said that his pedal board was something else too but didn't take any pictures and said it was top much to remember. Sounds like that'd be fun to set up every night!

Played to the sound guy once. Demanded that he left the room so we could play to nobody.

Bet you can't get away with having a golliwog on your bass drum these days!

I use Allianz too, after being recommended on another thread on here. Haven't had to claim (thankfully) but I got all my gear insure for just under £9 per month.

[quote name='skidder652003' timestamp='1401467345' post='2463955'] signed, does this relate to the Bristol venue? [/quote] I believe this is exactly what happened to The Fleece, yes.

Didn't they already go out of business once, before Peavey brought the name back? That being the case, maybe Peavey are just trying to sell it on name alone and putting most of their effort into Peavey branded gear? It must still sell otherwise they'd surely have ditched it by now.

[quote name='Sandmann' timestamp='1400594682' post='2455266'] of course, you have the same volume dialed in on both channels, haven´t you? [/quote] Yes, that's when it seems noticeably quiet. The overdrive channel with gain, volume and blend all on 10 is comparable to the clean channel with volume at 3-4. I'll look into getting it sorted out. Thanks.

Well it turns out the overdrive channel (active) is WAY quieter than the clean channel (passive) which makes switching between them difficult in a live setting. Has anyone playing these had this problem or know if it's just the way they are? Aside from that it sounds great!

Thanks for the input. Went with the Evostick. It's setting now so I'll see how it is tomorrow. Hopefully it'll hold fine.

Right, what's the best thing to stick tolex down with? Super glue? Carpet glue? Something special? This is what I need to stick...

Last week (Friday, I think) I made an order for a Fender Super Bassman. The website said something along the lines of 'Order before 5pm for next day shipping on Wednesday'. Seeing as I was off work on Wednesday this was perfect. I placed the order late on Friday night and got a call the next morning saying that with the bank holiday and whatnot they wouldn't be able to check stock until Tuesday. Not a big problem, as I'm not really in any rush, although the website did make it look like it was already in stock. Anyway, Tuesday came around and I got a call saying they had no stock. According to Fender Europe there were 3 coming into the UK at around the beginning of July. Since I'm on tour at the end of June I didn't want to wait that so I cancelled the order. Next step was to check the GAK website. Have them a call and they had stock and would ship it for the next day. They even matched the (slightly) cheaper price of the original order. Brilliant! It arrived yesterday morning just before I went out for the day. I got back in the evening and unpacked the amp. The amp was inside a plastic bag inside the box. When I took it out of the bag I noticed a piece of plastic inside. On closer inspection it was the knob for the DI level on the back. It isn't broken but it doesn't fit snugly on it's pole. It's very loose and falls off very easily. I also noticed that the tolex on the top was peeling off all the way along one edge. Around an inch all the way along. I called GAK and they said they'd try to get it replaced but I needed to speak to the person I placed the order with over the phone who had left for the day. The guy I spoke to said he'd leave him a message to call me after 12pm today. At about 2:30 I got bored and called them. The guy I needed to speak to had already left for the day and apparently hadn't read the message he was left yesterday. I spoke to the same person I spoke to last night. As GAK had no more in stock he called Fender who again confirmed that there were no more coming into the UK for around 6 weeks. Now I'm looking at possibly keeping the amp and getting some kind of damage discount but I can't do anything until I speak to the right person tomorrow. I didn't know buying an amp was so complicated!

[quote name='Lozz196' timestamp='1399284476' post='2442672'] Yep, I recorded with one of these using my trusty 78 Precision and as JT says, all you need. Just wish I could carry the darn things (and that`s just the heads, even looking at the cabs makes my back ache). [/quote] At the minute I'm using a P with an Ashdown 6x10 so hopefully it'll be bang on the money. It's around 10kg lighter than my old Ampeg SVT-CL so I don't think carrying it will be a huge issue. The Ampeg was flightcased too! Although it will be a little bit heavier than the OTB500 that I'm currently used to!

Finally pulled the trigger on a Fender Super Bassman a couple of days ago. Hopefully it'll be here sometime this week and I'll get to give it a run at rehearsal next weekend. REALLY looking forward to trying it out! Was a bit surprised that it seems to be the only Fender amp that Roqsolid don't offer a cover for but I guess I can get one made.

Good job! Playing with other people is definitely one of the best ways to learn. Keep it up and every time you'll get better and better and build more and more confidence. You'll be surprised how fast the nerves disappear and it just becomes the norm.

Chelsea Guitars is good for vintage stuff. Plus you won't believe how much they fit into that place. It's TINY!

[quote name='mxm' timestamp='1396789876' post='2417303'] Not got the 300, I use the 100T - brilliant amps and not nearly as back breaking as my old Ampegs ! [/quote] What's the 100T like, volume-wise? I'm interested in one of these Bassmans and the 100w version is lighter than the 300w, which is a big plus. Just a bit concerned about the volume.

[quote name='floFC' timestamp='1395604935' post='2404293']The proper website for them is http://fuzzguitars.co.uk btw, the link up there is somewhere in Korea (I think). [/quote] Ha! I had no idea, I just got it off their Facebook page. Sorry!

Try Fuzz too, they might have one in there http://www.fuzzguitarboutique.com/

Cheers for the advice. I'm glad you're all on the same page. I've bought on here before, there just anything right that's within my budget right now. I'm always looking though. Cheers.

http://bit.ly/1fF9Mld http://bit.ly/1hJLmWc

[quote name='bonzodog' timestamp='1393963123' post='2386393'] Whats their feedback like? [/quote] One negative feedback out of 95 saying that the description and item were different things. It's not really filling me with confidence, that's why I asked for more info and pics.

I'm currently watching two white Fender P Basses on eBay and they seem a bit... Odd. They're both from the same seller, ending four days apart. Both have no pics, apart from the same stock photo, and both have next to no info, although one has a bit more than the other. There are no bids on either of them. One is £350 with free shipping and one is £342 plus £20 shipping. I emailed the seller a couple of days ago asking for more info but no reply as of yet. Does this seem a bit dodgy to anyone else?

[quote name='gub' timestamp='1392652792' post='2371085'] So do you think it's been messed about with after? Or recorded that way with effects on the night? [/quote] My first though was that the vocals were re-recorded or played with after recording. It may very well have been done that way on the night, I'm just very cynical and sceptical of anything I see on the internet. It's all a work, brother.

[quote name='Mike' timestamp='1392545707' post='2369806'] It certainly sounds nice but don't be fooled - a lot of processing has taken place. It's clearly quite strongly compressed and the lead vocals have been obviously (and to my ears, unmusically) autotuned. Quite unnatural sounding, particularly the higher parts. [/quote] Glad I'm not the only one that thought this sounded a bit too good for a straight-up live recording.

I think Krist Novoselic is massively underrated. He may not be the most technical player in the world but listen to any Nirvana stuff and there are a lot more subtleties in his playing than you realise. Especially apparent if you can get hold of some multi-track stuff.