paul_5

The 'bore has got its own sound that it does really well. If you don't mind it imposing that on your bass then I'd say "go for it". What's the worst that can happen?

The switch would be the obvious place to start. If it's a Russian one that's been modded I seem to remember that this particular pedal needs +ve centre supply as opposed to the usual Boss -ve centre. Either way banging it around won't help. What would Chris Wolstenholme do? Hmm?

still waiting for them to replace a 4u flight case that they smashed for me. I mean, how hard is it to pick something up and then put it down again in a different place without snapping bits off?

I laughed out loud at the Scott Ian bits, a class piece of broadcasting. We need 'Anvil' and 'Spinal Tap' next...

Cheers for that, turning over now.

Niiiiiiiiiiiiiice? Nooooooooo. That is all.

Not even looked at it. Haven't renewed my subscription. I'm spending the money on bass books instead, I reckon I'll get more out of them.

[quote name='Jondeeman' post='1310085' date='Jul 20 2011, 10:54 AM']No it's not, but it's a bl**dy good place to start. Getting used to the techniques and technical requirements before introducing self-expression is key to learning successfully (a bit like playing).[/quote] Fair do's, jumped the grumpy gun there a bit. sorry 'bout dat.

everything pre-drilled and solderless? it's hardly "expressing yourself by building your own bass" is it, a bit like the Wright brothers playing with Airfix kits. It looks like all you're doing is building someone else's bass....

I dabble with the guitar, don't know many orthodox 'chord shapes', which is handy as I don't write orthodox music. I know what sound I've got in my head (when the voices are quiet) and shoot for that. My ears tell me how close I am. Most of my stuff starts with a riff in my head which I play on the bass and notate in Sibelius. Form then I keep adding/subtracting parts until I find some thing that works. It takes a while to actually finish a piece, but I 'm always really happy with the results. Also handy is the way that Sibelius tabs stuff out (makes for really speedy sessions with the guitarist, as it's quicker for him to work out my "spaz chords" as he calls them). We can record 4 pieces a day from scratch. I realise that this ain't the way forward for everyone, but it works for me. FWIW if you're learning another instrument I'd probably recommend the piano/keyboard as it makes theory SOOOO much easier to understand.

EBS octabass does better than an OC2 - they're the only two I've ever had.

I'm nowhere near you, but thought I'd say "good luck" with the band, and great avatar. Keep up the good work.

[quote name='Jag_Bassist' post='1307467' date='Jul 18 2011, 09:31 AM']one things for sure... never going to use a pog or a whammy for my octaves ;] horrible sound[/quote] Yup, like trying to use a cat to spread butter.

I'm loving the EBS octabass at the moment - lovely and clean.

Herman Munster doing Baldrick's famous "slug balancing act" on a unicycle - where do I sign?

I used some on a project a while ago. IT removed one layer of unlaquered paint. I think the claims on the tin are somewhat exaggerated. Elbow grease never fails - it also builds bigger triceps.

I used to use it, but haven't really bothered for a while. Maybe I should give it another go - that's fast fret, not heroin.

[quote name='simwells' post='1307138' date='Jul 17 2011, 10:04 PM']Where would I be best to get a replacement from? What exact switch would I need? Thanks[/quote] Open it up. If there are 6 connectors on the footswitch then you need a DPDT one (google it, it's a fairly common part). If there are 9 connectors (possibly this one, as it's true bypass) then it's a 3PDT footswitch. Hotrox have the 3PDT for just under £5 [url="http://www.hotroxuk.com/3pdt-foot-switch-11232-0.html"]here[/url], or a DPDT (double throw double pole) looks like that, but with only 6 connectors. If you can't find a DPDT then you can simply use a 3DPT and only use 6 of the lugs. Hope this helps, Paul