I got coerced into BVs during my tenure in a metal band, and really enjoy doing them now. I’ve known from a young age that Pavarotti was never going to lose any sleep over my vocal ‘abilities’, but well placed harmonies can often mean the difference between a good live band and a great live band.
I've avoided using a compressor for years, and tend to favour a HPF over an actual compressor. I fire mine (Emma Discombobulator) on for slap passages as it's set to a fast attack time and quite a heavy compression.
One fretted, one fretless. Identical models apart from the ‘speed bumps’ - ensures I don’t have to muck about with eq settings or compressor thresholds etc…
Yup. I went back to watch the video and to be fair, after about a minute she DOES play a Jazz… with the bridge pickup dialled all the way back so it just sounds similar to the P bass. Awesome.
I’ve just had this ad pop up on FBook - seems as though there’s no real difference betwixt the two…
just so everyone knows, I’m Jazz all the way, they’re good for metal too.
I can't recommend getting a phase switch enough, it's worth whatever extra you have to pay just to not have your signal (or parts of it) disappear when you're approaching a 50/50 blend.
Unless you've got an oscilloscope or similar device for checking the signal phase then a phase reverse switch is a must.
SVTs will play with 8Ω cabs all day long, they just won't be able to deliver their maximum power.
Speaker impedances on amps are MINIMUM ratings.
Bigger number good, smaller number bad. Very bad.
Probably 1990 to 2000 for me - I transitioned from teenager to 20 something in this decade, so I went to and played loads of gigs. Everything from Grunge, to Britpop via the American Alt Rock scene (Primus, RHCP, Tool etc...) and some great thrash metal albums still kicking about.
What a timely thread - I've built an Emma Transmorgrifier on strip board and am really enjoying that for squashing my slap sections, but I'm planning to build a DOD 280 just to see if I prefer an optical compressor, as I've recently switched over from an OTA envelope filter (Chunk Systems Agent 00Funk) to an optical one (Meatball), so I wonder if the difference is as noticeable in compression circuits.