obbm

so you're spanking your plankton.

Oh if only we had a drummer. Trying to form a relationship with someone else's recorded drum tracks is an impossibility. ☹️

I think I'm going to cockle a snook at this whole series of posts.

Need to see photos Chris, especially the cable.

I have two Backbeats. The first was a very early one which died, it wouldn't charge. After many emails back and forth I was able to buy a replacement board from their dealer in Netherlands. Before he sent it he asked me whether I wanted "rumble on the aux in" as apparently there is a mod which removes it. I asked him to leave it on. Please don't ask what the mod is because I have no idea.

My set up for our opening for Falmouth Soul Sensation last Saturday. FOH through Bose PA. in the Old Church at St Day. Amazing acoustics

It's a Metro HPJ. I can certainly bring it. I used to also have a UV70 but I traded it last year.

Although it's a long haul from Falmouth I will try and get there this year. No idea what to bring however. By the look of it I think just a good appetite.

Having not taken it out of the house for many years I restrung my '71 Jazz with some used Sadowsky 45-105 Black Label Flats and used it at this mornings rehearsal. I definitely reckon that I'm close to getting the tone I want and the reaction from rest of the band was amazingly positive. The only snag is that the tension feels a touch too high. I'm thinking of trying some Rotosound 77 40-100 flats as they are in period, wont break the bank and should be slightly lower tension. What do you reckon?

Although I played in my teens/early 20s I stopped in order to spend time/money on other things. Restarted at 44 but the period from 54 til 62 was the best and most interesting. Still playing at 77.

I was 17 in 1963. We formed a band for a school dance. Now 77 and still gig occasionally.

Not venturing fully West then. Hall for Cornwall in Truro is a really good venue now. I reckon you'd get a full house.

I would dearly love to get my trusty Stingray 5 back again. It was fitted with a Status neck by Rob Green in early 2005 and was my go to bass for many years. Only sold it because I was playing in an Elvis tribute band and didn't need a 5-string. Big mistake. Where is it now I wonder.

This is a very difficult question to answer because as a child there was no pop/rock music as we know it today. Up to the age of 11, i.e. 1946 to 1957 all I heard was:- Summer – Hotel Dance Band Winter - BBC Light Programme - Two Way Family Favourites, Billy Cotton Bandshow, Uncle Mac’s Childrens Favourites, etc. In 1957 we moved, my parents bought a radiogram and had some LPs of Gilbert and Sullivan and some Musicals but nothing that interested me. (Note: I eventually modified the radiogram to became the basis of my first bass amp) I started to listen to Radio Luxembourg. By the 3rd year at school one of the form used to bring his Dansette and play records at break time - Duane Eddy, Johnny and the Hurricanes, Buddy Holly, Del Shannon, The Ventures, etc. There was a slow growth of, what was starting to be called, “pop music” on BBC Light Programme - Saturday Club BBC TV - Juke Box Jury ITV - Thank Your Lucky Stars But that was about it so it so a tape recorder was essential. Early 60s it was Cliff, The Shadows, Johnny Kidd and the Pirates, Gene Vincent and The Blue Caps, Helen Shapiro, John Leyton, Billy Fury, etc. The weekly NME was a great source of information, new artists/band and tour dates. Went to see Little Richard in concert and was converted by the Fender Precision in Sounds Incorporated. I had to have a bass. At the end of 1962 everything changed with the rise of The Beatles and the other Mersey groups. Compared to what had come before it was a revelation. By 1965 the broadcasters had eventually got their act together with “Top of the Pops” and the wonderful “Ready, Steady Go”. Yes I go back, listen to and play along with music from my youth but not my childhood, and I’m not embarrassed to admit that I like a lot of early Cliff and The Drifters/Shadows. There is just something about that early British Rock ‘N’ Roll that gets me. Given the opportunity I would just love to get out and play it again.

Out: Sadowsky UV70 Ibanez Mikro In: Musicman Sterling Sterling SB14

Thanks for the suggestions. I've ordered the larger Harley Benton Power Bank which also does 18v so hopefully I can run my Ashdown Pre-DI as an alternative.

Looks interesting but what it doesn't show or mention is the separate power supply that's needed to provide the 30-volts DC.

Harley Benton strikes again. That looks ideal. Thanks.