TheGreek

I saw them when they headlined Glastonbury in '84(?). They were excellent...till then I didn't realise how many great songs they'd recorded.

These are highly regarded but a bit more than I thought. https://www.absolutemusic.co.uk/roland-cube-street-ex-battery-powered-stereo-amplifier.html?source=shopping&sku=rolcubestreetex&gclid=Cj0KCQiA4aacBhCUARIsAI55maF3A78Qncqye7nWFvsDuwumL4UhoRVO1S_wgpzG_KwhokBbs9l0dGgaAl71EALw_wcB

This: The solution to all your cab needs - compact, light and powerful (450w) - the "w" stands for "wedge". Sits nicely on top of your existing cabs and TBH a ridiculously low price for this cab.

Simply put...no. If the tools do the job, why change the tools? Stand your ground.

Very nice...

Better... 20221202_120109_001.mp4

Bert Reynolds and Dolly Parton For those in the know.

Picked up this very attractive, silver blue metallic bass today. The paint has that "flip flop" effect seen in modern paints that alter the colour from light blue to purple depending on the light. I've played it for about an hour, initial thoughts below. Obviously subject to change based on whether I gel with it or not. I'm not your typical MM fanboi and don't have a good history with Ray types. In the past I've owned 3 Stingrays, the first, an '89 which was amazing, felt so right - certainly lived up to the MM reputation, sold when I shouldn't have and seller's remorse forced me to buy my second, a 2006, shortly after which was just plain ordinary, and left me mentally scarred regarding Ray's. The third was a rare non export MIJ , made from imported genuine US MM parts and assembled in Japan which I didn't gel with and sold here to a non UK based player, making them even rarer in the UK. So this venture into MM territory was with a bit of trepidation TBH. To complicate matters further I've been playing 5ers almost exclusively for the past year or so and using tapewound strings. Obviously the Sterling 4HH doesn't satisfy either criteria. Let's get the strings out of the way first. Whatever strings are on the bass are horrid!! The tension is just wrong..far too much tension, thus less feel and after using tapewounds they feel like a cheese grater. Tones from the roundwounds lack the character of my favoured tapewounds so pointless drawing any comparison. The bass itself comes fitted with the "new, modern C shape" neck and it's very nice too. Very playable, something more akin to a jazz, with a satin finish. Bass is fitted with a 5 way switch which allows the pickups to produce tones rangeing from a single bridge jazz, humbuckers and P type - ish. Not a strong P tone but the pickups aren't configured to produce a pure P tone, no matter what they say. TBH I won't be happy with the tonal package till I've changed the strings for tapewounds but for an "entry level 'Ray" most won't be disappointed. Lots of reviews on YouTube for those wanting to hear more about the pickup permutations. Hardwear seems to be of good quality, the tuners stayed in tune following the 30 minute journey home on my back seat even though it wasn't cased. Bridge is the usual MM type in chrome and again looks OK for a bass of this price. Overall, a not remarkable bass, pitched in the same price bracket as Sires, G&L, Squier and many respected others so lots of competition. ATEOTD It's your money so you decide but I think these are certainly worth giving your consideration if you are thinking of spending £450 ish for a new bass. Second hand prices seem to be from £275 to £350 - mine, in very nice condition was close to the middle so all things considered, not a bad buy.

When I were a lad having a record collection was a status symbol. Now young people have no "hard copies " of any music. Music has become the ultimate disposable product, where users don't pay for product in the first place then throw it away when they inevitably get bored with it. If you're making Music nowadays, do it for the love, there were very few musicians making money before, the number has just gone down.

https://f7td5.app.goo.gl/k9KkmU

Or what's the handle for

A good cause but the very nice guitar is not a lot of use to me.

Has anyone tried one of these with a normal fretless bass? Positive result?

I had this experience trying a Fender bass in DV247. The neck gap on the mij was super tight...you couldn't get a single Rizla paper in whereas the MIA you could have got in half a packet. When I see stuff like this it just confirms my bias

I prefer the looks and the neck from a jazz but need the punch from the P pickup. For me, if I have to have that shape bass it has to be a PJ.

So it's good night from me....

@chris_bmakes a good point that Fender was the thing when he ( and I presume most of us) started. He's right, but today there are numerous other brands building as good, if not better basses. If you want a Fender, buy one. If you want a good bass the choice is bigger.

Bitsa??