[quote name='Pete Academy' post='1071166' date='Dec 28 2010, 06:47 PM']This has developed into an interesting thread. Playing in a tribute band, I try to get nail the lines as accurately as possible. But over the years I've tried to inject a bit of my own personality and feel into the Steely Dan bass parts. As I mentioned previously, Chuck Rainey's slap part on Peg is hard to replicate, mainly due to his style and the fact that the bass didn't sound 'zingy' when slapped. You can see why Becker and Fagen failed to spot him slapping. For me, my version of Kid Charlemagne is also an approximation, as I believe Rainey's amazing part is impossible to replicate accurately. Bootsy's Sex Machine is also an example of this.
However, there are certain songs where I have studied the original note for note, as the part is so perfect and just has to be played to the record. Greenflower Street and IGY come to mind. In fact, virtually every bass part on The Nightfly is absolute perfection, and IMO should be performed (not necessarily played) as is recorded. I also think that the part on Gaslighting Abbie warrants this.
An example of a bass part that I've changed slightly over the years is Ricki Don't Lose That Number. Apart from the intro, the main song isn't something the average listener would pick up on. To me, the main importance of most songs is to maintain the overall feel, which is something I try to achieve. But I just agree with JTUK that certain songs need to be performed live as they were written. And Rhythm Stick is one of them.
Ramble over.[/quote]
Agree 100%. I play in a band that does predominantly "Yacht Rock" stuff, and in something like Kid Charlemagne, there are so many live versions around of Steely Dan performing it that you can take some ideas from all of them and then make the part your own, while keeping the same groove as the original, and you'll get away with it. Sometimes, in the case of something like Minute By Minute, the live versions that followed are much better than the original recording, and are better for live performance.
But, in some songs like Josie, Peg or even Boz Scaggs' tune Lowdown, where the bassline that's on the record is an integral part of the song (even a "riff", if you like), you really do need to stick pretty rigidly to the part that's there in terms of the meter and delivery of the notes you play, and Rhythm Stick is one of those basslines. I'm playing it on New Year's Eve, and not only is it a pretty difficult part endurance-wise, its also one that you definitely cant busk because it'll get spotted straight away. Its a fun line to play though, even if it is a hand-breaker!
And the keyboard/bass unison line on Gaslighting Abbie is a nightmare!