Lozz196

Just watching the prog about Jeff Lynne & ELOs Wembley concert. Pretty good, decent sound - which must have been difficult considering how many instruments- and a left handed bassist playing with the strings from G at the top to E on the bottom - obviously learned on a right handed one upside down.

Difficult to argue against those, plenty within budget and plenty enough for pub gigs.

I too found the regular Markbass cabs to have a high-end roll-off, had similar experiences with DI-ing. Maybe they’ve just designed the Marcus cabs to have a fuller range.

Yep, a fairly recent addition to their range, and - imo having the same cabs - a good one too. They also do a 112 and 115 in the range.

I remember the time we played there, we were on at 1pm in Glasgow, then had to hack it down to Blackpool for the evening shift at The Waterloo at 7:30pm. Given we’d done Gateshead the night before it might be possible to say we were a little tired….

The Waterloo is ok, not the best venue but a decent PA. Only downside is if it’s busy getting gear in and out can be a pain. If you have merch I’d get there early and nab a space to set it all up. Have a good ‘un, at some point I’ll get round to one of your gigs when they’re a bit nearer, loved the material you put up on here.

Nothing wrong in letting off some steam, just don’t do it when you have valuable possessions with you. That’s why, when I was a drinker, that I hated gigging, either I was driving so couldn’t partake at all or on a luxury non-driving gig I still had all that gear to look after.

I prefer 45-100s as you can get more bass onto the G & D without swamping the E & A and making them too boomy. Especially on a Precision where the pickup placement puts the thinner strings over the nearer to the bridge pickup, helps to balance it out a bit.

Can the Ashdown PRO-NEO ABM cabs be added - probably only a kg or two heavier than their Rootmaster cabs.

And let’s not forget this was 50 odd years ago. Sure drummers of today would do things differently/better, but that’s with the benefit of those 50 plus years of music to take inspiration from. Pretty much the same with Macca on bass, what The Beatles were doing back then was way ahead of the time, but judging them on todays standards & styles is pointless.

Unleash your Inner Moon

Darn, only just seen this post. Still I’m sure it will be on again, will keep my eyes open for this.

In my last band as we took all our cues from the singer (who was also the guitarist) our monitor requirements were lead vox & guitars in all monitors plus our own vocals in our own monitors. Made things quite easy for whoever was on the desk as well, rather than “a tad more attack on the upper mids on the snare” and all that which I have heard people ask for.

Agree, it was about guitars & basses til he showed his curly mop.

I’ve gone from traditional sized 410 & 210 (210 just for bigger gigs) to two lightweight 210s, which have diagonally spaced cones. Much easier to cart about, easier to place in the car, smaller footprint on stage, higher up than my 410 so easier to hear, all round makes life easier. Not overly expensive either, though they can now be had for much less than I paid, grr.

IEMs sound like a solution, but short term get someone to video one of your gigs and then get him to watch it. Then explain that everyone in the audience saw the same and was thinking what a Pratt.

Mulletmungus!! I rather like the first song, the singers voice and singing style reminds me a little of The Housemartins

I think the Super12 is either more middy/less flat or the Super Twin is more bassy/less flat. Which it is I have no idea, just my impressions after hearing them both (and having had a Super12).

And let’s not forget he did get paid at the time, his $1 is clearly in the shot.

A Yamaha would certainly be good as a first “proper” bass, I speak from experience, I went from cheap starter instruments to a Yamaha BB1100s. That bass did hundreds of gigs, and my first experience in recording studios.

Not sure exactly how it works but in another thread there are some happy purchasers of goods from the EU at much better prices than in the UK, and where they’ve not had to pay any extra charges. Bought from Musik Productiv I believe.

Pete Shelley of The Buzzcocks used to play pretty cheap Epiphones. I’m sure he was in a position to afford/play more expensive guitars but that’s what he used. May be down to a number of factors of course but for playing live you surely have to like the guitar you’ve chosen.

I’m sure he gets recognised all the time from that shot…..

I can’t think of much, if anything that can compete with those weights. Add in the power ratings and I’d say unless you find the sound truly hideous the gear selected looks to be the winner.