cetera

Dingwall D-Roc and NG basses. Loved the look and the feel was good. Sounded meh.... then I noticed that everyone paired them with Darkglass pedals to get them to sound half decent.... but then they all ended up sounding the same... Sold them and got more Spectors instead

Yes. You are correct! Mickey Thomas (Starship) was also approached by Chicago.

It's the BB3000S. Not active just a little different... BB3000 Nut width: 43mm Usually 2 knobs (V/T) and a selector switch, some have 3 knobs Made in Japan BB3000S nut width: 40mm 3 knobs (V/V/T) Made in Japan or Taiwan

To be fair, the backing tapes sounded awesome. Vince's voice, not so much...

No vid attached.... but Richard Page played a BB3000 I believe.

Yes, thank you!

Indeed, I meant the warblings/singing of every note around the one she was going for.... that came later in her career.

Great singer, no doubt.... but the over-emoting she passed on to Mariah Scary and the rest puts me off... Now, where's my 'Carpenters - Greatest Hits' gone?

Find his feedback topic (in the feedback forum) and leave him positive vibes there...

Saw that EB-2alike on social media last week. I really like the look of that, especially if it's at a nice cheap price point!

https://www.bassdirect.co.uk/product/eich-bassboard/

1. @cetera - Charvel 3B, ESP Surveyor '87, Fender FSR PJ Precision, Hamer Impact, Italia Imola, Spector NS2, Spector Euro, Spector EuroX (Spectorbird), Spector Pulse II, Spector Dimension 4HP, Gallien Krueger 400RB & Legacy800 heads, GenzBenz Neox 2x12 cab 2. @TheGreek - All short scale this year - a @Jabba_the_gut scale 5er, Mini Ray, Short scale P bass 3. @Harlequin74 - Zoot Performer, Status Shark, Spector QV4 , Markbass TTE501 and Matching CAB. Maybe the Lehle Basswitch… 4. @Frank Blank - @Jabba_the_gut short scale fretted and fretless, JMJ Mustang, QSC K12.2, Grace Design Alix 5. @TrevorR - Mk 1 Wal, Wal Pro IIE, Aria SB700, Frankenjazz, pedals and MarkBass LMII & Traveler 2x10 6. @bnt - travelling light, probably a couple of pedals such as T-Rex Diva Drive, Orange KongPressor 7. @bass_dinger - 1999 Washburn XB500, 1994 Washburn XB500, Washburn XB925 in zebrawood, Washburn XB925 in bits, Boulder Creek 5 string (likely to be for sale), SWR Workingmans 12. 8. @greentext- 2008 Spector NS4-H2, 2015 Sandberg VS4, 2000 Trace Elliot T-Bass, my pedalboard and my tin of picks 😈 9. @prowla - Probably a couple of Rickenbackers and some interesting oddities. Amp-wise a Markbass EVO and a 1x12 (last year I bought some others to try and never switched them on, as the EVO sounded spot-on). 10. @SuperSeagull - Status S2, Feline P Bass, Modded Fender Lyte, Flea Jazz, MB Combo 11. @Merton - various short and medium scale ACGs, Zoots and Conway basses, Barefaced cabs, modern Trace Elliot amps 12. @MacDaddy - Shuker (probably no3), Snapdragon Folding Bass, possibly a Rob Allen Mouse. 13. @neilp - matching pair of fretted and fretless 1980 Aria SB1000s, possibly my fretless Wal mk1, Ashdown ABM500/Ampeg 4x10, Tech 21 Bass Fly Rig 14. @NickD - Strunal Schonbach 5 String DB, and whatever else I can shoehorn in the car around it... hopefully a MD CMD121 H, Zoom B6, and maybe a Maruszczyk Jake and a Shuker Series 2. 15. @WalMan - converted Wal Pro, Zon Legacy Elite, Status S2, G&L L2500 fretless, McMillen 12Step & DSI MoPho, Two Notes Bass Revolt, Trondheim Audio SkarBassOne, BackBeat2 (and my BackBeat1 will probably be available for sale). 16. Darkglass Microtubes500 and one of the Barefaced cabs. All depends how late I leave and what will fit in the new car 🚙 😁 16. @Smanth - With my small, light, battery powered gear (mostly) ... IBBY-Ibanez GSRM25 5 str sub short scale, 'ELIMA - Kala California 5 str fretless ubass, QUINN- HB 5 Str Fretless, MOD Dwarf based pedalboard, Boss Dual Cube Bass LX. (Also some toys to sell) 17. @Jean-Luc Pickguard - NS Design CR5M, Squier Bass VI, Roland MicroCube Bass RX and some pedals. 18. @tauzero - the basses that @TheGreek made me buy (handmade 6-string headless, Pedulla 6 fretless), Roland GR-55, one or two Seis, anything else that occurs to me, Mrs Zero (probably) 19. @Stingray5 - EBMM Stingray 5, a trio of Tunes i.e. TWB-6, TWB-4z, SWV4-BB, Boss GT-6B, Eden EC180 combo. 20. @rumblefish - Reverend Rumblefish, GB basses, Mesa Walkabout amp, Vanderkley 112 MNT. 21. @Paul S - might be space for a shorty? If not never mind. I have nothing of interest 22. @bassace97 - Musicman stingray basses, Fender Mustang bass, Pedalboard and my Mesa TT800 + SL112 cabs 23. @BillyBass - Reverend Decision P, Gallien-Krueger Fusion S1200 and Barefaced Midget

Of course not. I was referring to their own performances. It is absolutely impossible to trace every performance of every song..... and an absolute administrative/processing no-go. It would cost more to research/process/pay than there would be money in the pot.

How else are they supposed to do it? If noone provides the information how can anyone be paid? It's called the 'music business'. If you're a songwriter you need to take care of your 'business'. You can't leave it to someone else.....

Anyway.... these cover bands...... Parasites innit?

Plenty of disinformation on this thread so to put a few things straight: Venues are licensed by PRS/PPL, not the hirer. The 'main' business of the venue is what they are licensed for. A pub may have a jukebox, the radio and/or occasional live bands but if they do not have 'regular' ticketed events then they will just have a 'general' licence. If you regularly play at one of these establishments then you will need to apply for the 'Gigs & Clubs Scheme' at PRS. If you write your own material then you will see a small payment every so often for your trouble. If you play covers then you will reward the original songwriters, as you should... There is also a similar scheme for buskers on the Underground. https://www.prsformusic.com/royalties/live-performance-royalties#:~:text=If members play at a,is performed at the event. If the main business of a venue is ticketed events i.e. concert venue, arts centre, theatre, etc then approx 4% of box office is payable to PRS from the gross. This money is then paid out to the songwriters/publishers of the music performed after a small deduction for processing (under 10% - the lowest deduction of ANY worldwide Rights society). This 4% is SUPPOSED to be raised/paid by the venue (5p on a pint etc) and NOT charged to the band..... however, it often is added to band deductions which defeats the object if you write your own material. However, contrary to what some ignorant people think, PRS is NOT the music police and doesn't have any power to enforce the way a venue raises it's payable PRS licence fee. Also, because ticketed venues are often rubbish at asking for setlists from artists and supplying them on to PRS it is always recommended that for those performances a writer use the online PRS live set list hub to upload their set info. https://www.prsformusic.com/royalties/report-live-performances You're welcome...

V7 looks nice but it needs a 4ohm 2x12.

Yep, it's beautiful! Love mine!

I like the gold, but a silver and or purple would really tempt me....

🍿🍿🤣

They're two seperate instruments.... 🤔

Sadly, cult of social media means that people just confidently spout stuff that they have no direct knowledge of. I've been guilty of it myself at times... as I'm sure we all have.

I hope not. The original pickguard on Gene's 77 bass was shaped a little differently and there was more space between the controls.... 🤣 Attention to detail 7/10 🙄