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PRICE DROP TO £300 Mackie HR624 Mark1 high-resolution THX active studio monitors. Excellent Condition. Matched pair in original packaging with power cables and foam packing inserts. Ready to be used in any recording/production space. Bought as a back-up set for my studio, but never needed. These speakers are THX-approved with XLR, jack and phono inputs and room correction switches (for reducing bass frequencies if they are placed close to a wall or corner) to maintain a flat, neutral sound. Audio Frequency Response 52 Hz-20 kHz (±1.5 dB) High-Frequency Equalization ±2 dB shelving @ 10 kHz Low-Frequency Equalization 80 Hz/49 Hz second-order Butterworth, switchable Acoustic Space EQ 3-position switch: -4 dB or -2 dB @ 400 Hz (and below) or flat Peak Output 112 dB @ 1m Residual Noise < 8 dB @ 1m Amplifiers Power Rating (@ 1 kHz with 1% THD) 40W (HF amplifier); 100W (LF amplifier) Signal-to-Noise Ratio > 93 dB unweighted (HF); > 101 dB unweighted (LF) Input Impedance 20 kž balanced; 10 kž unbalanced Total Harmonic Distortion < 0.035% Power Consumption 12W standby; 20W idle; 105W loud program Speakers High-Frequency Driver 1" aluminum dome Low-Frequency Driver 6.7" mineral-filled polypropylene cone Input Connectors XLR; ¼" TRS; RCA Dimensions 8.25" (W) × 13.00" (H) × 12.50" (D) Weight 25 lb Only £300. Collection from London E2.
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PRICE DROP – NOW £130 BOSS DIGITAL DIMENSION DC-3 Chorus Sought-after blue label version, made in Japan. Separate controls rather than fixed presets for maximum flexibility. Can be used in mono or stereo. Very Good condition (a bit of velcro residue on bottom). Only £130. Collection from East London preferred. May ship at buyer expense.
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NikNik started following Bargain Les Paul?
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Probably a Chibson.
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Gibson 1974 Ripper Alder Old Shape £750
spinynorman replied to spinynorman's topic in Basses For Sale
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lukeh started following Feedback for jacq
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I've just bought a Truetone 1-Spot CS6 power supply from Jacek. He was very helpful throughout and it's now arrived having been safely packaged and is working perfectly. Overall an excellent experience, thanks!
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The Trees - Rush
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On the Beech - Chris Rea
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This post cannot be displayed because it is in a forum which requires at least 1 post to view.
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Wow, thats bad...
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SimonK started following Gain up,master down,or is it the other way around? (heh that rhymes)
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Presuming you are meaning pre-amp gain vs power amp volume on an amp they are quite different things. For me the main "simple explanation" is that gain affects tone and ultimately drive/clipping used as an effect, whereas master volume just makes it louder or quieter*. Sometimes if the input signal is really low you can turn the gain up full without any appreciable difference in tone. I find the easiest way to think about it is to compare to mixing desks where gain is about balancing input levels to stop clipping and ensure levels are roughly equivalent between channels. Gain controls are often used alongside compressors to try to keep peaks no higher than about 3dB. *edit - except with tube poweramps when you get lovely poweramp distortion - but digital/solid state amps as most bass amps are shouldn't do this!
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Line 6 LowDown HD400 Bass Amp Modeler 400 Watt
Lukasz Chyla replied to Lukasz Chyla's topic in Amps and Cabs For Sale
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- line 6
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My understanding is that if your amp is digital then you keep the gain down and the master up full. Digital amps are supposed to be noiseless so even with the master up full there should be no hiss. You then use the gain as a volume. If it's analogue it's the other way around to prevent hiss. Personally, with my digital amps, I just treat them like they were analogue. None of them have any tube overdrive and I have a clean sound, so it doesn't really matter.
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- pedaltrain
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