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EJWW started following Markbass LM4 advice please...
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When using the DI out on my LM4 can anyone advice me what to do with the 'Line Out' control on the front panel? I've not had this head for long and don't recall previous amps having this control so I don't know how high or low to set it. At last night's gig I left it set at 12 o'clock and there were no complaints...
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If the Kids Are United - Sham 69
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Kids of the K hole - NOFX
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Steve Harris Maiden 50th anniversary pbass
Chaosanator replied to christhammer666's topic in Bass Guitars
It seems like the consensus is that these cost a lot of money for what you get. Does anyone own one and want to share their experience? -
Stuart1982 started following ACG Krell SC E Type 6 String Fretless Headless (31.5" Scale)
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ACG Krell SC E Type 6 String Fretless Headless (31.5" Scale)
Stuart1982 replied to eude's topic in Basses For Sale
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ACG Krell SC E Type 6 String Fretless Headless (31.5" Scale)
MNY replied to eude's topic in Basses For Sale
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Ashy started following Yamaha BB424X or Franconia ??
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Interested in buying one of the above , lots of info on the Yam not too much on the Franconia. Opinion's very welcomed as I've not played either ...similar price. Cheers Ashy
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New experience for me last night. Depped for a Showaddywaddy tribute act, performing at one of those big retirement complex places. Not quite fully booked but a very decent crowd and we got them on the dance floor. I've always gravitate towards rock/pop/soul/funk so Showaddywaddy was a bit of a tangent. I enjoyed the challenge of learning 34 songs in a couple of weeks and the lads did a good show. Pleased they had a spare Teddy boy frock coat for me to wear so I looked the part 😎. Deceptively difficult, those Showaddywaddy tunes with all the stop-starts, stabs, false endings etc. I used my 2003 Japanese Fender Jazz, markbass LM4 head and energy 2x12 cab. No food or drink provided for the band other than water and coffee 😞
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The separation is not brilliant on that one but I will have a look later on and see what I can do.
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Hana, I was thinking about the 80's basses you were trying to describe with the P&J configuration & ultra thin necks - was it the Bass Collection Speakeasy? The Bass Centre currently do a new reissue model. They were great basses with a huge 2-band active sound, featherlight weight and that fabulous thin & fast neck. The P&J configuration certainly gives an individual sound - rather like a thicker Jazz Bass with a more 'plinky' top end. It's difficult to describe, but it's a very nice and versatile sound.
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Very good condition recently taken in p/x but not displacing my current rig, THE EBS MICROBASS II PREAMP IS THE BASS PLAYERS ‘SWISS ARMY KNIFE’. A DI BOX, TWO-CHANNEL PREAMP, WITH SPEAKER SIMULATION, EFFECTS LOOP, PHONES OUTPUT AND LOADS OF OTHER GREAT FEATURES. THIS IS THE ULTIMATE BASS TOOL. PERIOD! Two Channels and A Useful Loop. The MicroBass II can be used as an active direct box, a one or two channel preamp, instrument switcher or blender. The two channels provide sound shaping from high end solid-state types to distorted timbres, using the awarded tube emulation circuitry found in the EBS range of professional bass heads. An incorporated effects loop gives the user added flexibility for connecting to other effect pedals, or for mixing in an external audio source such as a CD player for rehearsal purposes. Unmatched Flexibility. The balanced output with speaker simulator option provides unmatched flexibility in live and studio situations. Footswitches control mute and channel operation/switching. Other features include headphone output, low battery indicator, link and master outputs, bass, ‘sweepable’ midrange, treble, bright and edge filters, drive and effects mix controls. Price includes 1st class postage in UK
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When in stock in UK these are £279, so a huge saving and no waiting !!!! Been using this for 12 months and every sound engineer comments on how good my sound/tone is so "What does it do?" Converts 1/4 inch (balanced or unbalanced) to XLR balanced output. Protects from accidental phantom power damage. Transformer isolation allows for ground lifting to kill hum. 1/4 inch outputs allow connection to powered monitor(s). Passive Summing network for 1/4 inch outs for Amp or FRFR XLR Summing mod available (See other listing!) Acts as a patchbay eliminating the need to repatch the board between rehearsal and stage. Keeps signal level high and tone intact. For DSP Guitar Rigs… If you are using FX DSP simulation/load boxes such as the iK Tonex, Kemper Profiler Player, Line 6 HX Stomp, Walrus ACS1, Line 6 HX Effects and are interfacing them in a live situation, you shouldn’t be using a direct box (for impedance matching) but should be using a “line isolator”. These simulators have outputs on ¼ inch connectors but no way to ground lift in the event of ground loop noise. A line isolator won’t drop your signal level like a direct box will, but will maintain the line level while giving the ability to ground lift and eliminate noise when running your guitar signal to the main PA. In addition, transformer isolation insures that Phantom Power from the console never touches the outputs of your FX pedal. Engineered for Pedalboards The DISO-Plus is a 2-channel line isolator box made to integrate with other guitar pedals. It can deliver pure, clean sounds in the studio and it has also passed the toughest test of touring life as well. The two ¼ inch input, two ¼ inch output and two XLR output jacks are mounted on a powder coated, cast aluminum enclosure. A ground lift switch is mounted between the XLR connectors so that it is out of the way and won’t get bumped accidentally. A stereo/mono switch is located near the ¼ inch outputs and actuates a summing network to allow both 1/4 inch L and R signals to be summed to an amp or full range speaker while keeping the XLR outputs in stereo. This allows you to quickly connect a regular guitar amp or powered speaker for monitoring on stage or checking patches before a gig without disconnecting or re-patching anything from your board. Hand-Built with Top Quality Parts The DISO-Plus is all about giving you a clean, clear signal all of the time. We build them one-at-a-time by hand using genuine Jensen Transformers line transformers, high reliability all-metal connectors from Switchcraft and Neutrik and top-shelf sealed switches from Grayhill. It is backed up with a full 3-year warranty. Will include postage to UK or can be collected near York.
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Stay Together For The Kids - blink-182
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Charles Mingus "Wednesday Night Prayer Meeting" from "Blues and Roots" this is music
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Strap Clearout
Swaff replied to Swaff's topic in Accessories & Other Musically Related Items For Sale
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Can you believe that this is the first Dave Holland tune I have transcribed this year (the last one was published on New Years Eve)? This is the complete Dave Holland part for the tune 'Miles Ahead' from the 1993 Joe Henderson masterpiece, 'So Near, So Far: Musings For Miles'. One of my all-time favourite albums, I have bought it three times (cassette, CD and download). I know every note on this whole album - it's just perfect. https://bilbosbassbites.co.uk/miles-ahead-joe-henderson/
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Grab a bargain Now £145 !!! Fishman Platinum Pro Analogue Pre Amp
Lakland5 replied to Lakland5's topic in Effects For Sale
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Don't Let Daddy Kiss Me - Motorhead
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Further reduction Now £320. Genz Benz Shuttle 9.2
Lakland5 replied to Lakland5's topic in Amps and Cabs For Sale
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ratman started following New to IEMs question. Tone
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I use this method for lead vocals and bass all the time to have different processing out front and in IEMs. If you use a digital mixer that allows you to change the input patching, and if you have a spare channel available, you can use two channels for bass - one channel for FOH, one just for your monitoring. In your mixer’s patching section, simply assign both channels to the same input.
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Kiss Me- Stephen Tintin Duffy
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The new Karnivool album. It's a grower at the moment for me.
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Chaosanator started following Steve Harris Maiden 50th anniversary pbass
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Post your pictures, Lets see what you all look like.
Marvin replied to slaphappygarry's topic in General Discussion
The black and white photo was 2011, I think. I hadn't touched a bass in over 15yrs and realised how awful I'd been. So that would have been the first time I played live. The colour photo is from last weekend. I've had a 7yr 'sabbatical' until last year. As my age increases so does the height of my bass.
