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Re NuX I use it on my Shen SB 100, my old Czech ply and my Yamaha SLB 200 and it is great. I have used it for home practice, at band rehearsals (jazz and bluegrass) and at gigs going into an amp, the jazz band's Bose or DI into a house system. You can charge the units from a wall plug or from the sturdy case that they are stored in, a handy feature. I must have had them for at least a year now and have had no problems. I don't know all the technical stuff but you can find that easily enough, I do know that the system is simple and sounds good and that it works for me.

Did some pore filling. And stained the back and sides a mix of yellow and oak. To give it an aged Korina look. After lots of spraying and sanding layers of clear, I could apply the decals. The top was quite a bit of a challenge. Customer wanted a teal blue sparkle finish. The only proper way is to make it a candy finish. First a layer of coarse metallic flake silver. Then a layer of transparent mixed with silver particles. Then the cobalt blue transparant layer to achieve the teal/turquoise look And sealing it off with several layers of transparant. The matching headstock got the name decal Laser cut the pearloid pickguard Modified the Schaller Grand Tune octave tuners to save some room

Then I came up with a crazy idea. I had the big tone chamber on the lower horn. And I had the extra large controls cavity with some spare room for a little extra feature. Why not put a led light in the lower wing? I did a little test with a discarded pickguard... Let there be light. And there was light

Shaped the heel of the neck to fit the pocket Checked the neck joint angle Routed the pickup cavity Drilled the holes for the volume pot, kill switch and jack output Glued the neck in the pocket

Is there a timeline? Not too bothered really just being curious

Filled the gaps underneath the fret tangs with a mix of rosewood saw dust and wood glue And drilled the holes for the side position markers. Glued them in Et voila! Luminlay glow in the dark dots. Switched back to the body, to route the neck pocket.

Then shaped the neck profile. And headstock shape Drilled the tuner holes

After the special inlay was done, it was time to put the frets in Made the truss rod access slot plus cover Then prepared the neck to glue the fretboard on. Tacked in a staple. And cut it off 1 mm proud of the neck to leave two sharp pins. These help to prevent the fretboard from sliding in the wet glue. Then glued the fretboard on. Using the strips of inner bicycle tubes for clamping.

Customer plays in a Cheap Trick tribute band. And as you may know those guys have something with the checkerboard pattern. He asked me to make a checkerboard inlay on the 12-position. So I made a drawing of 5 x 5 mm blocks. And laser cut a white piece of acrylic and a black piece of acrylic. Then made a lay-out of the black and white blocks combined on a piece of sticky tape to keep them from flying away 😉 But realised that was not going to work to keep them tight against each other. So I made a little template with a rectangle that would keep them tight against each other. Cut out a "swimming pool" in the fretboard. With a knife and some chisels. Then glued them in. Using super glue onthe fretboard. And a piece of high tack (aluminium) tape to keep them together. When the glue had hardened I sanded it to flush to the fretboard in the desired radius (16") Pretty happy with the result

The switched back to the body again. Routed the outline along a template (sorry no pics) And then I realised I had routed the controls cavity wrong. So I made a new template and routed the corrected shape. Didn't even look half bad 😉 Rounded off the edges on the back. Routed the profile for the binding Glued in the pearloid binding. Used acetone instead of glue, because I knew I was going to stain the sides and back. (Stain does not work on glue remains) Glueing the binding always requires extra attention on the corners. I use strips of inner bicycle tubes to clamp them till they're dry Looking good so far

Switched to the neck next Routed the channel for the carbon reinforcement strip in the middle The routed the channel for the two truss rods. I let them taper to follow the taper of the neck itself Sawed the head stock angle. And planed it smooth. And sawed the back side of the headstock in the desired angle. Still needed to plane/sand that side to the right thickness too.

Yesterday at the Wirksworth Arts Festival in Derbyshire. The Desperate Cowboys did a 45 minute set as part of an all-day multi-act show. It’s a small town with grim parking at the best of times, so park-and-ride systems were set up from the nearby quarry sites. Consequently, it was my Taylor Mini Bass straight into the supplied PA. The Taylor has enough character and quality to sound good enough though that setup, so no complaints. Initially, we were disappointed to only get a midday slot. However, given the way the weather went, we were quite happy. I even had to swallow my prejudices and play in a hat! I think I’m done now for outdoor gigs in Derbyshire until next spring.

Bought a nice two-piece slab of White Limba (aka Korina) And routed the tone chambers Routed the controls cavity. And later realised it had the wrong shape for the lay-out of the controls that I had in mind for this bass... Sawed the f-hole in the matching two-piece top (White Limba/Korina) And then glued it on. You can never have enough clamps 😉

Are they consistent? Is that a new thing because they have had the opposite reputation in the past.

Delaware - Perry Como

Drrrrrrum rolll! Here's the Brooks SparkleBird - Body: Korina. Chambered. Thunderbird shape - Neck: Korina three piece. Glued in. - Two spokewheel truss rods. One carbon stiffening rod - Fretboard: Rosewood. Checkerboard inlay on 12th - Luminlay side markers (blue) - Frets: Jumbo size. Sintoms. Nickel-silver - Scale: 34” - Top Nut: Buffalo horn - Bridge: ETS twelve string bridge set. Gold - Pickup: Gemini Dominator TB Pickup. Gold - Output: PureTone 1/4 inch Jack. Gold plated - Controls: Volume . Kill switch - Pickguard: Pearloid with blue led light - Binding: Pearloid - Bass string tuners: Gotoh Res-o-lite GB350. Gold - Octave tuners: Schaller Grand tune Gold. Pearloid buttons - Strings: d’Addario. 170-12 - Strapnuts: Large, Gold - Finish top: Cobalt Blue Candy - Finish back and sides: Stained. Finish clear transparent. - Weight: 4.6 KG Led light ON Led Light OFF I'll post pics of the build process in separate posts below

Depends what you are buying. I just buy instruments I like the look of. If they don't work out from a playing and sound PoV then I sell them on. IME not amount of reviews will tell me what I'm going to think when the bass is actually in my hands.

I love my C5 Deluxe. I got the candy blue one after watching Dood's review on it. fwiw I've always liked Cort basses and have ordered a number unseen (mainly GB75,90F and 95s) and always been happy with them. I set up to my own taste and I'm happy to do that. The neck on the C5 Deluxe is fairly modern in profile and flattens out on the back of the neck the further you go up. Re the candy blue (if thats the finish youre looking at) no picture or video ever has caught this finish properly. There is what appears to me to be a slight green element to it that's never picked up and the colour is way,way nicer in person.

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