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2012 SPECTOR® Coda Deluxe 4 USA MODEL MADE IN THE WOODSTOCK, NY WORKSHOP. Here is a stunning example of Stuart Spector's work, this CODA is adorned with a superb piece of high grade buckeye burl and has a Pau Ferro fingerboard fitted with quality abalone Spector crown inlays. NECK CONSTRUCTION: 1-Piece Rock Maple, SPECTOR® 1962 Neck Shape™ FINGERBOARD: Pau Ferro NECK INLAYS: Abalone Spector inlays NUMBER OF FRETS: 20 SCALE LENGTH: 34" RADIUS: 7.25" WIDTH AT NUT: 1.5" STRING SPACING AT BRIDGE: 0.75" Hardware BRIDGE HEX KEY SIZE: 2mm TRUSS HEX KEY SIZE: 5mm COLOR: Chrome BRIDGE: Hipshot A style TUNERS: Schaller® STRAP BUTTONS: Dunlop® Dual Design™ Electronics TONE CIRCUIT: Aguilar® OBP-2™ with passive tone and active/passive switching CIRCUIT TYPE: 9-Volt Active BRIDGE PICKUP: Aguilar® J™ NECK PICKUP: Aguilar® J™ PICKUP TYPE: Passive - Single Coil, This bass is Active or Passive via Push-Pull Pot Body SPECTOR® Original Coda™ Body Shape BODY CONSTRUCTION: Lightweight Alder PICK GUARD: None Top: Buckeye Burl top - £400 option FINISH OPTIONS: High Gloss Weight: 4.125kg/9lb 1.8oz Condition is excellent/unmarked other than a single ding on the body top inside edge; shown circled in one photo. Comes with a Spector Hardcase with key (made in Canada by TKL), a Spector Deluxe padded gig bag, a premium quality leather Right On Spector branded strap fitted with a pair of Dunlop strap locks and the truss rod and bridge allen keys. Price is £3,000 by cash/bank transfer collected or localish meet up nearish to Bury Saint Edmunds. No trades please, just a straight sale, thank you for looking. More info and review below the photos. Please PM me for more info/photos. PHOTOS TO FOLLOW VERY, VERY SOON!!! ABOUT THE CODA 4™ It is no joke that Stuart Spector is always thinking about new ways to bring new avenues to improve player experience and offer new soundscapes for musicians to explore. The Coda™ Bass is the perfect example of how Stuart looks to take classic ideas and put a decidedly SPECTOR® twist on them. Part homage to the great bass sounds and styles of the past and yet new and refreshing because of the attention to detail and hand-crafted construction, the Coda™ is nothing short of a new SPECTOR® Classic. "But why do something that's been done before?" Do not let the familiar and more traditional styling deceive you. This bass is a thoroughbred SPECTOR® through and through. All of the things that make our NS-Bass™ models so popular are present in the Coda™. It's these little details and the fact that these basses are hand-made by Stuart Spector and his master craftsmen in our Woodstock Workshop that sets the Coda™ apart from the rest. SPECTOR® players are always first to point out how the necks of their guitars and basses are notably better than any instrument they've ever played. We invite you to try a Coda™ and see if you don't agree with us. "We feel we've created something new and special honouring those classic designs of years past. " ~ Stuart Spector Spector Coda Review 2011 Stuart Spector is a legend in the bass world. His instruments have provided the backbone to bands like Metallica and Living Colour, and have often been imitated. Spector’s Coda series is made by hand by the man himself and his small team in the USA, and unlike his more sleek models like the NS, which still looks futuristic over 30 years after its debut, the Coda pays tribute to an altogether more vintage aesthetic. THE LOWDOWN I reviewed both the Coda 4 (four string) and Coda 5 (five string) basses. Each features: a one-piece rock-maple neck with a 20-fret Pau Ferro (Bolivian rose¬wood) fretboard carved into Spector’s 1962 neck shape; a lightweight alder body; Aguilar OBP-2 active tone circuits; passive Aguilar J single coils; Schaller tuners; Dunlop Dual Design strap pins; and 34-inch scale lengths. The fret radius on each instrument is a curvy and comfortable 7.25 inches. Lined or unlined fretless fretboards are available at no additional charge. The Coda is available in four colours: creme, solid black, candy tangerine and metallic blue. I reviewed the Coda 4 in Candy Tangerine and the Coda 5 in solid black. The workmanship of both basses was absolutely flawless. The crucial neck joint area is unbelievably tight, ensuring unfettered energy transfer between the wood grains of the neck and body. The finish is perfectly applied – something you really appreciate on a jet-black instrument like the Coda 5 on review – and the fretwork is incredible. Bass players often aren’t as picky about the condition of their frets as guitarists, since there’s less bending involved, so I’ve played some basses with pretty woeful frets. The Codas leave them all in the dust. The sheer smoothness of the fret ends encouraged me to get more adventurous in my arrangements, throwing in more slides and grace notes than I would otherwise attempt, simply because the instruments felt so damn agreeable to such techniques. FACE THE BASS The Coda’s tones are very punchy, powerful, dynamic and balanced. The low end is deep and tight, the treble is present and raspy (in a good way) and the midrange is very musical, placed smack bang in the middle of the midrange spectrum rather than being an overly boomy low-mid or overly honky upper-mid voice. The bass’ unplugged tone is noticeably piano-like in tone, attack and sustain, and I quite happily spent about an hour and a half playing the Coda 5 unplugged before it dawned upon me that I should plug it in and hear what it could do through an amp. The Coda’s “plugged in” tone is similar to it’s unplugged voice: balanced, sustaining and with great dynamics. Because the pickups are passive and only the pre¬amp is active, you can switch the preamp off and use the bass with a more vintage tone, which is great for straight-ahead rock and old-school soul and R&B. The ability to boost the treble and bass via the active pre-amp maintains the balanced tone and sustain characteristics while building upon them for a percussive, snappy slap-and-pop tone, and dipping out the treble and keeping the bass up high creates a killer dub voice. I also liked using the bass pot to reduce the low frequency a little, to allow the instrument to sit more neatly within a recording that featured double-tracked seven-string electric guitars. IN A CLASS OF THEIR OWN The Codas are world-class basses that are built with a discriminating touch to create, dare I say it, champagne tones. The workmanship really is second to none, and the only reason I’m not immediately wiring money to the distributor so I can keep the basses instead of returning them after the review is because my bank manager would kill me. By Peter Hodgson Price: RRP $4199.99 (Coda 4); $4399.99 (Coda 5)
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Thanks for posting this, I'm a big fan of Chris's playing going back to the days when I didn't know who he was, or indeed that it was Chris playing the bass parts I was so enamoured of. We take it for granted in the internet age that you can find out who played what for whom, but it wasn't always that way. I remember seeing Chris on TV playing his Status five string live with Go West back when five strings were still a novelty, and I always loved the bass on this track : I had assumed it was Pino, especially as the band were from Cardiff, but it was in fact Chris Childs. Only took me about thirty years to find out by accident!
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Chris Childs Interview from SE Bass Bash November 2025 - We were there...
Owen replied to Sean's topic in General Discussion
Ooh ooh ooh. I have a Chris Childs story! As he moved up the ladder, he left a vacant spot with a Cardiff based Theatre Company which were pushing forward the boundries of theatre as we then knew it. They were called Brith Gof. With substantial Arts Council funding. I have no idea how my name came up. I lived 5 hours away at the other end of Wales. Anyway, they were writing their next production (8 way sound system on 40 foot scaff towers in one of the Harland and Wolf shipyard buildings). One player on each tower and a joystick to pan us to anywhere while the audience were pounded by waves of sound. They were also dodging earth and chalk dust. While the performers flew in on harnesses. I was sent a cassette of what Chris had put down. It was a fretless concerto. I immediately knew that I was WAY out of my depth and my time with them would last the 10 minutes it took for the MD to realise I was not Chris and never would be Chris. Astonishingly I was kept on. If you ever read this Chris, cheers! I had a lot of fun. -
Here we have a Fender Mustang Vintera 2 short scale 30 inch bass in as new condition. Brand new D`Adarrio medium scale strings, weight is 3.7 kg or 8.1 lbs, Fender deluxe gig bag. It is described by Fender as Burgundy in colour but it looks more blue to me and as you move the bass in the light the colour very subtelely changes. Collection from Paisley only at the moment, not looking for trades of any kind. Specs below Alder Body 7.25" Radius Rosewood Fingerboard with Vintage Tall Frets Early '70s "C"-Shape Neck Vintage-Style '70s Split-Coil Pickup Vintage-Style Mustang Bass Bridge Vintage-Style Open-Back Tuning Machines Includes deluxe gig bag
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MONO M80 bass gig bag in Excellent Condition: no rips or tears, all zips intact. Semi-rigid, lightweight with plenty of storage. - Suitable for most electric basses e.g. Fender, Ibanez, Warwick, Sandberg, Musicman and Yamaha - Hybrid case with ABS headstock and body protectors - Water repellent Sharkskin surface material with sole and seam reinforcements made of industrial rubber (PVC-free) - Clip/Tuck strap system with chest strap - Special accessory pockets with cable retainers - D-rings for attaching optional MONO Tick case - Steel riveted, reinforced handle and straps - Incorporated Headlock system protects headstock and machine heads - Protectors prevent damage to body and strap button when dropped - Transparent plectrum pocket - Extra strong, tear-resistant nylon material - Extra soft inner material Internal Dimensions: Total length: 121.9 cm Body length: 55.9 cm Lower body width: 36.8 cm Upper body width: 31.8 cm Height: 7.6 cm External Pocket Dimensions: 27.9cm x 36.8cm x 3.8cm Weight: 6.2lbs (2.8kg) Only £140 (retails at over £200). Collection from Bournemouth BH6. Happy for buyer to arrange courier. MONO Tick accessory case (in As New condition) listed separately.
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MONO Tick accessory case in As New condition with tags: a modular case designed to extend the storage capacity of MONO bass cases. - Easily transport pedals, cables and more to rehearsals and gigs - Quick-attach straps let you clip on or detach in seconds when you need to move - Military-grade materials and YKK zips keep your gear safe through heavy touring - Integrated design means you can access your bass without removing the Tick Most MONO cases come equipped with the triple D-ring attachments required for the optional Tick case. The Tick seamlessly and securely attaches to the case. Only £65 shipped within the UK (retails for around £85).
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The DM610 is a large bookshelf/standmount speaker from renowned hi-fi brand B&W, featuring a well-braced 30-litre sealed cabinet with 8-inch mid-bass driver. The larger driver and extra cabinet space create a much better low end range than from most similar speakers. This model allows for either bi-wiring or bi-amplification. These speakers present clean tight bass response, surprisingly clear mids for such a large driver and the pleasant highs that the well-designed B&W tweeter at that time was famous for. They can be driven quite loud, enough for the physical effect of the bass to be felt without audible distortion or a sense of sound compression. Both speakers are in Very Good condition, especially for their vintage. All-original, complete with full grilles (one of which has a small hole, shown in the final photo). Only £125. Collection from Bournemouth BH6 preferred. Here comes the science bit… Type: 2-way closed, shelf speaker Colour: Ash black veneer Dimensions: 490 x 236 x 303 mm (H x W x D) Weight: 7.8 kg Recommended amplifier power: 30-150 W Frequency response: 70 - 20,000 Hz (±2 dB) Crossover: 2500 Impedance: 4 Ohm
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ordep started following Walrus Mantle - The newest IMA gizmo.
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Noisyjon started following Fender Limited Edition Parallel Universe '51 Telecaster PJ Bass
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simonlittle started following Fender Limited Edition Parallel Universe '51 Telecaster PJ Bass
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Just managed to get in the workshop for a couple of hours . Fingerboard side markers installed . Fingerboard dressed with home made radius sanding block made from a section of 110mm underground drainage so 55mm radius . Fingerboard waxed with black bison wax . Just got to give metalwork a quick polish and wax and we are done. Just got to learn how to play it a bit better and I will put up some sound clips . I'm quite pleased with the understated side dots down to fret 24 . Almost invisible unless you are looking for them . They are for my benefit only .
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January - Pilot
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Ruin a Band or musician's name by replacing a single letter
Jay2U replied to Jean-Luc Pickguard's topic in General Discussion
The Rolling Scones -
If you want a transformer based DI box, save yourself a bunch and buy a Canford Audio one 2nd hand. Then spend the rest on another bass
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pn_day started following Walrus Mantle - The newest IMA gizmo.
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$750 Admittedly you might be able to get 25% off if you are early enough, but it's quite spendy.
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...$750 and doesn't currently ship to uk
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it sounds like it might sound really nice, wonder how spendy it will be if it's supplanting his previous super fancy di capo thing
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Yes - that's the one I generally use too 👍
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Sale On! - Lionel Richie
