JapanAxe Posted 5 hours ago Author Posted 5 hours ago 2 hours ago, jd56hawk said: VVT with a turbo switch. What does the Turbo switch do? I’m kind of afraid to ask… Quote
neepheid Posted 4 hours ago Posted 4 hours ago Which Jazz circuit works best for me? Probably the one with no output jack... Merry Christmas! 3 Quote
HeadlessBassist Posted 3 hours ago Posted 3 hours ago (edited) 1 hour ago, JapanAxe said: What does the Turbo switch do? I’m kind of afraid to ask… It forces a rush of compressed air into the tone wood molecules and makes them vibrate more quickly. As a result the bass resonates faster, making the sound sweeter, generates a more purposeful tone, and thusly the player becomes faster, with improved technique and accuracy, and becomes more God-like. 🤣 You did ask. Happy Christmas one and all! Edited 3 hours ago by HeadlessBassist 2 Quote
Geek99 Posted 1 hour ago Posted 1 hour ago (edited) 2 hours ago, HeadlessBassist said: It forces a rush of compressed air into the tone wood molecules and makes them vibrate more quickly. As a result the bass resonates faster, making the sound sweeter, generates a more purposeful tone, and thusly the player becomes faster, with improved technique and accuracy, and becomes more God-like. 🤣 You did ask. Happy Christmas one and all! What if it’s vintage tonewood? 🍿 I’m also assuming that a longer g string screw on the bridge saddle makes it sound different also Edited 1 hour ago by Geek99 Quote
HeadlessBassist Posted 1 hour ago Posted 1 hour ago 38 minutes ago, Geek99 said: What if it’s vintage tonewood? 🍿 I’m also assuming that a longer g string screw on the bridge saddle makes it sound different also For best results, dredge your vintage tonewood from the bottom of a lake, same as they do for those highly expensive drum kits. As for that screw in the G string saddle, I’m selling them for £40,000 each. Right, who wants some Magic Beans then..? Quote
JapanAxe Posted 1 hour ago Author Posted 1 hour ago 41 minutes ago, Geek99 said: What if it’s vintage tonewood? 🍿 I’m also assuming that a longer g string screw on the bridge saddle makes it sound different also Well spotted! The bass came without the correct 6-32 intonation screw (actually a bolt). The original would be 1 7/16in (39mm) long. I sourced some 2in bolts and cut one a bit longer, as I suspected the original had been lost because it didn’t adequately engage with the bridge saddle. This topic is crying out for a PhD thesis! Quote
ezbass Posted 54 minutes ago Posted 54 minutes ago My J type has Delano pickups, which are actually split coils in a single coil casing. These are wired to a VBT config. I can achieve 5 tonal settings from this, not including the tone control (.100uf) roll off: if 6 o’clock is typical 50:50 blend, 5 and 7 o’clock give either a more neck or bridge flavour of the mid position, whereas anything beyond those points is either all neck or bridge. Quote
JapanAxe Posted 44 minutes ago Author Posted 44 minutes ago (edited) 16 minutes ago, ezbass said: My J type has Delano pickups, which are actually split coils in a single coil casing. These are wired to a VBT config. I can achieve 5 tonal settings from this, not including the tone control (.100uf) roll off: if 6 o’clock is typical 50:50 blend, 5 and 7 o’clock give either a more neck or bridge flavour of the mid position, whereas anything beyond those points is either all neck or bridge. That’s the thing, once you back off a stacked volume control or a VVT volume more than one notch out of 10 , I don’t hear any further change. EDIT: Hoping for more variation on a blend… Edited 37 minutes ago by JapanAxe Quote
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