ghostwheel Posted Monday at 17:52 Posted Monday at 17:52 (edited) Each to their own? P.S.: in my opinion, it's a shame that speaking of famous fretless players, nobody ever talks about John Giblin. Does somebody know whether he played flats or rounds? Edited Monday at 18:07 by ghostwheel grammar 1 Quote
Stub Mandrel Posted Monday at 18:00 Author Posted Monday at 18:00 8 minutes ago, ghostwheel said: Each to their own? P.S.: in my opinion, it's a shame that speaking of famous fretless players, nobody ever talks about John Giblin. Does somebody knows whether he played flats or rounds? I found this with google: Quote Most fretless players were using rounds (Jaco, Tony Franklin, Tony Levin, John Giblin, Gary Willis, Percy Jones etc.) 2 Quote
ghostwheel Posted Monday at 18:28 Posted Monday at 18:28 24 minutes ago, Stub Mandrel said: I found this with google: That's what I found: https://web.archive.org/web/20060504210453/https://bashkov2.narod.ru/giblin.htm I'm not quite sure whether it's authentic since there's hardly any other stuff on the Internet to compare with. I wonder if here's someone who knew him personally. 1 1 Quote
ghostwheel Posted Monday at 19:35 Posted Monday at 19:35 Rounds only on Precision, both on Stingray. Quote
itu Posted Monday at 20:47 Posted Monday at 20:47 Some players say Nickel RW is the set for the fretless. The response is more even than with the smiley stainless (which I use). 1 Quote
tauzero Posted Monday at 21:04 Posted Monday at 21:04 16 minutes ago, itu said: Some players say Nickel RW is the set for the fretless. The response is more even than with the smiley stainless (which I use). Apparently less abrasive to the fingerboard too. Quote
alittlebitrobot Posted Monday at 21:41 Posted Monday at 21:41 There's obviously no right answer, but Bakithi uses rounds, so I use rounds. Quote
Stub Mandrel Posted Monday at 21:58 Author Posted Monday at 21:58 I use rounds... because I've always used them since about 1987! Roto 66, or occasionally Elites. Quote
drTStingray Posted Tuesday at 21:23 Posted Tuesday at 21:23 I have Ernie Ball cobalt flatwounds on both of my fretlesses (4 and 5 string Stingrays) - I can’t afford the luthier costs of the repairs to the fretboard damage inflicted by roundwounds - however they do sound very good - but definitely not that much better than decent flatwounds…… Quote
Stub Mandrel Posted Tuesday at 21:25 Author Posted Tuesday at 21:25 1 minute ago, drTStingray said: I have Ernie Ball cobalt flatwounds on both of my fretlesses (4 and 5 string Stingrays) - I can’t afford the luthier costs of the repairs to the fretboard damage inflicted by roundwounds - however they do sound very good - but definitely not that much better than decent flatwounds…… I've been using rounds on my fretless since 1987. OK I don't play it very often, but it still hasn't got significant wear. Quote
BigRedX Posted Wednesday at 08:33 Posted Wednesday at 08:33 Depends on the sound and feel you want. There is no right answer. Only the right answer for you. Quote
RonC Posted Wednesday at 08:42 Posted Wednesday at 08:42 Rounds for me. I used to use DR Hi-Beams but lately I use DR Sunbeams(nickel plated) on my Fretless Wal. On my Safran semi acoustic fretless I use La Bella Black nylon to come as close as possible to an upright sound. Quote
Linus27 Posted 2 hours ago Posted 2 hours ago On 15/09/2025 at 18:52, ghostwheel said: Each to their own? P.S.: in my opinion, it's a shame that speaking of famous fretless players, nobody ever talks about John Giblin. Does somebody know whether he played flats or rounds? John Giblin is probably my favourite fretless bassist and a huge influence on my playing, closely followed by Pino. Pino I feel has possibly a slightly better fretless voice but John Giblin has more melody which to me is more interesting. I also got to play a few of John's basses including this lovely fretless P-Bass. 2 Quote
Linus27 Posted 2 hours ago Posted 2 hours ago On 15/09/2025 at 19:28, ghostwheel said: That's what I found: https://web.archive.org/web/20060504210453/https://bashkov2.narod.ru/giblin.htm I'm not quite sure whether it's authentic since there's hardly any other stuff on the Internet to compare with. I wonder if here's someone who knew him personally. Thank you for sharing this, I've never seen that before. Its interesting that John mentions that he suffered quite a lot with dead spots of fretless basses. This is something I've suffered with a lot as well, especially on Stingray's. I've actually found setting up fretless basses way more temperamental than a fretted bass. 1 Quote
Linus27 Posted 2 hours ago Posted 2 hours ago For me, on my fretless Jazz basses, I use Rotosound Swing 66 Nickel rounds with the lightest gauge possible. They are the best sounding strings I have ever used on a fretless. On a P-Bass, then I use Labella Deep Talkin flats and again, the lightest gauge possible. I find flats give more of that mwah sound and more pronounced vibrato. The lighter the gauge as well, the more expressive and articulate I find the bass is. 1 Quote
ghostwheel Posted 2 hours ago Posted 2 hours ago 2 minutes ago, Linus27 said: For me, on my fretless Jazz basses, I use Rotosound Swing 66 Nickel rounds with the lightest gauge possible. They are the best sounding strings I have ever used on a fretless. On a P-Bass, then I use Labella Deep Talkin flats and again, the lightest gauge possible. I find flats give more of that mwah sound and more pronounced vibrato. The lighter the gauge as well, the more expressive and articulate I find the bass is. Apart from the specs of Pino's signature, it was one of your posts which made me strung one of my Rays (actually, both, until Chromes 40-95 have arrived) with 40-95 nickel plated rounds. It's what I call revelation. Now, I'm in love with thin rounds on fretless. Albeit, I must admit it wouldn't work in my first year with fretless. Of course, it'd be different by different people. As to me, I needed quite a lot of time with flats to understand (to some extent) how fretless works. I reckon it's gonna be a journey as long as life itself, but it's one of things which keeps me interested in playing the bass. Quote
Linus27 Posted 2 hours ago Posted 2 hours ago 4 minutes ago, ghostwheel said: Apart from the specs of Pino's signature, it was one of your posts which made me strung one of my Rays (actually, both, until Chromes 40-95 have arrived) with 40-95 nickel plated rounds. It's what I call revelation. Now, I'm in love with thin rounds on fretless. Albeit, I must admit it wouldn't work in my first year with fretless. Of course, it'd be different by different people. As to me, I needed quite a lot of time with flats to understand (to some extent) how fretless works. I reckon it's gonna be a journey as long as life itself, but it's one of things which keeps me interested in playing the bass. That's awesome, I'm super pleased one of my posts helped I had the same revelation when I moved to the lightest gauge possible and the Nickel rounds are just so musical. Keep at it, fretless is much a wonderful thing. 1 Quote
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