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Posted (edited)

Each to their own?

Ā 

P.S.: in my opinion, it's a shame that speaking of famous fretless players, nobody ever talks about John Giblin. Does somebody know whether he played flats or rounds?

Edited by ghostwheel
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  • Like 1
Posted
8 minutes ago, ghostwheel said:

Each to their own?

Ā 

P.S.: in my opinion, it's a shame that speaking of famous fretless players, nobody ever talks about John Giblin. Does somebody knows whether he played flats or rounds?

Ā 

I found this with google:

Ā 

Quote

Most fretless players were using rounds (Jaco, Tony Franklin, Tony Levin, John Giblin, Gary Willis, Percy Jones etc.)

Ā 

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Posted

Some players say Nickel RW is the set for the fretless. The response is more even than with the smiley stainless (which I use).Ā 

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Posted
16 minutes ago, itu said:

Some players say Nickel RW is the set for the fretless. The response is more even than with the smiley stainless (which I use).Ā 

Ā 

Apparently less abrasive to the fingerboard too.

Posted

I have Ernie Ball cobalt flatwounds on both of my fretlesses (4 and 5 string Stingrays) - I can’t afford the luthier costs of the repairs to the fretboard damage inflicted by roundwounds - however they do sound very good - but definitely not that much better than decent flatwounds…… 

Posted
1 minute ago, drTStingray said:

I have Ernie Ball cobalt flatwounds on both of my fretlesses (4 and 5 string Stingrays) - I can’t afford the luthier costs of the repairs to the fretboard damage inflicted by roundwounds - however they do sound very good - but definitely not that much better than decent flatwounds…… 

Ā 

I've been using rounds on my fretless since 1987. OK I don't play it very often, but it still hasn't got significant wear.

Posted

Rounds for me.

I used to use DR Hi-Beams but lately I use DR Sunbeams(nickel plated) on my Fretless Wal.

On my SafranĀ semi acoustic fretless I use La Bella Black nylon to come as close as possible to an upright sound.

Ā 

Posted
On 15/09/2025 at 18:52, ghostwheel said:

Each to their own?

Ā 

P.S.: in my opinion, it's a shame that speaking of famous fretless players, nobody ever talks about John Giblin. Does somebody know whether he played flats or rounds?

Ā 

John Giblin is probably my favourite fretless bassist and a huge influence on my playing, closely followed by Pino. Pino I feel has possibly a slightly better fretless voice but John Giblin has more melody which to me is more interesting. I also got to play a few of John's basses including this lovely fretless P-Bass.Ā 

Ā 

434045301_10229947528765137_864459523259328519_n.thumb.jpg.5c7c7cea134850f9ff5923ec191d47b0.jpg

  • Like 4
Posted
On 15/09/2025 at 19:28, ghostwheel said:

That's what I found:Ā https://web.archive.org/web/20060504210453/https://bashkov2.narod.ru/giblin.htm

I'm not quite sure whether it's authentic since there's hardly any other stuff on the Internet to compare with. I wonder if here's someone who knew him personally.

Ā 

Thank you for sharing this, I've never seen that before. Its interesting that John mentions that he suffered quite a lot with dead spots of fretless basses. This is something I've suffered with a lot as well, especially on Stingray's. I've actually found setting up fretless basses way more temperamental than a fretted bass.

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Posted

For me, on my fretless Jazz basses, I use Rotosound Swing 66 Nickel rounds with the lightest gauge possible. They are the best sounding strings I have ever used on a fretless. On a P-Bass, then I use Labella Deep Talkin flats and again, the lightest gauge possible. I find flats give more of that mwah sound and more pronounced vibrato. The lighter the gauge as well, the more expressive and articulate I find the bass is.

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Posted
2 minutes ago, Linus27 said:

For me, on my fretless Jazz basses, I use Rotosound Swing 66 Nickel rounds with the lightest gauge possible. They are the best sounding strings I have ever used on a fretless. On a P-Bass, then I use Labella Deep Talkin flats and again, the lightest gauge possible. I find flats give more of that mwah sound and more pronounced vibrato. The lighter the gauge as well, the more expressive and articulate I find the bass is.

Apart from the specs of Pino's signature, it was one of your posts which made me strung one of my Rays (actually, both, until Chromes 40-95 have arrived) with 40-95 nickel plated rounds. It's what I call revelation. Now, I'm in love with thin rounds on fretless. Albeit, I must admit it wouldn't work in my first year with fretless. Of course, it'd be different by different people. As to me, I needed quite a lot of time with flats to understand (to some extent) how fretless works. I reckon it's gonna be a journey as long as life itself, but it's one of things which keeps me interested in playing the bass.

Posted
4 minutes ago, ghostwheel said:

Apart from the specs of Pino's signature, it was one of your posts which made me strung one of my Rays (actually, both, until Chromes 40-95 have arrived) with 40-95 nickel plated rounds. It's what I call revelation. Now, I'm in love with thin rounds on fretless. Albeit, I must admit it wouldn't work in my first year with fretless. Of course, it'd be different by different people. As to me, I needed quite a lot of time with flats to understand (to some extent) how fretless works. I reckon it's gonna be a journey as long as life itself, but it's one of things which keeps me interested in playing the bass.

Ā 

That's awesome, I'm super pleased one of my posts helped :)Ā I had the same revelation when I moved to the lightest gauge possible and the Nickel rounds are just so musical. Keep at it, fretless is much a wonderful thing.

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