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Posted
33 minutes ago, Hellzero said:

I hope you bought a non Chinese one this time, they are more expensive, for sure, but way better in terms of quality.

 

French ones, like Aubert or Despiau are excellent. 😉

Not Chinese this time. 

 

It's funny I thought Chinese-ium was that metal used for some Far Eastern guitar and electric bass bridges that has the strength and durability of a cheap mild cheddar. It seems there's a wood version too! But this is more like wood grained rich tea biscuit!   

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Posted
7 hours ago, The Guitar Weasel said:

 

FKI8XHV.jpeg

 

 

That's a lovely sheen you have managed to achieve there, looks great.

Posted
3 hours ago, The Guitar Weasel said:

Thanks be to Birchwood and Casey gunstock oil 😀 

Yeah its sweet. Guess it only works over wood? What if you were put it over nitro?

I always feel the satin nitro finish I got on my King Mortone refinish could do with a bit more depth and shine, like they used to have.  

 

Posted
On 12/07/2025 at 14:31, Stub Mandrel said:

I guess it would work on a porous finish? "Try in an inconspicuous area first" as they say!

I remember an instructor in college telling me my welds were porous ... I asked him 'how do you mean?' He said 'poor-as piss!'  

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Posted
On 12/07/2025 at 14:09, PaulKing said:

Yeah its sweet. Guess it only works over wood? What if you were put it over nitro?

I always feel the satin nitro finish I got on my King Mortone refinish could do with a bit more depth and shine, like they used to have.  

 

Yep only bare wood. 

Posted

 

 

 

And so 'Frankie' is done all bar the set up ... but I'm letting her settle in and get used to being a bass again before going mad with the action. I brought her up to concert pitch with the nervousness of a bomb disposal officer sat astride a ticking World War aerial mine! Fresh in my mind the first imploding Chinese biscuit material bridge.

I needn't have worried. Plenty of graphite in the bridge slots and she was a good'n.    

So   

 

                                                              from this                                                                                                        to this

 

 NtPhUfz.jpgYhaIF5l.jpeg

 

And how does she sound?  Well I'm gobsmacked by how loud she is, I mean the Superior Bassworks Dirty Gut Deluxe strings are not known for huge volume, but the power and projection the old girl has is quite remarkable. 

I'm getting rather fond of the way she appears jet black in some light and dark brown in others 🙂 

Yep I need to cut the nut slots a smidge deeper, and the action could come down a good 4mm at the bridge and still be 'slap worthy'.

The oil varnish needs to harden a while longer before it can have a good polish ... and I need to buy a rubber chicken to put inside the bass ... so that when folks ask 'what's the little hatch for?' ... I can reach in and produce it! 

 

So after a set up I'm going to look at pickups - ideally something that I can use an adaptor to plug into my Shadow Rockabilly Pro preamp - thus saving on buying two preamps to have both basses gig ready. 

  • Like 14
Posted

As a recent convert to the world of double bass, I have followed your rebuild thread with great interest. He/she/they/them looks an amazing bass and another one saved from the great gig in the sky. Well done 😎

Posted

Top notch resurrection, congratulations!

 

I was a bit sceptical about the choice of the finish, but it looks very nice as it is, with that touch of class.

Posted
11 hours ago, Hellzero said:

Top notch resurrection, congratulations!

 

I was a bit sceptical about the choice of the finish, but it looks very nice as it is, with that touch of class.

It's interesting that in some light the bass looks jet black - and in some dark brown ... and even black with dark brown highlights. 

I'm a huge fan of gunstock oil .... 

15 hours ago, Burns-bass said:

Yep. Sterling work! This thread should hopefully inspire others, too, which is great. 

 lol to be honest I'm already looking around for another 'buggered big-un' to restore. It's addictive, and there do seem to be quite a few basses languishing as 'conversation pieces' which should be in the hands of players.

If anybody wants help and encouragement with their own bass projects feel free to message me. I'm always happy to pass on skills ... and if you are in the London area - pop in to my Oil City Pickups workshop for coffee and talk basses 😁  

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Posted
4 hours ago, The Guitar Weasel said:

and if you are in the London area - pop in to my Oil City Pickups workshop for coffee and talk basses 😁  

 

Be careful what you wish for :ph34r:

 

😉

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Posted
20 hours ago, MacDaddy said:

 

Be careful what you wish for :ph34r:

 

😉

I already teach pickup winding at my workshop fairly regularly - a few more folks through our hallowed portals won't cause an issue 🙂 

 

 

  • Like 2
Posted
4 hours ago, itu said:

Could you make a short article here about it, please? 

If folks want a pickup winding article ... of course I can oblige ...

I've done a pine of historic pickup rewind photo articles over on the Fretboard Forum over the years ... and a good number of them were for bass ... so if I get anything juicy I'll post here for certain.

Also if folks want to have a crack at building magnetic pickups for their steel string double basses I'm happy to come up with a design I could help those interested make 🙂 

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Posted (edited)
12 minutes ago, The Guitar Weasel said:

If folks want a pickup winding article ... of course I can oblige ...

I've done a pine of historic pickup rewind photo articles over on the Fretboard Forum over the years ... and a good number of them were for bass ... so if I get anything juicy I'll post here for certain.

Also if folks want to have a crack at building magnetic pickups for their steel string double basses I'm happy to come up with a design I could help those interested make 🙂 

 

It's an interesting area - the Krivo magnetic pickups manage to be a little clearer and more "acoustic" sounding than older designs, presumably using some of the same tricks that modern acoustic guitar soundhole pickups do (controlled microphonics, lower inductance, neo magnets). But no commercial magnetic pickup for bass has cracked the bow response issue yet - because the string vibration is dampened in one plane when bowing (up/down relative to the pickup position), you get unpredictable volume and weird barky attack when bowing with most magnetic pickups. 

There are a couple of cello systems that place polepieces in between the strings so that they sense the movement in that lateral plane more, but I haven't seen that tried on bass. 

Edited by Beer of the Bass
Posted
1 hour ago, Beer of the Bass said:

 

It's an interesting area - the Krivo magnetic pickups manage to be a little clearer and more "acoustic" sounding than older designs, presumably using some of the same tricks that modern acoustic guitar soundhole pickups do (controlled microphonics, lower inductance, neo magnets). But no commercial magnetic pickup for bass has cracked the bow response issue yet - because the string vibration is dampened in one plane when bowing (up/down relative to the pickup position), you get unpredictable volume and weird barky attack when bowing with most magnetic pickups. 

There are a couple of cello systems that place polepieces in between the strings so that they sense the movement in that lateral plane more, but I haven't seen that tried on bass. 

Not particularly thought about bowing ... but I would have thought a blade design powered up by neodymium magnet/magnets would keep a more steady volume/response (with possible air gapping between magnet and blade to reduce string pull). Possibly one curved blade to conform to the string arc and a second hum cancelling coil using large diameter alnico magnets. 

Always prepared to have a crack at designing something. I've been working with hybrid material magnet arrays for years in pickups designed for technical metal ... there are always spin offs 🙂 

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