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Les Paul meets Telecaster (warning: g**tar content)


Basvarken
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This week I completed the build of a guitar (yes, six string).

It is a hybrid of a Les Paul Junior Double Cut and a Tele (or actually Esquire).

 

The Brooks LP-TC Amalgamation

 

- Mahogany body

- Bookmatched Quilted Maple top

- Mahogany 3-piece set neck. Glued in

- Wine Red stain

- Ebony fretboard with abalone inlays

- Jumbo frets

- Checkerboard binding

- 24 3/4" scale

- Buffalo horn nut

- Telecaster style bridge. With compensated saddles. Black

- Double action spoke wheel truss rod

- DiMarzio The Chopper T (DP-384) humbucker

- Gotoh SG-381 locking tuners. Black

- Push-pull Volume knob for parallel-series switching

- 250k Tone knob

- Black knurled barrel knobs

- Mallory Mustard Tone capacitor

- Weight 3.25 kg

 

Serial number: 2022006

brooks-lp-tc-full-1500_orig.jpg

 

brooks-lp-tc-body-1500_orig.jpg

 

brooks-lp-tc-body-back-1500_orig.jpg

 

brooks-lp-tc-locking-tuners-1500_orig.jp

 

brooks-lp-tc-inlays-1500_orig.jpg

 

brooks-lp-tc-bridge-1500_orig.jpg

 

brooks-lp-tc-controls-1500_orig.jpg

 

brooks-lp-tc-full-back-1500_orig.jpg

 

brooks-lp-tc-upper-horn-1500_orig.jpg

 

 

With a special Amalgamation logo on the headstock and Starman logo on the custom pick guard.

 

brooks-lp-tc-headstock-1500_orig.jpg

 

brooks-lp-tc-starman-1500_orig.jpg

 

 

How does it sound?

Like this!
 

 

 

 

I'll post pics of the build process in separate posts below.
 

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I started with two nice slabs of Mahogany or actually it's called Khaya. It has a nice and even grain and it is very light weight.

I asked the timber supplier to make the neck blank a three piece for me. It saves me a lot of time.

 

lp-dc-neck-blank-and-body-blank_orig.jpe

 

 

 

For the 12th position inlay I use a tube of aluminium and cut off a ring.

 

lp-dc-making-12th-pos-marker_orig.jpeg

 

lp-dc-making-12th-pos-marker-ring_orig.j

 

 

 

 

Bought a pre-slotted ebony fretboard at Holz Faszination in Germany. Drilled holes. And glued then inlays in

 

lp-dc-drilling-inlay-holes_orig.jpeg

 

 

The inside ring of the 12th inlay is exactly the size of a regular black inlay. So I just glued that dot in. I mixed the superglue with ebony sawdust, just in case there would be a gap

 

lp-dc-glued-inlays-in-12-th_orig.jpeg

 

 

 

Then sanded the inlays level with a radius block. Sorry no pics. (forgot)

 

Taped off the fretboard to get ready for hammering the frets in. I fill each fret slot with a few drops of super glue./ The tape makes sure it doesn't splatter onto the fretboard

 

lp-dc-hammering-the-frets-in_orig.jpeg

 

 

 

Cut off the excess on both sides

 

lp-dc-hammered-the-frets-in_orig.jpeg

 

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Fast forward to the neck.

Got no pics of routing the truss rod channel. And no pics of cutting the headstock angle. Nor trimming the neck to the right width.

 

Glued the fretboard onto the rough shaped neck

 

 

lp-dc-gluing-the-fretboard_orig.jpeg

 

lp-dc-fretboard-on-neck_orig.jpeg

 

 

 

Left enough wood beyond the heel to allow for decent clamping onto the workbench.

Shaped the neck profile. Using a spoke shave and a coarse file. I should try a shinto rasp some day.

 

lp-dc-shaping-the-neck-profile_orig.jpeg

 

 

 

At my day job I have access to a laser cutter. I made vector files and cut out the templates for the body.

 

lp-dc-laser-cutting_orig.jpeg

 

lp-dc-laser-cut-body-templates_orig.jpeg

 

 

 

 

Prepared the slab for the body. Drilled a few holes with a forstner bit, to make it easier for the handheld router.

 

lp-dc-prepared-to-route-control-cavity_o

 

 

 

Routed the control cavity and the slot for the pickup wires

 

lp-dc-routed-control-cavity_orig.jpeg

 

 

 

Glued the beautiful quilted maple top -that I scored at Holz Faszination- onto the body. You can never have too many clamps, right?

 

lp-dc-glueing-the-top_orig.jpeg

 

Routed the body shape along the laser cut template

 

lp-dc-routed-body-shape2_orig.jpeg

 

 

Body outline ready

 

lp-dc-routed-body-shape_orig.jpeg

 

 

 

Routed the profile for the controls cover on the back

 

lp-dc-routing-profile-control-cover_orig

 

lp-dc-profile-control-cavity_orig.jpeg

 

 

 

 

On the front side I routed the channel for the binding

 

lp-dc-routed-channel-for-checkerboard-bi

 

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Glued in the strips of checkerboard binding. Using acetone instead of glue, in order to prevent glue spilling on the top or side.

 

lp-dc-glued-the-checkeboard-binding-deta

 

lp-dc-glued-the-checkerboard-binding_ori

 

 

 

Then routed the black strip off on the outside of the binding. Leaving just the clean black and white block pattern

 

lp-dc-routed-for-outer-binding2_orig.jpe

 

lp-dc-routed-for-outer-binding_orig.jpeg

 

 

 

 

Glued the outer (white) binding in place. Again using acetone

 

lp-dc-glueing-outer-binding2_orig.jpeg

 

lp-dc-glueing-outer-binding_orig.jpeg

 

 

 

Scraped it clean

 

lp-dc-outer-binding_orig.jpeg

 

lp-dc-outer-binding2_orig.jpeg

 

 

 

Back to the neck;

Drilled holes for the side dots

 

lp-dc-drilling-side-position-markers_ori

 

 

 

Glued the side markers in

 

lp-dc-making-side-position-markers_orig.

 

 

 

For the 12th position I used the same method as the one on the fretboard

 

lp-dc-side-position-markers_orig.jpeg

 

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Routed the neck pocket. Using the laser cut template

 

lp-dc-routed-neck-pocket_orig.jpeg

 

 

 

 

Shaped the heel to make it a good fit

 

lp-dc-fitting-the-heel_orig.jpeg

 

lp-dc-test-fitting_orig.jpeg

 

 

 

Checked the angle

 

lp-dc-checkng-the-neck-angle_orig.jpeg

 

 

 

Before I glued the neck in, I drilled holes into the headstock

 

lp-dc-drilling-tuner-holes_orig.jpeg

 

lp-dc-shaped-headstock_orig.jpeg

 

 

 

 

Then glued the neck into the pocket

 

lp-dc-glueing-the-neck-in_orig.jpeg

 

 

 

 

Routed the pickup cavity

 

lp-dc-routed-pickup-cavity_orig.jpeg

 

lp-dc-pickup-cavity_orig.jpeg

 

 

 

 

Checked if it fits.

 

lp-dc-pickup-test-fitting_orig.jpeg

 

 

 

And if it lines up properly

 

lp-dc-lining-up-the-bridge_orig.jpeg

 

 

 

Drilled the string through body holes on the back side of the body

 

 

lp-dc-drilled-stb-holes_orig.jpeg

 

 

 

Taped of the fretboard. Getting ready to stain the body

 

lp-dc-taped-off-fretboard_orig.jpeg

 

lp-dc-ready-for-staining_orig.jpeg

 

 

 

Stained the back and sides a dark brown with a hint of red

 

lp-dc-stained-back-and-sides_orig.jpeg

 

 

 

Then stained the top a wine red / blood red

 

lp-dc-stained-top_orig.jpeg

 

 

 

Scraped the binding clean. And sprayed the first layer of clear

 

lp-dc-binding-scraped-clean_orig.jpeg

 

 

 

Sprayed the headstock face black.

 

lp-dc-black-face_orig.jpeg

 

 

 

After many layers of clear and lots of sanding in between I put the decals in place

 

lp-dc-putting-decals-in-place_orig.jpeg

 

 

lp-dc-serial-number_orig.jpeg

 

lp-dc-decals_orig.jpeg

 

 

 

 

Made the custom pick guard per special request. The guy who ordered the guitar is a massive fan of the band Rush.

Used the laser cutter to engrave the Starman logo.

Then filled it with white acrylic paint.

 

lp-dc-pickguard-starman_orig.jpeg

 

 

 

 

 

 

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Lovely work but can you please focus on what Samuel L Jackson in pulp fiction called “the path of the righteous man” and leave the weedy six string dreck alone? Too

much of it and  you’ll be refusing to turn down as “you can’t hear it properly when it’s too quiet” and other such merchant-banker excuses 

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