Mrbigstuff

[quote name='silddx' timestamp='1332333886' post='1586740'] That's my view of this too. [/quote] holy cow!

[quote name='dlloyd' timestamp='1332335874' post='1586813'] Is this therefore "inauthentic"? [media]http://www.youtube.com/watch?v=5pVM00eoohI[/media] If so, "authenticity" is a worthless concept. [/quote] Well yes, pretty much all of Motown with a few exceptions like Marvin Gayes whats going on. The artist's had virtually no choice in what they were singing. Its not worthless, there are many people who play music to please themselves but very few of them gain a big following.

all positives from me. Very happy with my purchase

in discussing the music. IMO the music is authentic when written by an artist/ band for the purpose of [i]expressing themselves[/i] rather than writing it to make money or having it restricted/adapted to fit in with an outsiders view of what a single should be. Unfortunately most pop music is manufactured and rarely written by the artist. This view is based on what i am taught and research, so could be inaccurate.

[quote name='4000' timestamp='1331573759' post='1575113'] FWIW I'll take Entwistle over MM a thousand times over. [/quote] outrageous

[quote name='risingson' timestamp='1331572722' post='1575093'] I give up the bold part speaks volumes unfortunately about the snobbery that musicians can sometimes display. Utter madness. [/quote] you've taken out of context what i'm saying, as i did you. I'm saying that those who don't know what those such as anthony jackson are doing in a theoretical format, are less likely to realise how clever he is. How can they if they haven't been taught it first? You can't recognise a major scale unless you've been shown what a major scale looks or sounds like....

[quote name='risingson' timestamp='1331571930' post='1575067'] But you misunderstand my point entirely. You'll find that both aforementioned bass players already get enough credit. As far as I'm concerned, Anthony Jackson is probably the best technician of the bass guitar that has ever lived and I'm get to hear anyone that lives up to his level of 'technical prowess' for lack of a better term. But using Flea as an example again, has he not worked hard to get where he wants to be today? He's been part of a band that has widely influenced other bands and has sold millions of albums worldwide, and if we're quite honest has influenced a million other bass players too. Which one deserves more credit? Who cares. They both have their place in music as it exists today. Comparing them is a totally fruitless endevour. [/quote] ah think i get you now. Your basically saying they deserve credit for influencing others? If thats right then i agree. However, it's when you get people who aren't as educated who claim the likes of flea or McCartney are in the top 50 or w/e bass players of all time. When clearly they are not. That is when they become over-rated. For me anyway. Again i'm not arguing their impact or influence on music, but great bass players they are not.

[quote name='arthurhenry' timestamp='1331570042' post='1575017'] I practice a lot more than the rest of my band, should I ask for more money? [/quote] should get a new band in [u]most[/u] cases those that practice more are better than those who don't.

[quote name='risingson' timestamp='1331563294' post='1574837'] Do Anthony Jackson and Richard Bona deserve more credit because they're the real technicians or the instrument? It's all very silly. [/quote] I don't really care about much else of this thread but this stuck out. Yes Anthony Jackson and Richard Bona deserve more credit because they're technically very good. They're very good because they've practised a lot more than most individuals. I think that deserves recognition when it pays off, which it clearly does with both of them.

theres a gap on the top right corner. If it sounds good it's not going to be an issue

[quote name='jackhammer' timestamp='1331515685' post='1574145'] i was thinking a jazz bass? any specific one to look out for? [/quote] in short. No. There are so many on the market and around your price bracket the quality control differs greatly between individual instruments. You can either try lots out in shops or take a risk buying without trying.

[quote name='jazseven' timestamp='1331504804' post='1573994'] The SUB (Sports Utility Bass) essentially looks like a stingray, sounds like a stingray(for the most part) and weighs about half as much as a stingray. Think they were made made in Indonesia rather than California though, can't remember.... but they're pretty much the closest you'll get to a real-deal Stingray with the exception of the Ray34/35 [/quote] they were made in california, because when i was looking at buying one i remember i was attracted to the sub and the highway 1 because they were american made. I'm pretty sure the only difference was the finishes on the body and neck. Also they just had the standard 2EQ in either passive or active

[quote name='mildmanofrock' timestamp='1331476154' post='1573318'] Is there much difference between made-in-Mexico and made-in-USA Precisions? [/quote] The new precisions have a much more modern tone than the ones on all the records from the 60's and 70's. They can offer more in terms of bass and more in terms of brightness but the low mid growl that i love from the 60's in particular seems to be missing. In build quality there is very little difference. Both have some batches that are just not up to scratch though. [quote name='Lozz196' timestamp='1331482103' post='1573453'] Seeing as a Jazz is already in ownership, a Precision that won`t break the bank, but is very good is the Classic 50s Precision. [/quote] only trouble with these is the huge baseball bat neck. Could be difficult to get used to when you mostly play a thin neck jazz bass.

if your a flea fan then surely a musicman stingray is the best bet for £650? my old one sold on here for that price or the SUB basses are incredible value for money, usually between £350 and £400. If you want to buy new, then the sterling range retail around £600. Ps. Didn't want to sound patronising but just incase you didn't know, flea used musicman stingrays in the early days and his sig basses have all been of similar design since.

when i was in my previous rock band, it was the p bass all the way! I have had a mex p for about 5 years now and after i changed the pickups, i haven't played a better one. Trouble with the musicman stingrays is the quiet G. I sold it because my jazz bass which cost 1/4 of the price was just as good but with a G string that was as full in tone as the other strings. Might be worth having a look at the squire classic vibe p basses.

he's not dead!? well theres the sequel sorted skankdelver

[quote name='shizznit' timestamp='1331304613' post='1571113'] Most demo's at shows I have seen often involve a lot of slappage. I guess it's a bit more entertaining that repeating 12 bar blues [/quote] i would rather see the people doing 12 bar blues

[quote name='skankdelvar' timestamp='1331309341' post='1571221'] [b]He's gotta have it[/b] Light-hearted road-trip rom-com where Ben Stiller sets off across America to find the daughter of the man who left him a priceless old bass. [/quote] nah if its got ben stiller and owen wilson it has to be law have vince vaughan and w/e ben stillers wifes name is

[quote name='skankdelvar' timestamp='1331307412' post='1571177'][list=1] [*]Bloke finds dead bloke's bass in vacated premises. [*]In accordance with local laws, flogs it cheap to bloke 2. [*]Bloke 2 sticks pics of his 'new' bass on TB. [*]Mass swooning until bloke 2 mentions how he came by it. [*]Some TB'ers think bloke 2 should pay market value of bass ($ Crillions) to dead bloke's family [*]Big row on TB [*]Bloke 2 says 'None of your beeswax, evil TB-er's' to TB-er's who are evil. [*]Much muttering. [*]New TB threads opened /deleted [*]More rows on TB [*]Bloke 2 joins BC. Everybody says "Hi, bloke 2 with dead bloke's bass. Nice bass" [*]No rows on BC [*]Evil TB-er's from row on TB grass bloke 2 up to dead bloke's family. Also some not evil TB-er's. [*]Dead bloke's daughter says "No biggie, bloke 2. Enjoy the bass. Pics, please" [*]Everybody happy (-ish) [/list] [/quote] If this happened in England and if bloke 2 has sex with daughter after a night of martini and ballroom dancing... then kills evil TB'ers in either a car or boat race. Then you have a bond film

i thought yolanda, tm stevens and especially doug wimbish slapped too much!!! I think the main problem was on the stands, where everyone was playing different things at once. The stands were too close together, so it became muddy and to defeat that people just turned up louder until it became unbearable.

i wanted it but cannot make it unfortunately. Im sure the OP has 100+ messages

only problem would be if the bass was knocked while on display. Say it was in mint condition but a kid dropped it and then you would have to take a chunk off your price through no fault of your own. How many would take this risk?

[quote name='goblin' timestamp='1331078909' post='1567480'] It was probably TomKent's revenge after I accidentally drowned him out when he was doing a demo on the BassGear stand (Mr East turned the amp up, not me ) [/quote] if it was during the demo with the tapping guy i think you did us all a favour

[quote name='TheRockinRoadie' timestamp='1331061509' post='1567093'] Wrong, very wrong! I'm a classic rock and blues bassist - I don't know the first thing about slap bass, and i have little interest in it! [/quote] twas a joke shame you don't slap though as the fender MM and lakland 44-02 are two of my favourite basses to slap on. Proper old school!