EBS_freak

[quote name='wateroftyne' timestamp='1421777373' post='2664904'] Ed's reviews are great viewing, but I take his opinion with a pinch'o'salt these days. [/quote] He seems to have his faves yeah?

Congratulations on your purchase - I'm sure you'll love the ambient feeling that the T1 system will give you. Don't worry about the closed mouth impression - there is more give in silicon and its not unusable for the moulds be taken in a closed mouth position regardless of what you intend to do with the drivers. It's more critical with acrylic that an semi/open mouth impression is done if you intend to sing. My T1s are closed mouth impression and fit very snug and never break seal, even when singing. As for the mix - it's all dependant on your own personal preference and to some extent, the gig. For example, in rooms where the acoustics are like an echo chamber, I'll do away with the ambient pack completely. If you are caught in a bass trap, I'll tend to not use the ambient pack either - the swampy ambient bass can muddy your mix and you'll lose definition in your bass. Sometimes, if the ambient sound it too loud, it can cause distortion problems with the ambient pack even when you engage the pad settings on the mics. Sometimes those little mics just cant cope with very loud environments... and you not think you are loud but when you stand the whole band in that 1m square stage in the corner of a pub, things tend to get loud! Anyway... now that the bad environments are taken out the picture, what I tend to do is do a dry monitor mix and then blend in the ambient pack. I couldn't figure out if you understood how the ambient pack works but basically it blends the ambient mix with an incoming mix (if there is one). So without an external mix, you get just the mix from the T1 mics. If you plug in a wireless receiver or a cable from giving you the feed from the desk, the ambient pack passes through that mix but laters the ambient mix on top. It's a passive through from the desk mix meaning that if the ambient pack batteries fail, it won't take out your dry monitor mix.. only your ambient mix. I hope this makes sense.... Anyway, I find that the best monitor sounds come from having the precise mix from the desk and then adding in the hint of ambience from the pack to give it that airy, natural feel. I find if you do it the other way around, you'll find that moving your head off axis to the stage for example, can cause significant changes in monitor level and you'll find yourself messing with the mix all night. As crazy as it sounds, for me at least, the best sounding mixes are the ones that add just the tiniest of ambient mix in... that gives you the best sounding yet natural sounding mix. You get the 3d stereo positioning - like the drums becoming louder when you walk closer to them but without the cymbals suddenly taking your head off. Like everything, you have to play with it - trial and error is key but if you mix like I suggest here - I think you'll shorten your learning curve a lot and get to where you want to be. I started off with a bias towards the ambient mix and it was all over the shop. AH are on the ball - they have to be, especially with all the desks that are coming out at the moment. For example, the Mackie DL32R should mix things up nicely! (assuming you already have an iPads and iPhones in your band) Anyway, good luck on your T1 journey! Keep us all informed as to how you get on!

[quote name='stingrayPete1977' timestamp='1421769827' post='2664778'] You are the transvestite slapper and I claim my five pounds! [/quote] Bah. Rumbled.

Some people just like making videos of themselves I guess. If it makes them happy and helps them to escape what could be the monotony of their humdrum life, all power to them. Youtube is a free place... one man's trash and all that...

[quote name='pfretrock' timestamp='1421763388' post='2664651'] Works OK on my PC [/quote] Ah. User error then!

It would seem pajc72 is P Croppier... if you are taking the time to actually transcribe all these lines... maybe you should buy the book to speed up the process! (If you haven't already)

[quote name='ead' timestamp='1421760226' post='2664607'] I tried all the downloading and printing but it looks to me like the file is protected to disable printing. [/quote] Works alright on a Mac. I would wager these tabs to be a rip from this book - http://www.prestoclassical.co.uk/sm/7035109 - but formatted to be on one page. Seems a bit crazy that somebody would spend time doing this (probably breaching copyright) and then asking for paypal donations! Seems like a surefire way to get into some legal bother... Anyway, that aside, I can highly spending the 50 quid on the complete works book - all the parts, 100% spot on. One of my fave musical purchases ever.

Holy thread revival batman!

And David - http://youtu.be/ed2iCC4QJh8 It's great that we can celebrate such talents.

http://youtu.be/deXFUzc3bpo

[quote name='Huge Hands' timestamp='1421400581' post='2660698'] You know Matt too then? He works for the same company as me, albeit I'm in London. I haven't seen him for a lot of years, so I probably can't call him a "mate" too much. I think it was a shock to most of us that he was on there. Shame he didn't get through, we'd have all been rooting for him! [/quote] Yeah, big shame he didn't get any turns but he seems to be getting a bit of interest regardless. He's still busy with his function band, The Beat Brothers and no doubt they will see a rise in bookings following this. I really enjoy playing with Matt - his guitar playing is as good as his vocals too.

My mate didn't do so well - his rendition of House of the Rising Sun didn't strike a chord with the judges!

How about running a thread like this every quarter? Or every 6 months? Seems a good fun thread.

Awesome cab. I think it's the best neo cab that EBS do. Enjoy.

[quote name='Allie' timestamp='1420561168' post='2650646'] Colin Keefe did some nice work on a neck last year for me: [url="http://www.keefeguitars.co.uk/"]http://www.keefeguitars.co.uk/[/url] and he has a vid on You-Tube: [media]http://www.youtube.com/watch?v=FUCwqQkYpDc[/media] HTH Allie. [/quote] What a great video, he looks like a top chap.

Northworthy Guitars - http://hand-made-guitars.co.uk

When it comes to acrylic instruments, this has to be the best thread on the net... grab a cuppa. http://www.tdpri.com/forum/2011-tdpri-tele-build-challenge/263778-scatter-lees-2011-tdpri-build-challenge-thread.html

Never had any problems with Thomann - I've had more problems with the UK based companies than I have with Thomann (which is zero). What's this about Germans and efficiency?

745 certainly a step up from the 725. In fact, I think that RCF have killed off the 725 now and presumably pushing the 745. Bass response is good too - in fact, I reckon most DJs could go out with a pair of these and not bother with a sub. Hmm... maybe I should make a bass rig out of these...

[quote name='Alec' timestamp='1420467942' post='2649616'] For the 12" & 15" units, the 7 series blows the 3 series away hugely [/quote] You heard the 745? Quite remarkable for a plastic box!

I think the RCFs will see you ok. 10s aren't my favourite but given the fact you are looking for lightweight and portable and only using for vocals, I think it's a sensible compromise. To put your mind at rest, I've never thought as RCF as particularly harsh - I consider them fairly well rounded and surprisingly good in the bass response, considering that ART stuff is in plastic boxes.

Talking of Attenuators, I found the only ones I liked were these- http://www.tedweber.com/atten.htm

[quote name='Happy Jack' timestamp='1416917439' post='2614949'] Luckily enough I feel the same way about Jaco as some Basschatters feel about Barefaced cabs. [/quote] Has Jaco got a sh*t logo too?