countjodius

Another vote for the refret option if it has come to that. As mentioned I definitely recommend getting an experienced repair person/lutheir to tackle it, preferably one that comes recommended from someone you trust. I had my '73 Jazz refretted a good while ago now, and whilst it plays great, it wasn't the neatest job. I was younger and less experienced then though, the "repairman" wouldn't be getting away with that these days! 👊🏽

+1, great case! I'll throw Protec Contego in to the mix also.

Lo Riders are the highest tension DRs as far as I know.

Both great strings! The Lo Riders are higher tension (hex core) and I find them to have more midrange punch than the Sunbeams, which are a bit mellower by contrast and more flexible. I use the Lo Riders on my regular scale bass and Sunbeams on the 35". I have a set of Pure Blues on the way so am interested to see how they compare to these two.

I use the Streamliner with a 4x10 for most gigs and a Barefaced BBT for smaller settings, great amp! I always have the gain switch active even with the 4x10. I've never tried a 2 cab set up, but can say that the single BBT does struggle with full drumkit and guitar at times. Although I did use a current gen Compact recently which was much more capable on it's own. Valve-wise I have a JJ 5751 first followed by 2 JJ 12ax7s. I've read elsewhere that the valve mounting plate can be damaged by using too much force to push the pins in whilst replacing them, so maybe this could have happened if all valves are in working condition, and you're confident in the power-handling of the Compacts? Other more electronics-savvy folk might have some other suggestions!

I use a Hiscox with my L2000, and just added foam inserts around the body for a snug fit and protection. Survived probably 50 flights with no problems so far (touch wood!).

Ken Baker at https://bassesbyleo.com/forum/index.php is your man for info!

@Cuzzie Must admit that I agree with @Opticaleye on G&Ls! My L2500 is strung with nickels, and I generally favour more vintage-orientated gear like Aguilar or tube hybrids which may help, but have never found it too toppy. I love the gooey P-bass like tone using the neck pup in passive, and the general versatility of sounds available. I agree that those MFDs are hot and takes a bit of volume knob riding if you want a more conventional passive tone. I just wish G&Ls were more numerous, and a bit more generous in the fiver string spacing. For comparison, as much as I love the Stingray tone, I find that too mid-heavy and zingy for my own tastes! Back to Sandbergs though! I'm definitely keen to get my hands on a TM2 now!

Thanks for the detailed rundown @Cuzzie, very interesting! I was edging towards the TM2 myself from researching so far, so am even more keen to try one now. Funnily enough it's my love of G&Ls and the double humbuckers that lead me towards the similar config of the TM2!

That's some collection @FacStudio! I've been looking to try some Sandbergs recently, and was wondering what your thoughts are on the tone/character of the TM versus TM2?

+1 for Fusion and also the Protec Contego (heavier with less pocket space but a bit more rigid in terms of protection). I didn't have great experiences with the Mono M80 as I found that the straps would constantly slip, and also my bass strap button wore through the bottom of the case (which Mono deemed wear and tear so wouldn't replace under warranty, though they did offer to pay for a cobbler to repair).

A pleasure to deal with. Great communication throughout and the item arrived quickly and safely packaged. Thanks Nick! @castlemaine22

Not a used cover, but Hot Covers are great! [url="https://www.hotcovers.co.uk/amplifier-covers/aguilar/aguilar-db410-cab-cover"]https://www.hotcovers.co.uk/amplifier-covers/aguilar/aguilar-db410-cab-cover[/url]

[quote name='Sean' timestamp='1505857053' post='3374862'] I don't do much of that. I play fingerstyle and pick. I only slap on Aerosmith's Elevator and that's not an issue at all. The only answer is having a go. Hopefully one will turn up soon. [/quote] Fingers crossed! [quote name='thepurpleblob' timestamp='1505683981' post='3373590'] I used to have one. Lovely neck but I could never get on with the narrow spacing. It's quite similar to the StingRay 5-string in many ways. Which I also didn't get on with. It was after those two that I realised I only liked 19mm spacing! [/quote] I have a feeling that I'll be in the same boat, so am keen to try before committing. An L2500 with 19mm spacing would be a game changer!

Interesting to hear Sean. How do you find slap, double thumbing and such on the L2500? Worried that big hands plus being used to Lakland fiver necks would make the spacing feel pretty tight!

Hi all, I'm really interested in an L2500 as I love the L2000, but would like to try before I buy as I'm not sure that I'd get on with the string spacing. Are there any proud owners of an L2500 in Glasgow or close by that wouldn't mind me trying their G&L baby? A box of beer and some in depth bass chat for any generous volunteers! Haha

Sorry to hijack the thread slightly, but seeing as we're on the subject of 70's Jazz particulars! Did Fender change the wind of pickups along with the other design features from the mid 70's onwards? I ask as have always toyed with changing the pups on my 1973, but was unsure if this fell under manufacturer's 60's or 70's style winds.

[quote name='mcnach' timestamp='1494361628' post='3295409'] Regarding the rattle, have you checked the handle? They can sometimes rattle and it doesn't sound as if it comes from them... but then you grab them and it stops. If you haven't checked. worth trying before removing parts... [/quote] Yeah definitely coming from the mid driver by the sounds of it. The handle seems fine, I tighten the corner bracket screws regularly and there are not enough feet left on it to rattle haha!

Thanks guys. P-Zarn was kind enough to forward me Barefaced's own guide for removal. Big up the Basschat community as always!