countjodius

[quote name='4 Strings' timestamp='1350685749' post='1842431'] I have a Streamliner 900 and it is powerful but you'll need it if you use Barefaced cabs. That's not to say its necessarily a bad thing as I am about to recommend the Compact to you if you 'want deep gooey P-bass soul'. I've not used an S12 to be able to give you a comparison but for Motown and soul (much of my current playing) this is, to my mind, the perfect combination. Ample power for, frankly, anything without any problem. Don't need two of either. The Midget will do the trick too, here is where you'll need the power of the amp. It will go real loud but needs plenty to juice to drive it there. Will need to tweak up the bass control to get your goo. However I can recommend the Compact and Streamliner for soul, the natural sound of the combination, in my opinion, is perfect and will be all you need. >Just to add the Streamliners have a high pass filter which takes out the inaudible rumble etc like the Thumpinator does, and saves a load of unnecessary cone movement. Saves the £100 you'll spend extra for the 900! [/quote] Glad to see we speak the same bass-lingo 4-Strings I'd never heard of a Thumpinator, but that's another tick in the Streamliner box! [quote name='spencer.b' timestamp='1350691433' post='1842481'] I just changed my Streamliner 9 for a shuttle 9.2 as I found it a bit wooly although with my berg cabs although the streamliner sounds good with vanderkleys [/quote] Did the Shuttle make a big difference? Are the berg cabs naturally quite low/low mid heavy (guessing that's where the wool is!)? Interesting how cab choice can make all the difference in getting the tone you want out of an amp (fingers/feel and bass aside of course)- means i better get this right! haha

Okay, so with a bit more researching I'm swaying towards the Vanderkley 210 MNT, due to tone and the volume that would suit me, but also the config/size/weight. There's been some great feedback about these so far, but I'd like to know if it's really worth the price difference over the likes of the GK Neo 210 or Barefaced Midget? The Super Twelve looks great, but can't see myself in a situation where I'd need that volume & couldn't just go through the front of house system. As I say, I'd be pulling the trigger based on what I've seen & read online, as I don't have the option of trying where I am unfortunately. Also, on the Vanderkeley website I see the power listed as 600 Watt AES - is this interchangeable with RMS? Thanks once again!

[quote name='hamfist' timestamp='1350558287' post='1840426'] No issues with annoying high frequencies at all with the GK neo 212. It has a good quality horn, as opposed to the cheapie piezo tweeter that was probably on the 2x10 combo you tried. The neo 212 also has the usual rear tweeter control dial to fine tune your sound, which I find to be very flexible. [/quote] Cool thanks for the info Hamfist [quote name='chris_b' timestamp='1350559497' post='1840444'] What combo are you using at the moment? I like a ton of bass but the mids and low mids is the area where you need to concentrate for punch, powerful notes and cutting through the mix. The Shuttle 9.2 seems to be a much more balanced amp in this respect. Then if you want a more rounded sound I'd also look at 12's rather than 10's. [/quote] I'm using a Hughes & Kettner QC421 which has served me well for years, but it's a bit bulky for solo lifts, and tonally I just fancy a change! From what I've read/heard online, the Shuttles are a bit more modern/clean sounding than the Streamliner, which appears to have a more classic/valve sound- is this a fair estimation? I'd be putting a 73' Jazz/G&L L2000 through it if this helps! Luckily a fellow BCer is letting me hear a Streamliner this week so I'll get a better idea! [quote name='alexclaber' timestamp='1350543190' post='1840178'] No such thing as too loud, you can always turn down! (And if the master volume is proving too sensitive don't forget there's the preamp gain (sometimes two of them), your instrument's volume knob, and your fingers). Send me an email - [email protected] and we'll work out if we have something that'll suit you optimally. As you said, lots of variables to consider so consider them we must! [/quote] Thanks Alex, I'll swing ou an email when I've got a minute!

[quote name='alexclaber' timestamp='1350473446' post='1839261'] I'll just add that the Super Twelve T isn't really comparable to those other cabs, it can play much much louder - you need a pair of anyone of those cabs to compete. A Midget T will have similar or greater max SPL to the others when paired with the 900. [/quote] Thanks for the info Alex, good to hear from the Barefaced man himself! I wonder in that case if the Super Twelve may be too loud, so therefore to go with the Midget? Or the Streamliner 600 with Super Twelve? Arrghh too many variables haha

Nice one MoscowBass, I'm not playing this Sunday so might take a wander down. I'll PM you

Hi folks, I am very interested in the Genz Benz STM 900, but unfortunately there are no dealers here in Glasgow! It was suggested that I seek out any local players who use one in order to scope out the sound, which I think is a great idea! I was wondering if any Scottish BCers out there use this amp and would be up for me coming to have a listen? Thanks! P.s. The tea & hob nobs are on me!

Thanks for the opinions guys, like there are even more options than I first thought! [quote name='PTB' timestamp='1350323475' post='1837326'] I use my SL900 with an old MarkBass 3x10 from the days before they had yellow cones. I think it sounds great and it's light enough for me to carry. I've also tried it with some Vanderkley cabs at bass direct when I bought it & that was very impressive but expensive. We on BC can share our experiences but you really need to hear the rig for yourself. I'm on the mobile so I can't tell exactly where you are but you need to find somewhere to try some things out. Are you near enough to Carlisle and the Overwater shop? Are there any Scottish BCers who can let you hear their rigs? [/quote] I'm about two hours North of Carlisle, so Overwater could be a good option. Do they have a large range of amps/cabs in store? For some reason I always assumed that the shop was only an outlet for their basses/products! Great idea in finding a Scottish member who might be able to give me a preview! Hamfist- the GK looks quite good! I've only tried a GK 2x10 combo, and although the sound was quite punchy, it had this high "zing" that I couldn't get rid of- is this present in the Neo 212?

Thanks for the recomendation WalMan, that's good to know! I did wonder if I'd need the power of the 900, but it I figured it's only and extra £100 for a lot more head room!

Hi all, I'm looking to upgrade my rig and really like the look of the STM 900. As this is my first foray in to the world of non-combo amps, I'm keen to get some opinions on what cab to match with it, as the choice is a bit overwhelming! My main criteria are that it's light (under 25kg), punches above 400w, and I've always been keen on 2x10s (although I'd be open to other configs). So far I've short listed these cabs:[list] [*]Ampeg PN-210HLF - I've always been a fan of the Ampeg tone, but not the weight/size, so very interested by this! [*]Barefaced (possibly Super 12) - I've been reading rave reviews of these cabs, and they look to be super light. Wouldn't rule out the Midget also. [*]EBS Neo 210 - Specs look great, and I've enjoyed the few EBS rigs I've come across. The price is steep though! [*]Vanderkley 210MNT - Just came across this just now and it looks interesting, although have not read too much on them. [*]Genz Benz NEOX X2 and STL2-210T [/list] There are also the MarkBass and TC 2x10s. Tonally, I'd like something that has good punchy mids (I do a lot of bridge pup funk), but also has the versatility for deep gooey P-bass Soul & melodic/harmonic playing. I personally don't like the super modern cleanness of the likes of MarkBass amps, so am looking for something with a good amount of growl, but not woolly like some amps can be. Hope that makes sense! Hopefully that's specific enough criteria (and not exhaustive)! As there's no chance to try out even the Genz north of the border, I don't have the option of testing out different cabs, so any thoughts greatly appreciated! Thanks!

[quote name='brensabre79' timestamp='1346757863' post='1792674'] I wouldn't bother with Vintage pots, I don't see the value in them. Keep the originals in case you want to sell your bass as all original. But if you pay a fortune for some 70s ones they are likely to be worn and the date codes won't match your 70s bass exactly anyway so those who know... will know. Just replace with CTS pots of the same type. This is what Fender used. Most people accept that parts are replaced as part of the maintenance of a working instrument and it shouldn't devalue in any way, but keep the originals just in case! [/quote] Again thanks for the opinions gentlemen. Good to hear brensabre, for me a vintage bass is for playing & not keeping all pristine in a glass case- I'd much rather it was playable than "all original"

Cool thanks for all of the info. I've seen some original 70's pots online for a small fortune, so good to hear there won't be a difference in tone with quality new parts. Also good to know that I can get my current pots refurbed, didn't know that that was an option! Thanks

Hi guys, The pots on my workhorse early 70's jazz have passed the point of no return, and it's finally time to replace them. Having had no experience with this before, I am curious as to whether there will be a change in tone with new (quality) pots, and if so will the change be dramatic? Also, can you recommend pots to replace them with? Thanks!

I'm looking to make a bit more of my Pod XT in my live set up, as I have started using a lot more effects than my current FBV Express is practical for. Before I splurge the squideroos on one, I was wondering if anyone has experiences with the Shortboard, and if it is a worthy upgrade? Thanks!

[quote name='Ou7shined' post='1283978' date='Jun 27 2011, 12:39 PM']Sounds like an earthing issue that could be easily rectified by a good guitar tech. As for the oily marks, I have no personal experience with this particular model's finish but I have noticed a similar thing with basses that I've finished matt/satin myself - I don't think they are fobbing you off.[/quote] Well it seems it was just a bad apple- I picked a cracking Blueburst L2000 Tribute from my local guitar shop after getting a refund from the European online store, and what a difference! It feels so much better quality in every way to the previous one- almost as if that one was some sort of prototype with out even the frets being properly dressed! See, it's worth paying that wee bit more to come away with the instrument you've actually played, and the knowledge that you can just head down the road for any after sales issues! Cheers J