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Everything posted by 6feet7
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My Fender Rumble v3 500 combo lasted less than 3 minutes at bedroom volume before it packed up working. It was straight back to GAK for a refund. Put me off them forever. I've a secondhand Orange Terror Bass 500 and cab now and couldn't be happier.
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[size=4]£55.00 Official Godin Hard Case, Made in Canada. Got case candy in it from a Multiac guitar. Bought from the USA by mistake - I was after a bass case. Used but not abused. A solid, strong hard case.[/size] [size=4][color=#231F20][font=Helvetica, Arial, sans-serif]The internal measurements are:[/font][/color] [color=#231F20][font=Helvetica, Arial, sans-serif]Complete internal length: 106cm[/font][/color] [color=#231F20][font=Helvetica, Arial, sans-serif]Length of guitar body: 47cm[/font][/color] [color=#231F20][font=Helvetica, Arial, sans-serif]Widest part back body: 35cm[/font][/color] [color=#231F20][font=Helvetica, Arial, sans-serif]Widest part front body: 29cm[/font][/color] [color=#231F20][font=Helvetica, Arial, sans-serif]Then there's a 30cm long box bit for odds and sods [/font][/color] [color=#231F20][font=Helvetica, Arial, sans-serif]Length of neck area: 28cm[/font][/color][/size] [size=4]Happy to post (at cost). Message me if you want to know anything else.[/size]
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Actually, just forget the YOB bass and look at Simon Farmer's new GUS G5 basses. Far more your style.
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How is it?
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Just bought my Tokai Hardpuncher. Great guy who I would happily deal with again.
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The Pro Tone's are supposed to be very very good guitars and basses. They were only made for a couple of years before Fender pulled the plug as they were taking sales from both Mexican and American made Fenders, they were so good. Korean made and supposedly with extremely good quality control and woods. Buy straight away if seen I've been told.
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[color=#282828][font=helvetica, arial, sans-serif]Tokai Hard Puncher[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Made in Japan[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Lindy Fralin pickup - gives this one of the finest Precision sounds I've ever heard.[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]BadAss II Bridge[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]weight 8 lbs on my bathroom scales[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Hiscox[/font][/color][color=#282828][font=helvetica, arial, sans-serif] [/font][/color][color=#282828][font=helvetica, arial, sans-serif]hardcase[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]Post anywhere at cost[/font][/color] [color=#282828][font=helvetica, arial, sans-serif]The only reason for selling is that I'm moving over to 5 strings and have my eye on a Godin.[/font][/color]
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[size=4][font=arial,helvetica,sans-serif]1990.[/font][/size] [size=4][font=arial,helvetica,sans-serif]This is a lovely resonant bass, a nice comfortable weight (6.5 lbs on my bathroom scales) and a great woody sound when amplified. I've emphasised this even more with a set of brand new Rotosound black nylon strings (put on since the photos were taken). [/font] [font=arial,helvetica,sans-serif]It's in great condition with no noticeable fretboard wear, one tiny pinhead finish ding was all I could find (by the edge bending below the bridge but too small to photograph).[/font] [font=arial,helvetica,sans-serif]Rock maple neck Rosewood fingerboard 34 " scale Mahogany body Solid spruce top[/font] [font=arial,helvetica,sans-serif]Full length thumbrest[/font] [font=arial,helvetica,sans-serif]Grover tuners LR Baggs ribbon transducer and custom preamp - [color=#000000]a series of 18 tuned brass rods suspended internally from the bridge which produce sympathetic vibrations to enhance the amplified sound.[/color] Volume, mid, treble and bass controls [color=#000000]3 band active EQ[/color][/font][/size] [color=#000000][font=arial, helvetica, sans-serif]Hiscox hard case[/font][/color]
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Depends on what speed the drummer decides to play em. Sometimes it's different speeds in the same song
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I came to bass via the guitar so just carried on using a pick. After a couple of years I decided to go to the 'traditional' index/middle finger approach. I now do either depending on the song - fingers for mellower sounds, pick for attack.
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Manshed studio build **ADVICE ON INSULATION PLEASE**
6feet7 replied to Beedster's topic in General Discussion
Looking good. I'm about to do something similar for my work office (but there might have to be my gear in there too but I was going to add insulation (sound and temperature) on the outside, not thicker than the corner overhangs, then cover that with marine ply and reclad this with cheap, thin wood cladding. That way i still have the lovely wooden inside that wont be dead acoustically and, as long as I do the outside well, it shouldn't look too different. -
Many thanks for that. I'll have a look later All the best
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That actually bought tears to my eyes
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I'm near Uckfield. Brightons fine but Worthing and Horsham a bit far for regular stuff. I was in an originals band playing anything from indie to pop to rock but I'm a classic blues/rock lover really - root, 5th and octave (though I can't get enough of Rammstein at the moment .
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I remember reading an article about a repair on a 1959 Gibson Les Paul pickguard. A small chunk had been broken off so they got a new piece of identical material, cut out the exact shape and I think they somehow gently melted the bits together (I can't remember how but I think it was a soldering iron with a small piece of wire attached - one end to the solder and the other end between the two pieces of plastic - but don't quote me on that). They then spent ages with a razor blade smoothing off the join on the front and back till it was almost impossible to see the join. Might be worth a try?