Pow_22

i drooled over that many times on the BB website! Enjoy!

more expensive but I've had great results with the Origin Effects bass Rig pedals. Even tho I'm an SVT man at heart I actually prefer the sound of the Black Face 64 one. Awesome pedal

I'm really toying with the idea of getting another valve amp. Stage volume wise we are quite a sensible band and rely a lot on the PA to give the FOH volume. I genuinely think i could probably get away with an Ashdown CTM30/Little Bastard but recently I've looked into an old Bassman 135 as I see you can run 1 x 8ohm cab off the extension output and they also have a line out for FOH. In an ideal world id love to get my hand on one of those EBS T90's but can never find one

My bad, i meant the 50's gold/burst/maple one, one of my favourtite P bass colour combos. Assume it was called a 57?

Looks lovely that. Out of interest what did you use on the dry rosewood?

Same experience with the Fullertons. I tried a 58 P bass, I genuinely thought the more recent Classic MIM 50's were better. For me, if you want an original but on a budget, you cant beat the 80's MIJ reissues

Bass Centre Elites. Further confirmed by the slightly too long E string

If the spyder could produce more grit it would be the clear winner and my perfect amp. Even with gain dimed it is still pretty much clean, slight hair to notes but nothing too gritty. The next rabbit hole would different valves help? For now, with the need for grit, the ABM is staying but maaaan, the spyder sounds REALLy good

As an elites flats and Grounds user i can confirm as above. Blue headstock silks and short red bridge silks 👍

I know most consider "vintage" to be 70's and older but this John Deacon-esque 1980 popped up on Bass Bros and has me intrigued (other than the weight). Im currently considering selling all my basses and just having one older P bass, this could be the one potentially. https://bassbros.co.uk/product/1980-fender-precision-bass-2/

So, only one can stay. Let the geeky day of A/Bing commence! So far its clear the ABM is a more versatile amp, it also gets dirtier but the core sound of the Spyder is absolutely brilliant. It almost sounds more like....dont know....bigger and more 3D?

So i picked up an old UK made ABM 300 Evo II (not the one i linked above, i found one for much less).

Definitely played what appeared to be a 70's P bass. As per the previous leaked pics of the rehearsal room his rig was 2 x Fender Super Bassman's via 2 x Fender 8x10's

So some leaked pics of the rehearsal room are doing the rounds on social media. Looks like the bass rig is a pair of Fender Super Bassman's with matching 8x10's. No sign of the basses being used yet

Be interested to see what bass gear they use for the reunion. As mentioned here it is pretty much confirmed to be Andy Bell on bass. First time round he was famous for using a black burns bison including several reissues (generally through an Ampeg SVT rig) Later he seemed to switch to a couple of 70's Precisions through a Marshall VBA 400 rig

https://www.bassdirect.co.uk/product/fender-precision-bass-3-tone-sunburst-1966-pre-owned/

Im almost certain that 66 was on bass direct no too long ago. Quite distinctive wear. Im in love with it! 😍😩

Ive been a long time fan of Toneriders standard P pickups and i do love a traditional woody throaty P sound with flats through some valves. However, recently in my jazz i put some used Wizard 84's in and have been blown away. Yes they are hotter than standard but maintain a vintagey tone and dont go full on mud. For my P,as a cheap option to the thumper, i noticed the Tonerider Duke, slightly less hot which could mean i maintain more of the vintage vibe but add a bit of 'push' to my sound. Has anybody tried both the standard and duke models and could chip on with their thoughts on a comparison of the two? Its a must that i retain that woody thunky sound so definately want to avoid a muddy dark sound