Bleat

A bore of bass players

I had a Trace 250 SMX head years ago that did this. It went off for "repair" several times but the problem just came back every time. I used to find that the gentle art of thumping the top of the amp several times used to work... sometimes. Got rid of the damn thing in the end... Trace Elliot , never again !

Washburn B-200 in Dark Metallic Blue. Looks great, and plays beautifully. Sounds fantastic.

My sound is so big and heavy I need a HGV licence to play.

I bought a pair of these. Not only have they vastly improved my playing speed and technique, they could also come in useful for hitting annoying punters and/or fellow band members.

Can't polish a turd...but you can make it look like one.

Not sure about the tonal advantages of strap buttons, though am wondering about the sonic advantage of actual guitar straps. For example would a 3.5 " studded real leather strap make me sound more appropriate for Metal, rather than say a 2.5 " nylon strap with holes in it?

If you have been in isolation for the last 12 months with no company whatsoever, then that may be the reason you are hearing differences in tone and sustain from a scratch plate. If not then have you considered getting a family member to make notes while you use a stop watch to measure and compare sustain times? Edit: If you have access to several family members, let each take it in turn to place an ear against body of bass while you pluck a note. Ask if they hear a difference in tone. Compare number of "yes" to "no" answers to conclude tonal or non tonal differences.

A million slapped and popped notes from start to finish can end up saying so very little, whereas a couple of very well placed and chosen notes can end up changing someone's life.

It is the actual bass line that is iconic and as the op already stated, he's not even looking to replicate particularly "that" sound. I agree that certainly in this case, any number of vst synths could provide what the op is looking to achieve. The original song is *not* massively bass heavy, and as I already stated above, if this is to form part of a band project, you most definitely don't want to be wrecking a mix with speaker blowing levels of low end anyway.

It doesn't look like a Jupiter 8 though. 🤨

We aren't back in the day though dreaming about owning a Jupiter 8 or to achieve the exact sound of the original song? The guy asked about any free vst's available that he could approximate a "synth bass-like" sound. I made a suggestion for one that is quick and free to download, with an easy to use interface, also providing a quick demo of it. There you go , a suggestion as asked for? And there are always solutions, for example: 1) Play the bassline on a real bass and mix in a synth sound underneath. 2) Open up another instance of VST, create another bass sound, play octave lower, detune and layer up the sound. 3) Spend a bit of money and get a Boss SYB pedal to get a true "bass synth" sound, then re sell it after project is finished. 4) Sell house, wait around for a "Jupiter 8" to become available (good luck) , and use proceeds to purchase. If the project involves other musicians and therefore will be a mix of instruments, what point is there in creating a speaker-blowing bass sound that may seem great in isolation, but devastating to a band mix?

Here you go I downloaded, created this sound and recorded bassline with TAL U-NO 62 in about 10mins. Don't You Want Me - Bass - TAL U-NO 62 by User 549051091 (soundcloud.com)

How about this Juno -60 VST? TAL Software (tal-software.com) https://www.youtube.com/watch?v=zyxrhdWeiE8

I have some Audio Technica ATH M50X. Had them a good few years now. I have worn them so much there is no leather stuff left on the pads! I must get around to replacing them. They have been thrown around, dropped, had loads of volume put through them, and still work beautifully. Very much worth the initial extra outlay of money in my opinion. I am more attached to these headphones than any bass I have owned! The sound quality is top notch, not only great for music production, but due to a slight bias towards the low end, basses sound wonderful through them.

It could actually have been something from The Snow Goose, another masterpiece, what with the guitar towards the end. Either way it wasn't overt, just a general subtle "something". I guess a mix of soft ambient jazz, the chord changes and some fretless playing made me think of it.

I was so impressed I just rushed out and purchased some Dean Miyako guitar plectrums. ☺️

Anyone else hear subtle hints of Camel's Rain Dances album in it? A good reason to actually quite like this.

That was just one word away from totally changing the meaning of that reply.

I'm a tedious boring guy and THAT is why I took up playing bass in the first place.

How about we adjust the question slightly. "What!!!? In YOUR opinion"!! ! Is the minimum BPM "gold standard"? A bassist needs to sustain in order to be acceptable/respectable! .....Discuss

If there was a gold standard for thread length word salad titles then this would be it.

That's a Washburn B-200. I fell in love the moment I saw it among all the other bland looking basses in the music shop. I think it was around 93/94. It was in the same finish and was my first gigging bass. Loved it but can't remember what happened to it. I have always had a thing for Washburn's and owned a handful over the years including a Hammerhead, B-10, 2 x WB-66 Idol basses, and an acoustic AB-10. The older models gave a lot of bass for the money. edit: ...And 2 Scavengers!

I upgraded the Gretsch I had to CTS pots and 3 way switch to a Switchcraft. From what I remember it produced a subtle but audible improvement on an already great sounding bass. I would say it's a worthwhile upgrade. I also upgraded the machine heads to Schaller M4's.