Bleat

Perfect for Freemasonic RATM fans.

The drummer looks like he's thinking about what to have for dinner most the time, the guitarist really needs to invest in a bottle of Timotei for his rancid looking mop, I didn't hear what the bass player was doing as I naturally tune out the sound of Jazz basses, plus I was distracted by the swaying hips.

The lower the better, and play louder also. If you don't leave the practice room feeling sick with a headache from all the life threatening low end frequencies and half deaf with it.... you've not really played bass. 😐

My mum who is in her 80's loves the Disturbed Sound of Silence cover, as do I. She prefers to listen to it over the original which she knows well.

Nice to see Gibson's build quality has improved greatly.

Some that I love that most others hate or dislike, but why should I care what anyone else thinks? AC/DC- Fly On The Wall- Gets judged on below par production, but some of their best songs, killer guitar riffs throughout. Black Sabbath- Never Say Die- I love how different it is to the previous albums, great songs, Bill Ward had a much better voice than Ozzy. Marillion- Holidays In Eden - nice songs with a pop edge. Camel- Breathless and I Can See Your House From Here- I just like the songs on them.

I knew there was someone on here somewhat near-ish to where I am, but I couldn't think who it was! 👍

I have a nice very rare Washburn Guitars Zippo. I would like £250 with dirt included... oops no sorry I meant £2.50😆

I have never had a problem with any bass with the 3-point bridge. All were pretty quick and easy to setup, and I think it looks nicer than the Fender style BBOT. I never really got why so many people seem to hate it. As long as you just slacken the strings off to remove the bridge before changing strings, it's all good.

.....Rickenbacker players.

Sold my Wine Cellar to Andy... I'm sure he's getting very drunk as I type. Straight forward no nonsense sale with quick payment. All good. 👍

I'm surprised at how many don't use the little finger. I personally use it quite extensively especially on the lower frets even though I have large hands. It is possibly to do with playing a LP type of bass that naturally likes to shunt out to the left though.

I discovered these about 12 months ago. I would say possibly the best all female rock band in history and criminally overlooked. Amazing songwriters, performers and great bass playing.

You are like me then... as soon as it comes out the box the faffing-about tools are out in force. I'm not a fan of flat wounds unfortunately. Surprisingly I found there is very little to no raspy scratchy finger noise from the original bronze strings which are still fitted but then not the best quality. I'm just waiting for a new set of bronze strings to arrive, so will see if that changes things sound/scratch-wise. I did think about trying tape wounds but would be an expensive purchase for something that would end up being be no better than putting elastic bands round an empty shoe box and playing that instead.. If the new bronze ones are very scratchy I may just fit the same light gauge Rotosounds that I use on the electric. It's just a case of try it and see/ hear what happens at the moment.

I was looking for a decent acoustic bass recently, and having a bit of a soft spot for Dean guitars and basses decided this would be a good purchase for the price. It's a real monster with an 18" wide body, but looks great. My Washburn electric looks a bit of a tiddler sat next to it! With a bit of work i.e. nut and saddle filing, I have now got it playing exceptionally well with a great low action. The neck is a chunky P-bass style which I like. I added a strap button onto the neck as it only comes fitted with one. The machine heads are certainly functional but would possibly benefit from being fitted with better quality ones which I will do in due course. The basic tonality is on a par with most other acoustic basses, and is not particularly loud until you plug it in, again like most acoustics. The preamp is basic but decent enough with 3 band eq, tuner and phase button.. Overall I'm really pleased with the Dean EAB for the money, and now more importantly have a use for my Dean guitar strap.

If I remember correctly, I think it might have actually been mid-gig 2001 which was the last time I played live. I've been holding myself ever since in the event of possibly joining another band and having another gig to dump at. As I'm not an expert plopper and constrained financially, I would probably opt for an "entry level" brand of toilet roll. I hear Co-Op's own recycled is good value. I would most likely use one sheet folded in half. Nails? Well nail clippers seem to do the job. I guess the clue is in the name.

This is the result of some one who one day decided these sound great with guitars playing through them. Why can't they stick with their bloody guitar amps so I can buy one at a sensible price!

My signature Washburn complete with signature quirks and flaws, signature replacement parts, signature sweat and general grub, signature gig bag, signature brown strap plus my signature Basschat straplocks.... includes my special signature furry cat guitar polishing accessory.

My vote would be to find a used Boss ME-8B. Obviously old tech, but has a great bass synth section. In addition you can add in chorus, fuzz, octave, delay, reverb etc to create some huge synth tones. It tracks really well, bigger than a single pedal but still fairly compact. I sold the one I had and now regret it as I programmed some great speaker blowing Moog like synth patches on it.

I'll say what many are probably thinking... "What a stunning pair of keyboard playing hands".