oldslapper

Just taken delivery of what I thought was a standard Legend 5 string. Bit of a punt, bought "blind" but I like them and it was a bargain. Quilted NS shaped body, H/bucker at bridge, single coil at neck, gold hardware, 5 bolt on neck and 3 band eq. I'll post some pics tomorrow. But I thought the Legends were 2 buckers, black H/ware and 2 band boost only eq. It's immaculate and sounds gert lush, very good tonal variation with the 2 pups, but I'm confused! Couldn't find a Legend with 3 band and gold hardware unless it was a "set neck" custom. Anyway as I said, not complaining.....I'm slowly converting to the Spector sound and will probably hunt down a Rebop/Euro when I've got some pennies. But in the mean time can anyone point me in the direction of some info on these please?? Ta John

[quote name='skampino' post='789549' date='Mar 29 2010, 04:00 PM']Skankdelvar: I took your advice and downloaded Audacity so it will help. Thanks :0) In answer to questions from others: No, I don't play in tribute bands. (Never have or would as I would get bored playing one genre). Yes we have a keyboardist (who also plays sax if we need it). I care about what other musos think of me as a bass player because I want to be regarded as damn good. I want to get as close to the original bassline as is possible in a live situation. If that's not for you, that's your perogative but it's not the way I prefer to approach covering someone else's music. I may well start another topic questioning improvisation! Here's a starter: If someone has to learn a bassline which has multiple runs and decides to just play root notes, is that improvising? I call it skimping, laziness or probably lack of ability to do anything else. What's your view?[/quote] Please don't misunderstand me, I actually do go for the original lines in all 3 covers bands I play in...the bass lines are played and recorded for a reason, so I play them as they are recorded, if my ability to play/read is up to it. My point is, I don't do anything to gain the approval of other musicians in an audience, I play because I enjoy playing. Best wishes with learning your tunes and hats off for going "true". Only other thing I would say is that "improvising" or playing your own interpretation doesn't always equate to laziness......there are many "covers" of tunes by artists/bass players that are well thought out, beautifully played and in some cases, an improvement on the original. Sorry to have caused you any offence dude! None was meant,

[quote name='skampino' post='789233' date='Mar 29 2010, 10:58 AM']I can't think of anything worse than gigging in a well established music venue and have the p*ss taken out of you by other musos who know you aren't playing the actual bassline.[/quote] By all means learn the "actual" line...they're usually played or written that way for a reason...I always try to, but please don't let your playing be guided by what you think some other muso might, or might not be thinking about your bass playing....who gives a crap? If you and the band have a policy of staying true to the original parts, that's reason enough. As has been said before, old Bill would have played the song many times and would have "gone off course" many times too, don't suppose he cared.......

[quote name='Ancient Mariner' post='789285' date='Mar 29 2010, 12:07 PM']But I'm probably also not typical of the breed, since I'm looking for more than someone to just provide a platform for me to solo over. [/quote] I think you're gonna get a lot of PM's from bass players asking you to join bands after that satement!! .......................where are you???

I keep (and update) a "book" of song titles that I'll take as starting points, then if I come up with an interesting melody idea/hook, I'll try matching with an appropriate lyrical idea. Keeps me focused...........ooooh look!... a fly.....

Depends on what you'd want lessons in really? Technique....go to a bass player/teacher. Groove?....probably come up to you mate!! Theory?....I did separate theory grades with a classical guitarist. I didn't touch on guitar playing, just theory and it was helpful to get an overview of of both staves. My pet hate though is guitarists teaching bass....don't know why....just do.

My brother taught me All Right Now, by Free and I was hooked on bass from that moment! ........35 years ago..!

Ian bought a genz cab off me. Paid quickly, no hassle, good communications all the way. Nice guy, thanks Ian. John

Not enough love for the Shaftesbury option? 11 people would be more like a "tap" than a "bash" Not been to one before, so is there a minimum number to make it work? Anyone willing/able to organise something in Bristol/Exeter as they seem to be favs at the mo', I'm happy to help on the day, but a bit far to organise venue/shops, etc. before hand. OS

James bought a Jazz bass off me. Lightning fast reactions on the payment trigger and great messages throughout. Thanks John

[quote name='CoolCat' post='775449' date='Mar 15 2010, 05:43 PM']This can happen due to the plastic saddle + shim being too soft and not applying enough pressure on the piezzo or the bottom of the saddle + shim are not perfectly horizontal and in full contact with the piezzo. I have seen this mute effect on acoustic guitars with piezzos. Take precise measurements of the plastic saddle, get on ebay and get a piece of TUSQ, BONE,BUFFALO HORN or EBONY that fit those measurements. After that a bit of sandpaper (+ glass surface to rest it perfectly flat) a ruler, tlc and elbow grease should do wonders.[/quote] +1 on replacing the saddle with bone/tusq. I play acoustic guitar and replacing the plastic saddle with a bone one gave an "even response" across all strings and frequencies. Your bridge/saddle is similar. You don't have to be a tech to do this, just follow CoolCat's advice. nice looking EUB.

Bristol based function band looking for bass player two posts down from this one I believe??